Week 8 Flashcards by User Unknown

Q

One view of the world tends to prevail

A

Dominant ideology

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Q

Upholds the existing relations of power and hierarchy

A

Dominant ideology

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Q

Maintains the status quo

A

Dominant ideology

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Q

Resist, challenge, or subvert the dominant ideology

A

Alternative ideologies

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Q

Ideological vs normal

A

Behaviour

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Q

Idiosyncratic

A

Behaviour

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Q

neurotic/psychotic

A

Behaviour

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Q

Resistant

A

Behaviour

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Q

Majority of work falls into this category (blockbusters, tv, etc)

A

Aesthetic Form vs Social Impact:

Conventional form without Politicizing effect

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Q

Affirm our customary way of viewing the world and film

A

Aesthetic Form vs Social Impact:

Conventional form without Politicizing effect

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Q

Few formal chances and may have mild political controversy

A

Aesthetic Form vs Social Impact:

Conventional form without Politicizing effect

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Q

Conservative and reactionary: present the status quo as obvious, unquestionable (eg war films, action films… glorifying war)

A

Aesthetic Form vs Social Impact:

Conventional form with politicizing effect

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Q

Progressive (liberal and radical) politicizing effect through character identification with the intrepid

A

Aesthetic Form vs Social Impact:

Conventional form with politicizing effect

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Q

Formalism: work that is innovative on a formal or stylistic level and exposes formal conventions

A

Aesthetic Form vs Social Impact:

Radical form without politicizing effect

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Q

Radical aesthetics rather than social

A

Aesthetic Form vs Social Impact:

Radical form without politicizing effect

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Q

Redefines the possibilities of the film medium

A

Aesthetic Form vs Social Impact:

Radical form without politicizing effect

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Q

Distances viewers from purely realist style and engages them in the process of understanding how a social reality is constructed

A

Aesthetic Form vs Social Impact:

Radical form with politicizing effect

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Q

A collection of prejudicial images assigned to different groups within the social dynamics related to power and hierarchy

A

Social imaginary

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Q

Power, prejudice, and discrimination

A

Social imaginary

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Q

Supports the hegemonic order

A

Social imaginary

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Q

Stereotypes and cliches

A

Social imaginary

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Q

Denies individual difference, objectifies

A

Social imaginary

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Q

forms of discrimination are built into legalized everyday institutions such as education, medical, financial, laws, etc

A

Institutional racism

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Q

prejudiced individuals internalize an image of themselves (ideology) as superior to a stereotype of another group

A

Individual racism

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the assumption of rights or privileges for oneself because of the color of one’s skin

White skin privilege

Whiteness as universal ethnicity, Melting pot (USA) and the ideal of whiteness

White skin privilege

Burden of representation: success or failure will be seen as a credit or embarrassment to their race

Stereotypes

scheming, deceptive, and murderous (thieves, drunks, killers)

Mexican stereotypes: Greaser

large, cantankerous, speaks her mind, ineffectual, speaks the truth, laughable

African american stereotypes: Mammy

comical, intellectual inferiority, fubling, is made into the butt of jokes

African american stereotypes: Coon

benign, innocent, trusting, compliant, obedient and faithful- doesn’t present a threat

African american stereotypes: Uncle Tom

light-skinned black individual who often tries to pass for white and encounters doom, pushed back into the black culture they sought to escape

African american stereotypes: Tragic mulatto

brutal, ruthless, oversexed, hyper-masculine, powerful, magnetic physical force, subordinates intelligence to physical and sexual prowess

African american stereotypes: Buck

Inability to speak english without an accent

Asian stereotypes

Women as dragon ladies or prostitutes

Asian stereotypes

Men as servants, meek, geeky or martial artists

Asian stereotypes

Highly intelligent, mystically wise, criminally clever, geeky

Asian stereotypes

westerns and documentaries have shaped the public’s perception of Native people, often seen as a people of the past and not existing in contemporary times

Indigenous or Aboriginal Stereotypes

Wise elder

Indigenous or Aboriginal Stereotypes

Drunk

Indigenous or Aboriginal Stereotypes

Indian princess

Indigenous or Aboriginal Stereotypes

Loyal sidekick

Indigenous or Aboriginal Stereotypes

Native warrior, noble savage

Indigenous or Aboriginal Stereotypes

white people playing non-white characters/roles meant for people of color

Hollywood whitewashing

used to signify an abstract other that is a product of the hegemonic processes

The other

Subordinated, demeaned

The other

Reduced to a stereotype

The other

Hierarchy comes into existence

The other

either/or categories such as us/them, black/white, good/evil

Binary oppositions

Based on the fixed images of others

Binary oppositions

Govern hegemonic relations in the social imaginary

Binary oppositions

The Other provokes attraction as well as repulsion

Binary oppositions

Without Others, identity may lose its solidity

Binary oppositions

Identity = insecurity and instability

Binary oppositions

If the other can be fixed (stereotype), the dominant group can project onto the stereotyped other a negative image of themselves

Binary oppositions

Negative self image is projected outwards | “They’re like that; I’m not”

Binary oppositions

Understanding and empathy, utopian

Social symbolic

Social hierarchy dissolves (momentarily)

Social symbolic

Expression of an ideal social society (music, dance)

Social symbolic

Hierarchy dissolves and everyone is equal

Social symbolic

Symbolic harmony

Social symbolic