Week 1 Flashcards
1
Q
What does film represent?
A
- Shared/divided values
- Social groups
- Power
- Stereotypes
- Hierarchy
2
Q
Film and society
A
- Allows social groups to form as a result of understanding such representation exists
- Privileges certain groups/tears down certain groups
3
Q
Assumptions about film
A
- Film/fashion is an art; only the aesthetic matters
- People consume film/fashion separately from social and historical considerations
4
Q
Challenging assumptions about film
A
- Social implications are vital in understanding the aesthetics dimensions of film/fashion
- People respond to film/fashion in direct relation to their actual social and historical situation
- Different people, at the same time and place, read film/fashion in very different but viable ways
5
Q
Encoding/Decoding Framework, Stuart Hall
A
- Where film fashion is produced: frameworks of knowledge/relations of production/technical infrastructure
- Meaning structure: how we interpret the content based on our identity/experiences
6
Q
Paradigm Shift
A
- Link between formal technique and social impact
- Social significance of film/fashion
- Broader social context in which film/fashion circulate
- How does this maintain or challenge power in a society
- How does fashion privilege or repress certain bodies/groups/social groups
7
Q
Fashion Film Explosion
A
- Showstudio.com
- Fashion film festivals
- MA Fashion & film, London College of Fashion
- Fashion-sponsored film
- Exhibitions
8
Q
Encoding, Stuart Hall
A
- Meaning structures 1
- Encoding is how it’s presented, decoding is how we interpret it
- Programme as ‘meaningful’ discourse
9
Q
Decoding, Stuart Hall
A
- Meaning structures 2
- How we interpret the material
10
Q
Why did the fashion film explosion happen?
A
- Technology (internet, YouTube, video editing)
- Economy (financial crisis 10 years ago, companies screen instead of costly fashion shows, can reach more people)
- Collaboration (creative workers)
- Blurred boundaries
- Affiliation with art and film
- Accessibility and audience
- Story telling