1400-1500 Italy Flashcards

1
Q

Sacrifice of Isaac Competition

A

Florence, Italy 1401

Wool merchants guild commissioned a second set of doors for Florence Cathedral in 1401

Competition for artist was to create sacrifice of Isaac panel

Symbolic of crucifixion and Florence sacrificing themselves when Duke of Milan surrounded city

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2
Q

Ghiberti’s panel

A

Smooth and graceful Abraham in gothic pose Isaac looks like a classical statue, like a dying Gaul

Acanthus scrolls

Painting and metalwork training background

Used less bronze, so it was cheaper

Foreshortening

More energetic and movement

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3
Q

Brunelleschi’s panel

A

Sturdy and vigorous

Emotion

Angel and Abraham energetic

Careful observation of bible

Several pieces

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4
Q

Four Crowned Saints

A

by Nanni di Banco

Florence, Italy

Stone and woodworkers guild

Patron saints of guild that defied emperor’s demand of pagan sculptures

Seen working on bottom

Looks like they are interacting

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5
Q

Saint Mark

A

by Donatello

Florence, Italy 1411-1413

Greco-Roman principals

Linen drapers guild

Contrapposto

Human body not rigid, flexible

Garments move with saint

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6
Q

Feast of Herod

A

by Donatello

Siena Cathedral 1423-1427

Classical relief inspiration

Linear perspective

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7
Q

Gates of Paradise

A

by Ghiberti 1425-1457

Unified system of space

Perspective illusion

Setting glorifies characters

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8
Q

David by Donatello

A

Free nude

Sensual Looks like youth

Symbol of Medici power and how they brought prosperity and freedom

Classical reference=humanism

Large sword for body

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9
Q

Hercules and Anateus

A

by Pollaivolo

1670-1475

Painter and engraver

Medici humanist imagery and glory of

Florentine Republic breaks “column”

More emotion than most

Renaissance pieces, expressive

Strength, in action, diagonals

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10
Q

Gattamelata

A

by Donatello

Venice, Italy

1445-1453

Left Florence in 1443 for Venice commission

For Gattamelata, regional general

Inspired by Rome

Very Individualist

Not superhuman or dominating, but in control

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11
Q

David by Verrochio

A

1435-1488

Master to Da Vinci Clothed

Not as sensual Realistic weapon

Head removable

Reason

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12
Q

Adoration of the Magi

A

by Fabriano

Courtly style now the international style

Understanding of foreshortening

Exotic animals

Fancy and lavish dress and servants

Gold leaf

Too much background

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13
Q

Tribute Money

A

by Masaccio aka Big Tom

1427

Brancacci Chapel

Light source same as building

Continuous narration

Dark coloring back and light coloring front

Clothing creates gravity with use of shadow

Gestures move eye sround

Atmospheric perspective

Monumental, weighty figures

Contrasting colors add emphasis

Insignificant bible story

Giotto influence

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14
Q

Holy Trinity

A

by Masaccio

Santa Maria Novella

Theyre all 15th century you get the idea

Lenzi family

Mementomori, reminder of death

“I was once what you are, and you will soon be me”

Deep shit brah

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15
Q

Annunciation

A

by Fra Angelico

1438-1447

Florence

in St Mark monastery

Loga=porch

Displayed above friar’s cell

Hail Mary reminder

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16
Q

Battle of San Romano

A

I fucking hate this one its by Uccello and is just super unnatural and obsessive. LIKE WOW YOU CAN DO THE PERSPECTIVE CONGRATS WOWEE. Asshole. The Medici’s fucking stole it too. Like wtf. I get that it shows a battle between Milan and FLORENCE (WOW HOLY SHIT SO MUCH FLORENCE!@!!!!1!!) but it ugly as shit soooo like

17
Q

Primavera

A

by Botticellli

1482

ITS FOR THE MEDICIS SO OBVI IN FLORENCE

Doesn’t fit wallpaper-like background, figures float

Spring scene

Venus and BLIND Cupid (love is blind, sinful love)

Orange symbol of guess who? MEDICI FAMILY WOW

Might have been a wedding gift

High contrast Venus has implied halo

18
Q

Birth of Venus

A

by Botticelli

1486

Pyramidal composition

Aphrodite of Knidos pose

Outlines Surreal background

19
Q

Christ Delivering Keys to Saint Peter…

A

by Perugino

Rome (hello old friend)

1481

St Peter was first Pope, legitimizes pope’s power and necessity

Constantine’s arch Pope Sixtus the Fourth commissioned for chapel he made

Trying to make Rome an art center

20
Q

Camera Picta

A

by Andrea Mantegna

Mantua, Italy

1465-1474

Like second style wall paintings

Shelves and moldings painted

Painted oculus

Peacock is Juno, oversees lawful weddings

9 years to paint

Putti=little angels

Below looking up=do sotto il rigo

21
Q

Florence Cathedral

A

dome by Brunulleschi

Too wide for dome (140 ft)

Studied Pantheon

Ghiberti partner, later fired

Gothic elements French influence/buttresses illegal

Double dome by Doug Dimmadome, owner of the Dimmsdale Dimmadome

22
Q

Santo Spirito

A

by Brunulleschi Florence

1434-1446

Rational, reason

Barrel vaults

Horizontal strips

Wanted 4 entrances, had to have

3 Modular

No frescoes Pantheon inspired

23
Q

Pazzi Chapel at Santa Croche

A

by Brunulleschi

1442

Centrally planned

Pietra serena

Harmony and balance

Tondi sculptures of family

Outside made after death

24
Q

Palazzo Ruccellai

A

by Alberti

Florence, Italy

1452-1470

Classical but contemporary

Different capitols on each level

Colosseum inspiration

25
Q

Sant Andrea

A

by Alberti

Mantua, Italy

1470-1472

Redesign of 11th century church

Same patron as Camera Picta

Colossal order=columns over 2 stories

Shorter than church behind to balance square in front of building

Built off Basilica Nova