week 11- who makes art and why? Flashcards
what three stages (and at what ages) does the traditional view say children’s drawings go through for realism?
- less than 3 to 4: failed realism- cant capture spatial relationships among objects
- 5 to 8: intellectual realism- draw what they know instead of what they see (ex. draw table as rectangle because tables are rectangles)
- 9 and over: visual realism- draw what they are seeing from their viewpoint
why do children draw what they know instead of what they see during this phase? explain Phillips et al (1978) hypothesis
they used knowledge interference such as schemata and canonical position
describe the depth projections present at each age in children as shown in Willats (1977) study
5-7 year olds: no depth projection
7-12 year olds: orthographic projection (third dimension ignored)
12-13 years old: vertical oblique projection (no receding edges)
some 13-17 year olds: naive projection (lines converge but not at the correct angles)
some 13-17 year olds: true projection
what 4 potential drawing inaccuracies were studied by Cohen and Bennett (1997)? what did they conclude?
- misperception of the object
- lack of motor coordination
- bad decisions about what to draw
- misperception of the drawing
-they concluded that drawing inaccuracies are due to 1. misperception of the object
what are two arguments that support the notion that precociousness is not talent or “giftedness”?
- deliberate practice- people who are high achievers in music practice much more
- strong parental support- high achievers in music have stronger parental support than thsoe taht dont
what are the 4 arguments from Winner (2019) that state precociousness is talent? explain each
- Early high achievement- she argues that practice is necessary but not sufficient for high achievement, as some children take less than 10 000 to master things
- Biological markers- some biological differences are present in high achieving individuals (ex. lefthandedness, certain brain hemisphere dominance depending on their creative ability)
- Rage to master- intense frustration or anger can serve as a powerful motivator, propelling individuals to overcome challenges and achieve artistic excellence
- Deliberate practice is no guarantee of high achievement- a study has shown that deliberate practice accounted for 1% of variance in performance success
what creative abilities are associated with anomalous (equal) brain hemisphere dominance
visual-spatial, mathematical, and musical abilities
BUT also language difficulties