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MAPEH > 3rd Grading MUSIC > Flashcards

3rd Grading MUSIC Flashcards

1
Q

It has been influenced by other cultures as a result of either intercultural meetings or colonization.

A

Traditional Philippine music

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1
Q

One of Traditional Philippine music’s characteristics is its employment of _ rather than the usual Asian pentatonic scale.

A

diatonic scale

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2
Q

This is a Greek word that means progressing through tones.

A

diatonic

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3
Q

Kulintang and Gangsa ensemble.

A

Ethnic

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4
Q

An ensemble composed of a set of eight gongs of graduated sizes arranged in a row

A

Muslim’s kulintang

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5
Q

Kulintang includes:

A
  • gandingan (a set of suspended gongs)
  • agung (a tubular drum)
  • babandil (a small gong)
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6
Q

It is played according to the traditions of the different tribes (Kalinga, Ifugao, Bontoc) of the Cordillera. It is a smooth-surfaced gong with a narrow rim.

A

Gangsa ensemble

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7
Q

Rondalla and Sarsuwela.

A

Hispanic

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8
Q

Originated in Spain but became most popular in Philippine folk music after it was introduced during the 19th century.

A

Rondalla

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9
Q

Rondalla is an ensemble of stringed instrument with the pick such as:

A
  • guitar
  • laud
  • octavina
  • piccolo
  • bajo de un~as
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10
Q

A combination of melo-drama songs and dances. Same with rondalla, this was also introduced by the Spaniards. The rondalla serves as accompaniment of it.

A

Sarsuwela

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11
Q

An art song that speaks about the love of a man for a woman.

A

Kundiman

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12
Q

Kundiman is usually written in _ time signature and usually in a minor key and then shifts to the major key. This arrangement usually gives the listener a light and happy mood at the end of the song.

A

3/4 time signature

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13
Q

Kundiman, Balitao, and Musikong Bumbong ot bamboo music.

A

Filipino

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14
Q

An old Visayan folk song and dance where a man and woman engage in a debate by means of a song. The lyrics are usually humorous and spontaneously performed.

A

Balitao

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15
Q

A band that uses improvised instrument made of bamboo. It is still played during festivals.

A

Musikong Bumbong or bamboo music

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16
Q

The bamboo band includes:

A
  • piccolo
  • tuba
  • clarinets
  • flutes
  • saxophones
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17
Q

The succession of notes played one after another under the accompaniment of musical instruments.

A

Melody

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18
Q

The basic Philippine musical instrument classifications.

A
  1. Instruments that are blown - aerophones (whether made of wood or bamboo)
  2. Instruments that are stuck - idiophones and membranophones
  3. Instruments that are plucked - chordophones
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19
Q

These are sound-producing tools used as accompaniment for rituals such as harvest, courtship, and worship.

A

Traditional instruments

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20
Q

Two-stringed lute made of wood.

A

Kudlung

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21
Q

Two-stringed boat-shaped lute.

A

Kudyapi

22
Q

Decorated bamboo tube; closed by a node at both ends.

A

Serongagandi

23
Q

Tube made of bamboo with five strings cut from the tube.

A

Saludoy

24
Q

Brass instrument horizontally held by the tongue in front of the opened mouth.

A

Afiw

25
Q

Bamboo buzzer.

A

Balingbing

26
Q

It pertains to compositions that have adopted elements of 20th-century Western music as well as the latest trends and musical styles in the entertainment industry and in the musical world.

A

contemporary Philippine music

27
Q

Contemporary Philippine Music is also known as “_”, or Modern music.

A

New Music

28
Q
  1. He was a conductor.
  2. He composed “Matinal” in 1912.
  3. He was a concert soloist, composer, and conductor in Hanoi, Vietnam.
  4. He taught harmony, composition, music history, and violoncello at the UP Conservatory of Music.
  5. He was the first Filipino invited to perform at the Malacanang Palace.
  6. He led the first Philippine performance of Bach’s Christmas Oratorio. This was presented by both Knox and Central Church Choirs in 1947 as the first performance of Mozart’s opera, Don Giovanni.
  7. He was remembered as the conductor of the first televised choral concert which featured the Centro Escolar University Conservatory Chorus.
A

Antonio Jesus Molina (December 26, 1894 - January 29, 1980)

29
Q

Antonio Jesus Molina led the first Philippine performance of _. This was presented by both _ as the first performance of Mozart’s opera, _.

