War Photographer Flashcards

1
Q

In his darkroom he is finally alone

A

“Darkroom” - creates a foreboding atmosphere
“Finally alone” - sense of relief about isolation (makes reader question what he wants to get away from)

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2
Q

As though this were a church and he
A priest pereparing to intone a Mass

A

Religious simile shows
- he is aware of the impact his photos have (as it is as important as religious worship)
- suggests a sombre mood
- parallel between his job and a priest, as both are frequently exposed to death and suffering

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3
Q

Belfast. Beirut. Phnom Penh.

A

Referencing various conflicts
Listing with very short sentences - slows pace down, and shows how many conflicts he has witnessed

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4
Q

All flesh is grass.

A

Phrase from the old testament (more religious imagery) - everything will wither and die
Suggests he is pessimistic due to all he has seen

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5
Q

He has a job to do.

A

Businesslike tone - created by monosyllabic words and the short sentence

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6
Q

Solutions slop in trays

A

Sibilance - creates a harsh atmosphere

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7
Q

Beneath his hands, which did not tremble then
Though seem to now.

A

Is reliving the conflict - he is traumatised by what he has seen, but was at the time seemingly unfazed

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8
Q

Rural England. Home again
To ordinary pain which simple weather can dispel

A

Problems are trivial, sunny day can make everything better - contrast to war torn settings with devastating emotional and physical pain

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9
Q

Fields which don’t explode beneath the feet
Of running children in a nightmare heat.

A

Ends stanza with image of the most vulnerable in society (children) suffering
Reference to a famous photo of a girl in a napalm attack - had a large impact on society at the time - contrasts to now, when war photography is mostly ignored

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10
Q

A stranger’s features
Faintly start to twist before his eyes,
A half formed ghost.

A

Literally refers to process of photo coming into focus while developing - also suggests the person’s dying features (face contorted/twisted in agony)
“Half formed ghost” - literally means the image is not yet fully developed - alludes to the man’s death

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11
Q

He rememer the cries
Of this man’s wife, how he sought approval
Without words to do what someone must

A

“The cries” - auditory imager used to develop the scene
“Sought approval… to do what someone must” - shows he is aware that his presence is intrusive but feels it is necessary to document the conflict and its effects

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12
Q

The blood stained into foreign dust.

A

“Stained” - suggests the war has irreversibly changed the country, left a mark

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13
Q

A hundred agonies in black and white
From which is editor will pick out five or six
For Sundar’s supplement.

A

Idea of consumerism - agonies being curated for the newspaper - seems callous and distasteful, criticism of the exploitative culture of journalism

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14
Q

The reader’s eyeballs prick
With tears between the bath and pre-lunch beers.

A

Word choice of “eyeballs” instead of eyes - suggests crying after seeing the photos is almost mechanical, they aren’t truly affected by the photos, don’t have a genuine, non-superficial response to them
“Tears… beers” - singsong internal rhyme implies the frivolous nature of the reader

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15
Q

He earns his living and they do not care. (End)

A

Ending message of people simply not caring about others in horrific conflicts
Very negative, pessimistic view of the state of first-world countries

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16
Q

Structure

A

Each stanza is a rectangular shape - like that of a polaroid, as each stanza is a snapshot of his work
Rhyme scheme ABBCDD - represents the photographer’s attempt to find order in the chaos of war