Weimar Berlin: The City as Film 1/2 Flashcards

1
Q

who you see in Die Sinfonie der Grosstadt

A

Different crowds of people
Different segments of society
Workers, rich people, servants, beggars, newspaper salesmen
Specific spheres
Those people who can’t participate in this consumer society
All the shop windows full of goods
Jewelry and junk
Desirable and superfluous
Who is buying?
See people left behind who cannot consume (food or goods)

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2
Q

Is it an ambivalent portrayal in Die Sinfonie der Grosstadt ?

A

More critical than ambivalent
Analytical

Portraying how you would emotionally read the city not a realistic representation

Montage, layering, unpredictability
Anxiety, stress, confusion

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3
Q

What kind of image of the city does this film convey?

A

Confused, chaotic, isolating, frenetic, callous

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4
Q

Die Stadt der Millionen

A
First documentary film made about Berlin 
Trying to show the beauty and history of the city
Grand buildings 
Cartoons about the history 
Uneven film 
Ideas then taken up by Ruttmann 
The structure of acts 
An army of work 
Non narrative introduction to Berlin 
Clock symbol: mechanization of time
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5
Q

Why Ruttman’s film is different (maybe better)

A

Presentation of modernity
The city as the ultimate sign and symbol of modernity
Technique of montage

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6
Q

What do we mean by modernity?

A

Located around the age of industrialization and its consequences
Technological developments = machines, factories,
Involves a movement from the movement of people from rural areas to cities
urbanization
Pace of life becomes much much faster
Implies “progress”

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7
Q

New mobility

A

Constantly see trains and tracks and wheels

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8
Q

What does progress mean?

A

Improvement of the quality of life

Technological, efficiency

What implications for society are attached to technological progress?

Capitalistic - Faster, cheaper, more

The images of the track and the wheel

Linear development to a future where everything is automatic

Things become faster, easier, better

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9
Q

What implications for society are attached to technological progress?

A
Loss of individuality 
The crowd, the marching workers
Those who aren’t moving 
Highlights the people that can’t keep up
Are economically disadvantaged 
Match woman, newspaper man, suicidal woman, begging child 
If you don't have any work you are an outsider 
Residue of individuality
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10
Q

What do we see?/ What does the film show us ?

A

Speed, industry, a journey, smoke, machines
Geometric, animated shapes
See the train from various angles
What happens when you go past a landscape really quickly = it blurs, kind of like an expressionist painting
Shapes that could be abstract things
All about movement and speed
The closer you come to the city the more technological “progress” you see - industrial action
Ambivalent images
- Exciting or intimidating?
- Anxious
Not just interested in showing us what’s there but pointing out how we perceive things

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11
Q

Geometric, animated shapes

A

Playing with perception
It is not a conventional documentary, it’s a comment on our visual perception
Artistic element
Not just representation, but telling us something about how we perceive
Formalist element
Very concerned with how it is presenting these images
And also the notion of speed and increasing speed

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12
Q

See the train from various angles

A

Things you can only do with a camera
It’s constructed
Medium and technology of the medium very visible in the first images - as well as the editing - incredible speed, not just the train but the speed of the editing as well

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13
Q

What happens when you go past a landscape really quickly = it blurs, kind of like an expressionist painting

A

Realistic in terms of perception = not so much interested in the object
Interested in the way we perceive and movement and what happens to shapes when the camera or train is moving

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14
Q

Act 1

A

People going to work spliced with images of cattle going to slaughter
- Film making a political comment about the nature of work
Machines that seem to be running automatically - you don’t see the people
- Loss of humanity?
- Metropolis
Masses of workers
White collar workers

Newspapers and speed - information overload
Nothing is really being processed 
Lots of montage 
Eating montage 
Again, disparity between rich and poor
Newspaper montage 
Not about information  = sensationalized news 
Ultimately it's all about money 
Roller coaster
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15
Q

White collar workers

A

Screeching monkeys and fighting dogs
A regression of sorts
Stressful and aggressive and overwhelming

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16
Q

Roller coaster

A

The stock exchange
The disparity between rich and poor
The city as a machine - and we’re all along for the ride
Breathlessness of perception

17
Q

Ruttmann review

A

Combines images in the technique of montage
Social class disparity
Thematizes speed as a factor of modernity
Overload of perceptions and images
Processing all these different images is super stressful
See lots of machines
Wheels turning
Tracks leading somewhere