week 11- who makes art and why? Flashcards

1
Q

what three stages (and at what ages) does the traditional view say children’s drawings go through for realism?

A
  1. less than 3 to 4: failed realism- cant capture spatial relationships among objects
  2. 5 to 8: intellectual realism- draw what they know instead of what they see (ex. draw table as rectangle because tables are rectangles)
  3. 9 and over: visual realism- draw what they are seeing from their viewpoint
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2
Q

why do children draw what they know instead of what they see during this phase? explain Phillips et al (1978) hypothesis

A

they used knowledge interference such as schemata and canonical position

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3
Q

describe the depth projections present at each age in children as shown in Willats (1977) study

A

5-7 year olds: no depth projection
7-12 year olds: orthographic projection (third dimension ignored)
12-13 years old: vertical oblique projection (no receding edges)
some 13-17 year olds: naive projection (lines converge but not at the correct angles)
some 13-17 year olds: true projection

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4
Q

what 4 potential drawing inaccuracies were studied by Cohen and Bennett (1997)? what did they conclude?

A
  1. misperception of the object
  2. lack of motor coordination
  3. bad decisions about what to draw
  4. misperception of the drawing
    -they concluded that drawing inaccuracies are due to 1. misperception of the object
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5
Q

what are two arguments that support the notion that precociousness is not talent or “giftedness”?

A
  1. deliberate practice- people who are high achievers in music practice much more
  2. strong parental support- high achievers in music have stronger parental support than thsoe taht dont
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6
Q

what are the 4 arguments from Winner (2019) that state precociousness is talent? explain each

A
  1. Early high achievement- she argues that practice is necessary but not sufficient for high achievement, as some children take less than 10 000 to master things
  2. Biological markers- some biological differences are present in high achieving individuals (ex. lefthandedness, certain brain hemisphere dominance depending on their creative ability)
  3. Rage to master- intense frustration or anger can serve as a powerful motivator, propelling individuals to overcome challenges and achieve artistic excellence
  4. Deliberate practice is no guarantee of high achievement- a study has shown that deliberate practice accounted for 1% of variance in performance success
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7
Q

what creative abilities are associated with anomalous (equal) brain hemisphere dominance

A

visual-spatial, mathematical, and musical abilities
BUT also language difficulties

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