(2) Famous Filipino Playwrights Flashcards
He was born on April 2, 1788 in Panginay, Bigaa, Bulacan and died on February 20, 1862 of pneumonia. His best-known work is the Florante at Laura.
FRANCISCO ‘BALAGTAS’ BALTAZAR
Balagtas learned to write poetry from him. He is one of the most famous poets of Tondo. It was him who personally challenged Balagtas to improve his writing.
Jose de la Cruz (Huseng Sisiw)
What did Balagtas do in 1835?
Balagtas moved to Pandacan, where he met Maria Asuncion Rivera, who served as the muse for his future works.
Maria Asuncion Rivera was referenced in Florante at Laura as?
“Celia” and “Mer”
Balagtas’ affections for Mer were challenged by who?
Mariano Capule.
Capule won the battle when he used his wealth to get Balagtas imprisoned under the accusation that Balagtas ordered a servant girl’s head to be shaved. It was in prison that he wrote Florante at Laura so that the events of the poem were meant to parallel his own situation.
When was Florante at Laura published?
After Balagtas’s release in prison in 1838
When did Balagtas serve as the assistant to the Justice of Peace
When he moved to Balanga, Bataan in 1840
Year Balagtas served as Major Lieutenant.
1856
When did Balagtas die?
February 20, 1862 at the age of 73
“Father of the Tagalog Zarzuela”
The son of Rufino Reyes and Andrea Rivera. He was born in Sta. Cruz, Manila on February 11, 1861. He studied at San Juan de Letran College and later at the University of Sto. Tomas, where he studied philosophy. A Filipino writer, dramatist, and playwright, He was highly acclaimed as one of the giants of Tagalog literature.
Severino P Reyes
What did Reyes found and direct in 1902?
Gran Compania de Zarzuela Tagala
a drama set against the historical events in Bulacan during the Philippine revolution.
Walang Sugat
Reyes co-founded this, a Tagalog literary weekly which published a series of fairy tale titled Mga Kwento ni Lola Basyang, written by Reyes.
Liwayway
The storyteller, Lola Basyang, was based by the author on a neighbor named?
Gervacia de Guzman
broadly underscores the injustice of Spanish rule even as it dances around the cruel fate of young lovers Tenyong and Julia with humor and song. Set in the final leg of the Philippine Revolution, Tenyong is forced to leave behind his childhood sweetheart Julia to join the Katipunan. Meanwhile Julia’s mother pressures her into marrying the wealthy Miguel instead. With no word from Tenyong as the battles prolongs, Julia gives in, but her wedding was interrupted by the fatally wounded Tenyong.
Walang Sugat