A

Bach’s Christmas Oratorio; Knox and Central Church Choirs in 1947; Don Giovanni

30
Q

Some of Antonio Molina’s compositions.

A
  • Hatinggabi (Violin)
  • Malikmata (Piano)
  • Ana Maria (Zarzuela)
  • Misa Antoniana (Mass)
  • Ang Batingaw (Chamber Music)
  • Pandangguhan (Vocal Music)
  • Amihan, Awit ni Maria Clara (Poem)
  • Larawan Nitong Pilipinas (Vocal Music)
31
Q

At an early age, he became a member of a band that marched the town.

A

Alfredo Santos Buenaventura (October 14, 1929)

32
Q

During the pre-war era, Alfredo Santos Buenaventura was one of the sopranos of the _ (similar to the Vienna Boy’s choir). They were given his first-class musical training.

A

Quezon City Tiples de Sto. Domingo Church

33
Q

At that time, Buenaventura also wrote his first composition, which was a _.

A

Danza

34
Q

In 1960, Buenaventura was the organist at the _.

A

Manila Cathedral

35
Q

Other than being affiliated with the _, Buenaventura received numerous outstanding awards and one of these is _, of which he won twice.

A

League of Filipino Composers; Republic Cultural Heritage Awards

36
Q

Some of Buenaventura’s compositions were made for special occasions such as:

A
  • 16th Centenary of St. Augustine
  • 400th Year of the Augustinian Recollect Mass
  • Philippine Music Festival
37
Q

She earned a Bachelor of Arts in English at the Philippine Women’s University and a degree in teaching at St. Scholastica’s College.

A

Lucrecia Roces Kasilag (August 31, 1917 - August 16, 2008)

38
Q

Kasilag later went to the Eastman School of Music in Rochester, New York where she studied theory with _.

A

Allen McHose

39
Q

Kasilag later went to the Eastman School of Music in Rochester, New York where she studied composition with _.

A

Wayne Barlow

40
Q

Kasilag was a faculty member of the UP Conservatory of Music. She became the Dean of the Philippine Women’s University College of Music and Fine Arts from _ to _.

A

1953-1977

41
Q

She was known for being instrumental to the development of Philippine music and culture. She was also acknowledged for having incorporated traditional music in her work.

A

Lucrecia Roces Kasilag (August 31, 1917 - August 16, 2008)

42
Q

Lucrecia Roces Kasilag founded the _ for research and theatrical presentations and became closely involved with the _.

A

Bayanihan Folks Arts Center; Bayanihan Philippine Dance Company

43
Q

Kasilag’s works comprise a set of more than _ compositions that belong to music genres:

chamber music
dance
electronic music
organ or piano music
sacred
operetta
orchestral music
theater
vocal

A

250 compositions

44
Q

He was born in Pasig on 25 February 1941. Since all of the members of his family except his father were members of the Pasig Artists Guild, he was exposed to music at a young age. Upon his return to the Philippines in 1972, he was soon appointed Assistant Professor in Composition at the UP College of Music

A

DR. Ramon Pagayon Santos (February 25, 1941)

45
Q

DR. Ramon Pagayon Santos’s grandmother whom he had formal music lessons with.

A

Josefa Andrada Pagayon

46
Q

Dr. Ramon Pagayon Santos graduated valedictorian at _, elementary department in 1954.

A

Pasig Catholic School

47
Q

Dr. Ramon Pagayon Santos completed high school at the _ where he joined a choir.

A

San Jose Seminary

48
Q

DR. Ramon Pagayon Santos studied at UP Conservatory of Music, major in _.

A

Composition and Conducting

49
Q

Dr. Ramon Pagayon Santos was so amazed with the avant-garde music of _—the association of sounds-sirens, percussions, and chimes.

A

Varese

50
Q

DR. Ramon Pagayon Santos was also exposed to Jose Maceda’s avant-garde composition—_.

A

Ugma-Ugma

51
Q

Where was DR. Ramon Pagayon Santos’ greatest exposure where all the avant-garde people came and presented their works?

A

1996 International Music Symposium

52
Q

Dr. Ramon Pagayon Santos became a _ travel grantee and graduated with distinction a Master in Music degree major in composition.

A

Fulbright-Hays

53
Q

Composer of Kay Ganda ng Ating Musika. Warmly known as Mr. C, he was born in Manila, Philippines. His mother was an opera singer who died when Ryan was only 6 years old. Ryan’s father sustained him and his siblings.

A

Ryan Cayabyab

MAPEH (9 decks)

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