Unit 3 Gender & Media Flashcards

1
Q

Importance of media for gender?

A
  • First & only exposure to ways of life that is not their own
  • Disseminates norms (constant representation of a specific type of life)
  • Opportunity to see different ways but also can be a constraint (can police oppressive/specific norms)
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2
Q

Social science paradigm

A
  • Can fall short as reality does not equal stereotypes
  • One reality will not be universal
  • Does not delve in meanings of meaningful topics
  • Audience effects, stereotypes, “inoculation” of “dupes” (idea that audience is just absorbing information)
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3
Q

Critical-cultural approach

A
  • Encoding & decoding, discourse analysis, complex processes and the potential for subversive readings
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4
Q

Encoding

A
  • A baby room decorated in pink (a girl)
  • Creating media (who writes, produces & creates -> who creates/adds meaning)
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5
Q

Decoding

A
  • Resistance reading
  • Audience sees a different meaning decoding differently than encoded
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6
Q

Postfeminism

A
  • Tricky (mixed meanings)
  • Cultural sociologists look at tension between progression & regression of elements in media
  • “Double entanglement” of progressive and regressive elements (seeing some elements that are pushing boundaries, but still overarching theme of regression (free woman wanting to find a man)
  • Feminist, but also not
  • Independence, agency, sex, pleasure, consumption; not-so-traditional traditional gender roles
  • Freedom is flaunted, losing critical edge that feminism is aiming to address, postfeminism is interacting with racial identity
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7
Q

Diverse representation?

A

All bodies are equal & beautiful, grrl power, diversity, but still framed in ways that are different/other/bad

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8
Q

Golden Girls

A
  • The material body, a billboard for norms
  • Shame, denial, and “bad” aging representation (gossip, asexual spinster, battle-axe, silly, decline, dependent)
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9
Q

The 3rd Age

A
  • Celebrating glamorous, fit (celebrity) aging (spa procedures
  • Doing aging well vs wrong
  • Celebrating the physiological exception
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10
Q

Masking Ageing

A
  • Is it secret& Is it safe?
  • Ageist theme even if idea is that it’s okay to grow old, it’s still ageist
  • Ageing femininity is portrayed as not serious, inappropriate but also her fem evaluated by a man’s desire
  • Denial and shame angle
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11
Q

Losing Femininity

A
  • Associated with getting married, having kids, menopause
  • The wisdom of ageing paralleled to the naivety of youth
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12
Q

The Lab of Masculinities (Jackass Laboratory)

A
  • Extreme stunt reality TV: party, fight, vandalize, get hurt, provoke, disgust
  • A context of threatened/destabilized/lost masculinity
  • Debate between whether Jackass represents a hegemonic vs subordinate masculinity relationship or fluid gendered subjectivities (a more transformative and messy approach)
  • Are we seeing a reproduction or a resistance to a certain masculinity?
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13
Q

8 Categories of experiments and dare-deviling

A

(bodily & social risks)
1) Bodily experimentation
2) Sports experimentation
3) Social experimentation
4) The enjoyment of risk taking
5) Laughter
6) Animal domination
7) Phallocentrism
8) Symbolic annihilation of subordinate masculinity

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14
Q

The Masculinity Experiment

A
  • Presentation/preparation, the performance, the results
  • Big themes of masochistic pleasure (stretching, exploring & hurting the body)
  • Celebrating the phallus and rejecting the “sissies”
  • A masculinity seen as either reaffirmed, contested or ambivalent (performing a lack or ridiculing masculinity itself, as well as blurring boundaries to achieve/enhance solidarity/homosociality)
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15
Q

Progressive areas of Jackass

A
  • It’s contradictions must be understood in terms of a dialectical process of transformation, rather than of clear-cut power or subversion
  • Maybe a messy, complex back & forth showing smth bigger is at play
  • Neither an aggressive reaffirmation of hegemonic masc, nor a ritual rebellion against it; it is rather about change, negotiation and transgression of gender stereotypes
  • There are also incorporations of addiction & substance abuse, more supportive portrayals of masculine relationships in newer seasons
  • However, women portrayal still iffy: men are still in positions of power as well as recipients and even tho women still do badass activities, still jokes around consent and body
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16
Q

Superhero

A

A heroic character with a selfless, pro-social mission; with superpowers, who has a superhero identity embodied in a codename and iconic costume, typically expressing his biography, character powers, or origin (transformation from ordinary person to superhero); often has a dual identity

17
Q

Superheroes and Masculinity

A

This hegemonic singular masculine ideal often folds in elements of competing subaltern masculinities that have become marketable and fashionable, ultimately producing an ideal that comprises many contradictory elements and presents a unified illusion

18
Q

Hypermasculinity

A
  • Exaggerated beliefs about what it is to be man
  • toughness as emotional self-control
  • Violence as manly
  • Danger as exciting
  • Calloused attitudes towards females
  • Still reproducing same types of ideas in masculinity
19
Q

Toxic masculinity

A
  • Extreme rejection of the feminine through performance of hypermasculinity
  • Harmful to men and their environments
  • Heightened reactions, misoginy
20
Q

Hybrid masculinity

A

Incorporate other forms of masculinity, don’t change what hegemonic masculinity is, more obscure inequality

21
Q

Superheroes and Reproducing Hegemony

A
  • “Folding in” of resistance in capitalism
  • Integrates, repackages, sells back the same hegemony, just slightly different masculinity
  • While it challenges ir subverts dominant discourse, it still reproduces values of masculinity
  • Male centric, independent, self-reliant, powerful protector (through violence), lone wolf, willpower archetypes