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RTA 211 - Production Theory > WEEK 1 > Flashcards

WEEK 1 Flashcards

1
Q
  • int/ext location variety
  • infinite set ups
  • longer production time
  • higher production value
  • crew size varies
  • repeat action for setup
  • more post production
A

single camera!!!

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2
Q
  • single locations
  • confined to single axis
  • few external concerns
  • time based
  • live recorded audience
  • fixed lighting
  • limited camera movement
A

multi cam!!!

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3
Q

list 4 aspects of pre production:

A
  • generating ideas
  • generating a budget
  • problem solving
  • organization
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4
Q

list 6 expenses of production:

A
  1. equipment
  2. permits
  3. access
  4. storage
  5. makeup
  6. talent
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5
Q

________ ___________ include the following:

-title page
-index
-plot synopsis
-treatment
-call sheets
-breakdown of page per scene
-blocked master script
-storyboard
-shot list
-audio plans
-floor location plans
-lighting plans
-talent

A

paperwork packages!

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6
Q

what layout is this?

             title of production
                   group name
A
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7
Q

what layout is this?

             title of production
                   group name
                group members
   
                course code
                     section

                      prof
                      date
A

title page

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8
Q

list the types of props (7)

A
  1. hand prop (small)
  2. personal prop (defines character)
  3. set prop (setting definition)
  4. practical prop (functional)
  5. cover prop (background)
  6. perishable prop (replaced)
  7. rehearsal prop (fake for practice)
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9
Q

what are the 6 things that breakdown inlcudes?

A
  1. effects
  2. cast list
  3. wardrobe
  4. props
  5. vehicles
  6. animals
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10
Q

develops story
- creates characters
- indicates production length info

A

screenwriter

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11
Q

-camera angles
-cut points
-calls action
-in charge
-takes cues from screenwriter
-audio cues/sfx
- ighting cues/sfx

A

director

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12
Q

what is the most expensive time during a production?

A

Pre-production is most expensive time during production, requires the most planning and setup

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13
Q

what are the 2 types of blocked scripts?

A

sigle cam script and multi cam script

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14
Q
  • Each setup indicated by roman numeral
  • Setups indicated along left side of script
  • Length of I indicates length of script needed to be covered by that setup

-Setup can be reused later in script

-Setups shot out of order, then assembled in chronological order during editing process

A

SINGLE CAM SCRIPT

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15
Q
  • Uses 2 column format (left is for video, right for audio)
  • Includes timing
  • Includes markup for director and assistant
  • Camera shots listed chronologically
  • Cut points indicated by “hockey stick”, shows pauses and camera used (includes framing of shot)
A

MULTI CAM SCRIPT

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16
Q

what is framing?

A

dictates what the viewer is going to see, whether you focus on a specific item, or avoid them

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17
Q

shot abbreviations: EWS/ELS

A

extreme long shot

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18
Q

shot abbreviations: VWS

A

very wide shot

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19
Q

shot abbreviations: WS

A

wide shot

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20
Q

shot abbreviations: LS

A

long shot

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21
Q

shot abbreviations: MS

A

medium shot

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22
Q

shot abbreviations: MCU

A

medium close up

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23
Q

shot abbreviations: CU

A

close up

24
Q

shot abbreviations: ECU

A

extreme close up

25
Q

shot abbreviations: OSS

A

over the shoulder shot

26
Q

shot abbreviations: 2S

A

2 shot (framed similarly)

27
Q

framing question!

define headroom:

A

amount of space above head for framing

(Should be very little headroom in any shot tighter than MS)

28
Q

framing question!

define noseroom:

A

attempting to want to leave empty space for subject to move/look into

29
Q

define the rule of thirds

A

where lines intersect are focal/power points, where you want to position your subjects or focal points of the shot

30
Q

what does the z axis refer to?

A

refers to placing people behind rather than next to one another, creates sense of depth, easier on camera operator

31
Q

what is the 180 degree rule?

A

The rule dictates that you draw an imaginary line between these two characters (or subjects) and try to keep your camera(s) on the same side of this 180-degree line.

32
Q

shot list single cam

A
  • shot acronological
  • footage is setup one shot at a time
  • each setup may cover multiple shots
    -organizing the shot list by setups allowing efficeny
33
Q

shot list multi cam

A
  • shot in chronological order
    -camera cards specific to each camera
34
Q

responsible for overall organization of production group

A

exec producer

35
Q

responsible for management of specific productions, chooses supervisory staff and crew

A

producer

36
Q

assists producer, coordinates appointments and schedules

A

assistant producer

37
Q

creatively visualizes script or event, advises members on production team

A

director

38
Q

assists director, supervises pre-rehearsals

A

assistant director

39
Q

helps director/producer with production needs

A

production assistant

40
Q

primary contact on studio floor, cues performers, directs floor crew

A

stage manager

41
Q

maintains production within budget

A

production manager

42
Q

sits next to director in control room, operates TV production switcher

A

technical director

43
Q

applies makeup to talent

A

makeup artist

44
Q

designs and selects costumes

A

costume designer

45
Q

designs and prepares graphics for the show

A

graphic designer

46
Q

implements graphics during production, types on screen test/titles

A

graphic operator

47
Q

designs, arranges and controlling lighting

A

lighting director

48
Q

controls picture quality by using test equipment to adjust video equipment

A

video operator

49
Q

sets up cameras, capture videos/images requested by director

A

photographer

50
Q

responsible for assisting camera operator, make sure they’re safe

A

camera assistant

51
Q

designs entire set

A

set deisgner

52
Q

responsible for sets and scenery

A

stage crew

53
Q

selects, complies and cuts video and audio to produce programs

A

editor

54
Q

people who are heard and appear on TV (actors, reporters, interviewees, anchors, commentators, sportscasters)

A

talent

55
Q

work from established script, create a character for the audience

A

actors

RTA 211 - Production Theory (8 decks)

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