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Fashion and Film > Week 8 > Flashcards

Week 8 Flashcards

1
Q

One view of the world tends to prevail

A

Dominant ideology

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2
Q

Upholds the existing relations of power and hierarchy

A

Dominant ideology

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3
Q

Maintains the status quo

A

Dominant ideology

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4
Q

Resist, challenge, or subvert the dominant ideology

A

Alternative ideologies

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5
Q

Ideological vs normal

A

Behaviour

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6
Q

Idiosyncratic

A

Behaviour

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7
Q

neurotic/psychotic

A

Behaviour

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8
Q

Resistant

A

Behaviour

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9
Q

Majority of work falls into this category (blockbusters, tv, etc)

A

Aesthetic Form vs Social Impact:

Conventional form without Politicizing effect

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10
Q

Affirm our customary way of viewing the world and film

A

Aesthetic Form vs Social Impact:

Conventional form without Politicizing effect

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11
Q

Few formal chances and may have mild political controversy

A

Aesthetic Form vs Social Impact:

Conventional form without Politicizing effect

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12
Q

Conservative and reactionary: present the status quo as obvious, unquestionable (eg war films, action films… glorifying war)

A

Aesthetic Form vs Social Impact:

Conventional form with politicizing effect

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13
Q

Progressive (liberal and radical) politicizing effect through character identification with the intrepid

A

Aesthetic Form vs Social Impact:

Conventional form with politicizing effect

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14
Q

Formalism: work that is innovative on a formal or stylistic level and exposes formal conventions

A

Aesthetic Form vs Social Impact:

Radical form without politicizing effect

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15
Q

Radical aesthetics rather than social

A

Aesthetic Form vs Social Impact:

Radical form without politicizing effect

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16
Q

Redefines the possibilities of the film medium

A

Aesthetic Form vs Social Impact:

Radical form without politicizing effect

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17
Q

Distances viewers from purely realist style and engages them in the process of understanding how a social reality is constructed

A

Aesthetic Form vs Social Impact:

Radical form with politicizing effect

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18
Q

A collection of prejudicial images assigned to different groups within the social dynamics related to power and hierarchy

A

Social imaginary

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19
Q

Power, prejudice, and discrimination

A

Social imaginary

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20
Q

Supports the hegemonic order

A

Social imaginary

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21
Q

Stereotypes and cliches

A

Social imaginary

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22
Q

Denies individual difference, objectifies

A

Social imaginary

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23
Q

forms of discrimination are built into legalized everyday institutions such as education, medical, financial, laws, etc

A

Institutional racism

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24
Q

prejudiced individuals internalize an image of themselves (ideology) as superior to a stereotype of another group

A

Individual racism

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25
Q

the assumption of rights or privileges for oneself because of the color of one’s skin

A

White skin privilege

26
Q

Whiteness as universal ethnicity, Melting pot (USA) and the ideal of whiteness

A

White skin privilege

27
Q

Burden of representation: success or failure will be seen as a credit or embarrassment to their race

A

Stereotypes

28
Q

scheming, deceptive, and murderous (thieves, drunks, killers)

A

Mexican stereotypes: Greaser

29
Q

large, cantankerous, speaks her mind, ineffectual, speaks the truth, laughable

A

African american stereotypes: Mammy

30
Q

comical, intellectual inferiority, fubling, is made into the butt of jokes

A

African american stereotypes: Coon

31
Q

benign, innocent, trusting, compliant, obedient and faithful- doesn’t present a threat

A

African american stereotypes: Uncle Tom

32
Q

light-skinned black individual who often tries to pass for white and encounters doom, pushed back into the black culture they sought to escape

A

African american stereotypes: Tragic mulatto

33
Q

brutal, ruthless, oversexed, hyper-masculine, powerful, magnetic physical force, subordinates intelligence to physical and sexual prowess

A

African american stereotypes: Buck

34
Q

Inability to speak english without an accent

A

Asian stereotypes

35
Q

Women as dragon ladies or prostitutes

A

Asian stereotypes

36
Q

Men as servants, meek, geeky or martial artists

A

Asian stereotypes

37
Q

Highly intelligent, mystically wise, criminally clever, geeky

A

Asian stereotypes

38
Q

westerns and documentaries have shaped the public’s perception of Native people, often seen as a people of the past and not existing in contemporary times

A

Indigenous or Aboriginal Stereotypes

39
Q

Wise elder

A

Indigenous or Aboriginal Stereotypes

40
Q

Drunk

A

Indigenous or Aboriginal Stereotypes

41
Q

Indian princess

A

Indigenous or Aboriginal Stereotypes

42
Q

Loyal sidekick

A

Indigenous or Aboriginal Stereotypes

43
Q

Native warrior, noble savage

A

Indigenous or Aboriginal Stereotypes

44
Q

white people playing non-white characters/roles meant for people of color

A

Hollywood whitewashing

45
Q

used to signify an abstract other that is a product of the hegemonic processes

A

The other

46
Q

Subordinated, demeaned

A

The other

47
Q

Reduced to a stereotype

A

The other

48
Q

Hierarchy comes into existence

A

The other

49
Q

either/or categories such as us/them, black/white, good/evil

A

Binary oppositions

50
Q

Based on the fixed images of others

A

Binary oppositions

51
Q

Govern hegemonic relations in the social imaginary

A

Binary oppositions

52
Q

The Other provokes attraction as well as repulsion

A

Binary oppositions

53
Q

Without Others, identity may lose its solidity

A

Binary oppositions

54
Q

Identity = insecurity and instability

A

Binary oppositions

55
Q

If the other can be fixed (stereotype), the dominant group can project onto the stereotyped other a negative image of themselves

A

Binary oppositions

56
Q

Negative self image is projected outwards

“They’re like that; I’m not”

A

Binary oppositions

57
Q

Understanding and empathy, utopian

A

Social symbolic

58
Q

Social hierarchy dissolves (momentarily)

A

Social symbolic

59
Q

Expression of an ideal social society (music, dance)

A

Social symbolic

60
Q

Hierarchy dissolves and everyone is equal

A

Social symbolic

61
Q

Symbolic harmony

A

Social symbolic

Fashion and Film (7 decks)

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