Week 3 CARRY ON CLEO Flashcards

1
Q

Cleopatra & Carry on Cleo date

A

55 BC - 30 BC

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2
Q

Alliance of the 3 strongest men in the Roman politics in 60 BC - 53 BC

A

Pompey, Crassus, Julius Caesar (1st Triumvirate)

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3
Q

Julius Caesar in history

A
  • Part of the 1st Triumvirate
  • Campaigned in Gaul (France), and England (didn’t take Britain as his own, Claudius did)
  • 53 BC, Crassus dies and Pompey no longer supports Caesar
  • 49 BC, Caesar declares Civil War on Pompey using his army (Pompey flees to Egypt)
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4
Q

Julius Caesar in history with Cleopatra in history

A
  • Cleo and her brother Ptolemy are the last of the Hellenistic Greek rulers
  • Caesar is seduced by Cleo and awarded the throne, has an illegitimate son and brings Cleo back with him to Rome
  • The first living Roman to have his head on the official royal coinage
  • February 44 BC, he becomes perpetual dictator
  • March 44th BC, he is assassinated by the senate led by Brutus and Cassius to “restore” republican, liberating it from tyranny
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5
Q

Mark Antony and Lepidus, Octavian (great-Nephew of Caesar) in history

A
  • 2nd Triumvirate
  • take revenge on Caesar’s assassins and divide the rule of the empire
  • Lepidus gets kicked out and the two left fight in a civil war
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6
Q

Mark Antony and Octavian in History

A
  • Antony meets Cleo in the East while Octavian in the West
  • Antony has children with Cleo and Rome turns against him because Cleo is “evil”
  • 31 BC, Octavian defeated Antony at the battle of Actium and in 30 BC attacked Alexandria
  • Antony and Cleo commit suicide in Egypt and it becomes a Roman province
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7
Q

Octavian

A
  • individual left to rule the Roman world and granted the title of Augustus in 27 BC
  • uses Roman republic governmental power to recieve absolute power and claimed to “ restore the republic”
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8
Q

“Creation” of Cleopatra

A
  • Many negative propaganda by Octavian and described as a seductress by Plutarch, Suetonius, Cassius Dio & Appian
  • Shakespeare as well bases his work off of Plutarch, but she’s a doomed lover and sympathetic heroine
    By the 18th C, Cleopatra shows the sexualised East, exotic, seductive (orientalising)
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9
Q

Cleopatra in Film

A
  • Early cinema (1913 onwards) uses the exoticism of Cleopatra to create a femme fatale
  • by the 1934 film of Cleopatra portrays a new woman (independent, smart, glamorous, vampish)
  • used to sell beauty products
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10
Q

Escapism of Epic films

A
  • helps escape from depression-era of the 1930s
  • allows to pass censorship by setting it in the ancient times
  • Hollywood gaslit the world that Cleo bathed in asses milk (actually Poppea, wife of Nero) [Same actress played both characters]
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11
Q

Cleopatra (1963)

A
  • the biggest epic of them all
  • 4 hours long and costs 44$ mill
  • told the whole story of Cleo in a faithful historic manner
  • amazing sets and actors (Elizabeth Taylor was very.. diva, adultress)
  • almost put 20th century fox out of business
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12
Q

Carry on Cleo (1964)

A
  • Parody of Cleopatra, low budget (and was sued lol)
  • Reused the abandoned sets and costumes of Cleo
  • Has lines from Shakespear
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13
Q

Comedy in Carry on Cleo

A
  • Many traditional devices used (comic slaves, disguises, happy end, inversion of status)
  • sex jokes and repetition, bad puns, etc.
  • comic timing, exaggeration, and stereotypes
  • Slapstick, Clowning
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14
Q

Inversion

A

Reversal of the normal order of words, typically for rhetorical effect or comedy (Cowardly Hangist turns into the body guard of Caesar)

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15
Q

Stereotype

A

A widely held but fixed and oversimplified image of a particular person of thing (nagging wife, cheeky stereotypical market trader - Marks and Spencer)

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16
Q

Parody

A

An imitation of the style of a particular writer, author, artist, or genre with a de,operate exaggeration for comedic effect (political figures, Rise and fall of the Roman Empire by Gibbon, Julius Caesar by Shakespeare)

17
Q

Differences from Carry on Cleo and Cleopatra

A
  • Carry on Cleo is ditsy and scramble-brained, but still motivated in a subtle method
  • Cleopatra is much more direct and openly ambitious, dead-panned
18
Q

Direct parody of the mute servant - Communication through sign language differences

A
  • In Cleopatra, Julius Caesar has a mute slave
  • In carry on Cleo, Cleo has a slave
19
Q

Direct parody in the rug scene

A
  • both movies have cleopatra smuggled into meeting Cleopatra by hiding in a rug to seduce Caesar
  • in reality, Plutarch has written nearly the same thing, a bedding roll
20
Q

British stereotypes

A
  • Tea and crumpets (god they worship)
  • British weather
  • uncivilized at the time
21
Q

Roman stereotypes

A
  • buildings with columns and marble and inner decorations
  • costumes: Togas, wreaths, military outfits, etc
  • arch of Constantine (that wasn’t built for another 300 years)
22
Q

Thr effeminate East and the barbarian West

A
  • the west was seen as barbaric and wild, unkempt and wild compared to the East
  • the East is the more artistic and philosophical Greeks, admired by the Romans
  • many of the Greek arts were copied by the Romans and even replicated their homes based on classical Greek models