Weimar Berlin: Cultural Critique Flashcards

1
Q

Roth - “Going for a Walk”

What impressions do you get of Roth as a “flaneur”

A

Flaneur as a privileged role.

Observing what others don’t see

Condescending

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2
Q

What does he see?

A

Absurdity and triviality

Supposedly important things are trivial

Trivial things are important

The horse and the child in the beginning

The girl trapped in the window

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3
Q

The horse and the child in the beginning

A

Romantic ideas, Rousseau

Reminders of the outside world and time beyond that of the modern city

The child as perfection, as more/most natural

Development is not progress, perverted through the process of growing up and perhaps growing up in the city

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4
Q

The girl trapped in the window

A

The city as a prison

Forces people into structures that are not natural

The horse and the cab

The child hitched to inevitable adulthood

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5
Q

Pressed into the shadows

A

The structures of the city act as violent oppressors of the people of the city

He’s clearly very poor, poverty is represented

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6
Q

The grease spot

A

Critical of the rich

Not a big fan of capitalism

Immediate contrast with the poor guy collecting paper

He’s the antagonist

Something that he wants to remove

Everything would be put back in its natural order without

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7
Q

Themes “Going for a Walk”

A

The city as a prison

Class differences

Nature vs. city life

Media

Advertisements

Nature - the idea of nature

Critique of mankind and civilization and progress

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8
Q

Media

A

Newspapers

Reduces them to entertainment

They’re all talking about individuals

Without fact or value

Not reality, so I’m going for a walk

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9
Q

Adverts

A

The cigarettes

The image of products

Ubiquitous

Telling us something about a world that doesn’t exist

Telling us to perceive something

Telling us to do or buy something

“Nothing is, everything claims to be”

Objects win their reality through claims, adverts, ect…

Adverts tell us what to make of things

But really it is fake

There is nothing genuine

Creating narratives

Critique of the system which creates a specific kind of meaning and governs our perceptions

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10
Q

Nature

A

It’s just another consumer good

It’s a tool, it’s something to take advantage of

Nature is degraded

It’s a recreation of what humanity declares nature should be

People just seeing a reproduction

Nature serves us

  • Like the horse that draws the cab

It no longer exists for its own sake

We’re exploiting it

Even in an aesthetic sense

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11
Q

The Berlin Pleasure Industry

Hessel vs. Roth

A

Hessel stays with the upper class joints

  • Describes the titillating, guide-book worthy places
  • Places for people that have money and want to experience an exciting, standardized nightlife

Roth visits all the different locals of all the different social classes

  • Highest to lowest

Hessel’s enjoyment of life vs. Roth’s lack of pleasure, everything is mechanical

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12
Q

The Berlin Pleasure Industry

A

It’s the systematized manufacturing of pleasure

Mechanization

Dehumanization

  • People as facsimiles, production line product

People become products

Imitation of life

The clubs are fabricated and the people who go to these clubs are fabricated

The money side

  • It caters to all of social classes

Monotony of international nightlife

Nostalgia

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13
Q

people become products, mechanized

A

Musicians = marionettes

Couples who get up simultaneously

People behave like puppets

Uncanny image

The mechanized smiles

Commercializations of women’s bodies

“Willingness to be bought”

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14
Q

monotony of international nightlife

A

It is the same wherever you go

Same drinks, cocktails, women, music, food, ect..

Early critique of globalization

Completely different from Hessel’s view where he’s all stoked that Berlin isn’t so provincial and is cool like Paris now (the aperitifs)

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15
Q

Nostalgia

A

Looking for something but he can’t find it

Tries to find authenticity somewhere but not capable of finding it in the city

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