Vol 3 Unit 4 Flashcards

1
Q

How can you determine the lighting effects on your subject when using studio flash units?

A

By using modeling lights within the flash units.

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2
Q

What quality of light does an umbrella reflector produce?

A

A very soft diffused light that approximates outdoor lighting on an overcast day.

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3
Q

What is the brightest reflective surface used in an umbrella reflector?

A

Silver.

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4
Q

What color umbrella reflector produces the softest lighting?

A

White.

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5
Q

Define a lighting ratio.

A

The difference between the main light plus the fill light as compared to the fill light alone.

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6
Q

What lighting ratio would you use to create a pleasing contrast?

A

Normally 3:1, which is a stop and a half.

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7
Q

What is the single most important principle in achieving the correct portraiture lighting?

A

Using one dominant light.

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8
Q

How do you position the fill light?

A

Normally, close to the camera-subject axis, at the lens height, on the side of the camera opposite the main light.

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9
Q

How does the portrait photographer initially establish rapport with the subject?

A

Upon arrival greet the subject at the work order desk and behave professionally.

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10
Q

What is the only “real secret” of portrait psychology?

A

Establishing a warm, human contact with the person in front of your camera.

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11
Q

On which side of the subject would you place the main light when using short lighting?

A

Side of the face turned farthest away from the camera.

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12
Q

Explain the lighting technique you would use to photograph a masculine subject to correct for a round face.

A

Using short lighting to give the effect of narrowing a round face.

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13
Q

How do you position the fill light when using butterfly lighting,?

A

Close to the main light at lens height.

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14
Q

How does slight light or subject movement affect the lighting on your subject?

A

Highlights and shadows are greatly affected.

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15
Q

Describe three ways you can eliminate reflections from eyeglasses.

A

(1) Have the subject take off their glasses.
(2) Use glassless frames.
(3) Raise the main and fill lights until the reflections go away.

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16
Q

Name the three basic categories of formal portraits you may be taking.

A

(1) Personality features.
(2) Key personnel and chain of command.
(3) Awards programs

17
Q

Why should a photojournalist be “people oriented” when it comes to informal portraits?

A

They must understand the background of the person pictured, be able to establish rapport and connect the
person photographed with the environment in which they function.

18
Q

What is the primary purpose of an identification photograph?

A

To produce a picture that identifies subjects.

19
Q

What are the requirements of a good identification photograph?

A

Portray all good and bad features so one individual is differentiated from another.

20
Q

What is the maximum head size of a passport photograph?

A

2 x 2 inches with the head size between 1 and 1⅜ inch.

21
Q

What type of lighting do you use for special duty assignment photographs?

A

Flat lighting.

22
Q

What are the requirements for background illumination of a full-length photograph?

A

Use two background lights and illuminate just enough to show separation between the subject and
background while eliminating the shadows cast by the main and fill lights.

23
Q

What are the light requirements for the front and back row of a group?

A

Must be aware of shadows cast on the subjects and be sure to illuminate from head to toe.

24
Q

Why are most emergency room photographs taken and how are they used?

A

The patients are involved in physical and/or sexual assaults and they are used to prosecute or defend a patient.

25
Q

Why is it so important to be aware of your surroundings when photographing an operation?

A

To know where you can go and what you can touch because doctors and their staff must be kept sterile.

26
Q

What are the three most common requests for studio medical photographs?

A

Abdominal, breast, and face.

27
Q

Name the format, lighting ratio and background used for abdominal series photographs.

A

Horizontal format, 1:1 lighting ratio, and white background.

28
Q

How does the patient stand and how are the images framed for breast series photographs?

A

With hands behind the back in front of a white background wearing no jewelry. The images are framed to
include the area from the base of the neck to the lower rib cage.

29
Q

Why must you carefully review the types of shots requested in the work order for the facial series photographs?

A

The physician uses the images as a reference before, during, and after surgery and to determine how the surgery is progressing.

30
Q

What is a ME number?

A

A six-digit number that records the date an autopsy was performed and the first two numbers are for the year with the last four being reset every 1 January to 0001.

31
Q

Why do you use one compact flash card to record the intake and autopsy photos of a single
subject and a different card for other subjects?

A

To prevent mixing up the images of different autopsies and ensure the subjects are correctly identified.

32
Q

How do you photograph an autopsy subject’s identifying marks, such as scars or tattoos?

A

With a 60mm or 105mm lens that includes shooting establishing shots and close-ups of each detail.

33
Q

Describe the methods you use to photograph an overall head shot during an autopsy.

A

Cut a hole in the center of a blue sheet and drape this around the head. Then have someone hold the ruler with the ME number at the top of the head and use a 60mm lens to shoot a medium, then a close-up shot. For the close-up, fill most of the frame with the head, but do not crop out the ruler.

34
Q

What do you do if you realize you have shot an autopsy image with the wrong ruler number, but have not yet moved on to the next image?

A

Shoot a blue card saying, “previous picture shot with wrong ME # on the ruler”, then re-shoot the image correctly.

35
Q

What is the standard digital image size for autopsy photos?

A

10” x 6” at 300 dpi.