vogue Flashcards

1
Q

product context

A
  • published in 1965 featuring sofia loren
  • vogue begun in 1892 for high society, etiquette and social elite
  • bought in 1909 turned into a women’s fashion magazine focused on etiquette, beauty and more.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

magazine industry context

A
  • market place was less crowded and industry was dominated by small number of major publishers
  • today, industry is still dominated by major publishers (Hearst) but wider range of titles available and greater competition.
  • print circulation is falling and has been a rise in digital sales
  • magazines need a strong online and social media presence (57m followers across network)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

target audience?

A

mid 30s, influential, interest in fashion, old enough to have a salary facilitating high end brands and young enough to be interested in current trends.
female, ABC1, educated - seen in ‘money’ article -Sheila Black. aspirers and succeeders

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

how does the cover of Vogue’s layout communicate meaning?

A

by breaking conventions of typical magazine covers. contemporary listing of lexical field as the only cover line breaks conventions of crowded text usually seen in magazines like Cosmopolitan or even other Vogue magazines, this connotes Vogue is an opinion leader and trend setter, they are famous enough and respected enough to do this.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

how does the masthead communicate meaning?

A

VOGUE is french for fashionable.
slim san serif font connotes style and sophistication

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

what was Sophia Loren’s level of fame at this time? why was she chosen?

A

oscar-winning italian film actress Sophia Loren was at the height of her success at this point of time, often for her beauty and talent.

  • choice of cover star connotes Hollywood glamour and European style
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

how does the cover’s central image connote meaning?

A

direct mode of address or gaze attracts audiences but aloofness (raised chin and no smile) creates an embodiment of the ‘mythic notion’ of femininity.

there is an offer of personal identity constructed through reflection of ideal self, appealing to a female gaze.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

how does the cover’s mise-en-scene communicate meaning?

A

feathers, feline makeup, turquoise fabric and jewels connote luxury and exotisim, reminiscent of trends at the time (foreign travel)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

how do the coverlines communicate meaning?

A

alliterative ‘marvellous mad midsummer’ alludes to emerging freedom of the 60s e.g. hippie culture

list ‘sand, swim, sea, sun, sheiks, sophia’ exoticisms, desirable holidaying

‘scintillate’ - stereotypical norms of beauty or femininity.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Explain and exemplify how the combination of media language elements influence meaning in the ‘Heatwave Holiday’ feature

A

images construct women as independent travellers, strong and active (long shot w woman lugging suitcase etc.)

however women are objectified through the setting (bed), make-up, facial expressions, body language (arms behind the head) mid long shot

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Explain and exemplify how the combination of media language elements influence meaning in the ‘Picnic probable and improbable’ article

A

can be seen as progressive through woman being able to travel across the world, tapping into the ongoing female liberation happening across the world in the 60s (zoonen)

however it can be seen as regressive in some ways due to the stereotyped costume codes of the man on the left, in a business suit who seems to be doing some work whilst the woman is seen almost as an accessory

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

gilroy

A

Africa is represented colonially here,through costume and through subservient role the guides are playing
Gilroy may argue these stereotypes of Africa are reductive

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

How does media language reflect female economic context?

A

the money article indicates women of this TA and time to be intelligent and independent as they have their own money - especially as it is written by another woman, Sheila Black
however advice on investments, loans and some informal language suggest women did not have knowledge about money, which could produce a negative stereotype

“the answer is a positive NO”

”..I do feel rather inadequate when i have to keep answering that i can’t help without another letter, but its true”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

how does the bare essentials advert connote meanings?

A

connotations of nudity i.e. ‘just uncovered’ ‘they’re just barely decent’ ‘ are you woman enough?’ - these words are tapping into a new found sense of female liberation in the 60s.

contextual links to the hippy movement at the time that rejected the mainstream american life. being naked like the cover model can be empowering, natural is beautiful.

pink and green tones promote natural feminine beauty, which promotes the model as what natural is supposed to look like, setting an unrealistic beauty standard.

she could be viewed as weak, as she is sexualised by being naked for a men’s gaze (men earnt most money at the time, so products are targeted towards them) sexualises female form as van zoonen would argue. nakedness becomes an expectation.
painted nails, makeup, tanned skin become gender expectations

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

How does media language reflect regressive representations in the imperial leather advert?

A

women defined to being caregivers, aka mother (domestic role), the woman in this feature image for the advert’s eyes are solely on the baby, which connotes that is her only purpose.

baby looking into the distance represents a generational activism for the future

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Genre theory
Steve neale

A

Them of the magazine is fashion and beauty, shown through connotations in articles and ad, revlon advert, makeup connotes beauty

  • “the applied art of eye making by revlon”
17
Q

Representation
Stuart hall

A
  • imperial leather advert idealising the image of a woman in the home as a motherly nurturing figure
  • stereotypical notions of female beauty, blonder and slender. Repeated use of “soft”, “gently” and “safely”; reinforces stereotypes of women as weather / dependant
  • revlon advert, use of language such as “velvet” reinforces stereotypes of women as weak / gentle, phrases such as “brow beautiful” imply a sense of desire to look attractive (to please a man)
18
Q

Feminism
Zoonen and hooks

A
  • underlying frame of reference is that woman belong to her family and domestic life and that femininity is about care, nutrurance and compassion. This is supported through ads like imperial leather
  • reps may be constructed stereotypically due to the social and historical contexts of vogue
  • POC should develop an opposite gaze due to lack of rep of women of colour
19
Q

Identity
Gauntlet

A
  • vogue is offering straightforward messages about the ideal female type fashion conscious, aspirational
  • sophie loren, the models in the fashion shoots and the women in the ads could be seen as role models for the audience, while the female journalists highlighted on the contents page and money article may offer an alternative path in career and aspirational contexts
20
Q

Uses and grat

A
  • reader may use magazine for variety of purposes and needs e.g., “surveillance” for an understanding of the worlds of fashion, money and travel
  • identity: allowing the reader to aspire like the cover used models
  • relationship: through purchasing a copy every month to keep up w the lifestyle choices
  • entertainment: for the pleasure of reading a quality publication featuring lives of the glamorous
21
Q

Cultivation
Gerbner

A
  • repeated exposure to glamorous models and luxury beauty products may cultivate the idea that women should always look glamorous (to please a man)
  • repeated ads for luxury products, persuade the aspirational reader to purchase these to achieve the luxurious lifestyle they aim to live, using the models as an icon
22
Q

Reception hall

A

Preferred: attracted by glamour of sophie loren on cover, articles on food, art and exotic travel, adverts for appealing products

  • negotiated: women who might aspire to this life, but are aware of their own limitations due to location, finance and social status
  • opp: women may reject the message of aspiration as it is beyond their financial and social means, out off by the cost of the business and may see women just being used as a commodity to sell the expensive material goods (reflecting the social changes of culture and start of feminism in the mid 1960s)
23
Q

Regulation
Livingstone and Lunt

A

While the magazine industry is self regulated there are sometimes concerns w monopolies and oligopolies. During the 1960s when our set edition of vogue was published, the role was performed by the monopolies commission, who ensured that there was fairness and one company did not dominate too much over others