Vowels, Formants Flashcards
Partials
all of the sine waves that make up a complex tone (harmonic & inharmonic)
Harmonics - H1,2,3,4
Multiples of the Fundamental Frequency
Overtones
all of the sine waves except the fundamental (harmonic and inharmonic)
The Harmonic Series
F0(H1) 8ve 5th 8ve 3rd 5th b7 8ve 2nd 3rd #4 5th
Source-Filter Theory
Vocal Folds: Source of acoustic energy Their movement (as well as their contact and closure time) alters transglottal airflow
Vocal Tract: Selective sound filter
Formants
Resonances of the vocal tract
Singer’s Formant
(actually a formant cluster) - around 2500-3200 Hz
F3, F4, F5
Control timbre
Why vowel modification?
Vowels have certain acoustic properties that make them more effective in some pitch ranges and less effective in others, hence the need to modify
Male Classical Tuning
male singers typically change tuning from F1/H2 to F2/H3 when moving into and above 2nd passaggio on back vowels
Female classical tuning
Female singers typically change tuning from F2/H2 to F1/F0 when moving into and above 2nd passaggio
Male non-classical tuning
male singers will remain in F1/H2 tuning (back vowels) into and above their 2nd passaggio, a sort of “male belt,” but ultimately transition to F2/H3 tuning (DELAYED PASSAGGIO)
Increase vocal tract length (round lips or lower larynx)
All formant frequencies uniformly decrease
Decrease vocal tract length (spread lips or raise larynx)
All formant frequencies uniformly increase
Mouth constriction
lowers F1, raises F2
Pharyngeal constriction
raises F1, lowers F2