Week 4 pt 1 : Colour perception Flashcards

1
Q

Wavelengths…

A
  • humans can see wavelengths of light between 400-700nm (visual spectrum)
  • we see different wavelength as different colours
  • wavelength refers to the distance between two peaks of light energy
  • the inverse of frequency… as frequency increases, wavelength decreases
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2
Q

White Light…

A
  • combination of light waveforms spanning the entire visible spectrum (400-700nm)
  • this can be proved by passing white light through a prism that divides the beam into separate wave lengths that can be then distinguished by their colour
  • like sunlight -> rain -> rainbow
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3
Q

Not all white light is equal… Light temperature

A
  • some light sources are relatively uniform across the visual light spectrum (like sun), others have distinctive peaks at particular wavelengths (like fluorescent lights [blue])
  • these wavelength distributions are related to a concept called light temperature, or idea that there are ‘cool’ whites and ‘warm’ whites
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4
Q

Spectral reflectance

A
  • physical properties of an object are such that some wavelengths of the light that strikes the object absorb while others reflect
  • the reflected wavelengths give rise to colour cause they represent the portion of the total light spectrum that reaches the photoreceptors in the eye
  • black objects absorb all the light & reflect none (-10%)
  • white objects reflect all the light (+90%)
  • we respond to the percentage of light reflected rather than total amount
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5
Q

Hue

A
  • like wavelengths, it is seeing the different colours
  • the quality of colour
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6
Q

Saturation

A
  • within a hue, there can be a wide variety of saturations
  • like dark vs. light
  • the purity of light (more saturated = stronger) e.g. red to pink
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7
Q

Non-spectral purples

A
  • we cannot perceive purple as a single wavelength
  • it has to be a combination (blue and red)
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8
Q

Additive colour mixing

A
  • additive colour mixing describes what occurs when light wavelengths are added together at the level of receptors in the retina
  • e.g. cyan arises from green + blue light (in televisions)
  • addition of all colours of like gives white light
  • a computer monitor does this w/ little dots in red, green + blue and by changing brightness of them any colour can be generates
  • e.g. pointillism paintings (little dots of diff colours)
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9
Q

Subtractive colour mixing…

A
  • describes result of removing light wavelengths from visible spectrum by combining absorption spectra of different colours
  • e.g. cyan = blue + green & absorb red… mix w/ magenta (with absorbs green) we would only reflect blue
  • paint mixing… when 2 paints mix, we see the colour that represents the wavelengths not absorbed by either
  • more common in natural world
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10
Q

Metamer

A
  • metameric colour-matching experiments…
  • observer shown 2 patches of light
  • shown 1 and given control over the other to match it (w/ 3 knobs)
  • a metameric match is assigned to the individual
  • metamer = psychophysical colour match between 2 patches of light that have different sets of wavelengths
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11
Q

3 Cones…

A
  • S-cone = sensitive to short wavelength light (blue come - 420nm)
  • M-cone = sensitive to medium wavelength light (yellowish-green 535nm)
  • L-cone = sensitive to long wavelength light (yellowish-red 565nm)
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12
Q

Not all cones are created equal…

A
  • large discrepancy in their proportional representations
  • s-cones = only 5% of total cones, less responsive to light
  • variants within each come type… distribution of which can very across individuals & that’s why normal trichromats may have differing colour perceptions
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13
Q

Univariance…

A
  • any single cone system cannot see colours on its own without input from at least one more cone
  • explains why we do not see colours at night (rods, scotopic)
  • by combining the output across cone types, we can accurately encode colour & differentiate between light of different wavelengths
  • trichromatic colour!!
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14
Q

Opponent-process theory…

A
  • bull basically
  • says we see colours through 4 categories instead of 3 and its about like opposites and shit
  • prof does not like this theory
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15
Q

afterimages & simultaneous contrast

A
  • evidence of opponent process theory
  • phenomenon by which a phantom perceptive colour may appear when a coloured stimulus is removed from view
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16
Q

Constancy…

A
  • we are able to perceive objects as having a consistent colour despite changes in light conditions (brightness & colour constancy)
  • Gelb effect -> tricks colour constancy… You can see 5 squares against a black Ombre background, you likely perceive these 5 squares as going from dark to light, however, the squares are actually identical