Week 4 pt 1 : Colour perception Flashcards
1
Q
Wavelengths…
A
- humans can see wavelengths of light between 400-700nm (visual spectrum)
- we see different wavelength as different colours
- wavelength refers to the distance between two peaks of light energy
- the inverse of frequency… as frequency increases, wavelength decreases
2
Q
White Light…
A
- combination of light waveforms spanning the entire visible spectrum (400-700nm)
- this can be proved by passing white light through a prism that divides the beam into separate wave lengths that can be then distinguished by their colour
- like sunlight -> rain -> rainbow
3
Q
Not all white light is equal… Light temperature
A
- some light sources are relatively uniform across the visual light spectrum (like sun), others have distinctive peaks at particular wavelengths (like fluorescent lights [blue])
- these wavelength distributions are related to a concept called light temperature, or idea that there are ‘cool’ whites and ‘warm’ whites
4
Q
Spectral reflectance
A
- physical properties of an object are such that some wavelengths of the light that strikes the object absorb while others reflect
- the reflected wavelengths give rise to colour cause they represent the portion of the total light spectrum that reaches the photoreceptors in the eye
- black objects absorb all the light & reflect none (-10%)
- white objects reflect all the light (+90%)
- we respond to the percentage of light reflected rather than total amount
5
Q
Hue
A
- like wavelengths, it is seeing the different colours
- the quality of colour
6
Q
Saturation
A
- within a hue, there can be a wide variety of saturations
- like dark vs. light
- the purity of light (more saturated = stronger) e.g. red to pink
7
Q
Non-spectral purples
A
- we cannot perceive purple as a single wavelength
- it has to be a combination (blue and red)
8
Q
Additive colour mixing
A
- additive colour mixing describes what occurs when light wavelengths are added together at the level of receptors in the retina
- e.g. cyan arises from green + blue light (in televisions)
- addition of all colours of like gives white light
- a computer monitor does this w/ little dots in red, green + blue and by changing brightness of them any colour can be generates
- e.g. pointillism paintings (little dots of diff colours)
9
Q
Subtractive colour mixing…
A
- describes result of removing light wavelengths from visible spectrum by combining absorption spectra of different colours
- e.g. cyan = blue + green & absorb red… mix w/ magenta (with absorbs green) we would only reflect blue
- paint mixing… when 2 paints mix, we see the colour that represents the wavelengths not absorbed by either
- more common in natural world
10
Q
Metamer
A
- metameric colour-matching experiments…
- observer shown 2 patches of light
- shown 1 and given control over the other to match it (w/ 3 knobs)
- a metameric match is assigned to the individual
- metamer = psychophysical colour match between 2 patches of light that have different sets of wavelengths
11
Q
3 Cones…
A
- S-cone = sensitive to short wavelength light (blue come - 420nm)
- M-cone = sensitive to medium wavelength light (yellowish-green 535nm)
- L-cone = sensitive to long wavelength light (yellowish-red 565nm)
12
Q
Not all cones are created equal…
A
- large discrepancy in their proportional representations
- s-cones = only 5% of total cones, less responsive to light
- variants within each come type… distribution of which can very across individuals & that’s why normal trichromats may have differing colour perceptions
13
Q
Univariance…
A
- any single cone system cannot see colours on its own without input from at least one more cone
- explains why we do not see colours at night (rods, scotopic)
- by combining the output across cone types, we can accurately encode colour & differentiate between light of different wavelengths
- trichromatic colour!!
14
Q
Opponent-process theory…
A
- bull basically
- says we see colours through 4 categories instead of 3 and its about like opposites and shit
- prof does not like this theory
15
Q
afterimages & simultaneous contrast
A
- evidence of opponent process theory
- phenomenon by which a phantom perceptive colour may appear when a coloured stimulus is removed from view