U4: Counterpoint Rules, PD-D-T, Cadences, Resolution/Voice Leading Flashcards

1
Q

Tonic chords

A

I and Vi

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2
Q

Pre Dom Chords

A

IV and ii

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3
Q

Dom chords

A

V and viio

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4
Q

LT voice leading rules

A

LT must resolve up to tonic or down to V if it’s in the inner voice

NEVER DOUBLE THE LT OR UNRESOLVE IT

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5
Q

Where does chordal 7 resolve

A

Down by step

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6
Q

Unequal fifth

A

A P5 can follow a D5 but a D5 can’t follow a P5

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7
Q

Avoid consecutive parallel …

A

5ths and Octaves

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8
Q

Overlapping…

A

…voices are an error. Make sure to also keep voices with proper spacing

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9
Q

If the soprano tonic expansion plays 1,2,3 or 1,7,1, or 1,5,3 then the chords are

A

I, V6/4, I or I, V6 (6/5), I or I, V, I6

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10
Q

If the soprano tonic expansion plays 1,6,7,1 or 1,3,4,1 then the chords are

A

I, IV6, V6, I or I, I6, IV, I

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11
Q

What note should be doubled in a 6/4 chord? When is it ok to double the 3rd?

A

The 5th (bass) should be doubled

It’s ok to double the 3rd when there’s a i6 chord

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12
Q

PAC

A

V-I and bass and soprano both end on tonic

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13
Q

IAC

A

V-I bass or soprano does not land on to tonic

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14
Q

Plagal “Amen” Cadence

A

IV-I, “fa-do” in bass line

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15
Q

Half Cadence

A

Ends on V

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16
Q

Phrygian Half Cadence

A

iv6 to V (only happens in minor) “Le-Sol” in bassline

17
Q

Deceptive Cadence

A

V to VI “so-la” or “so-leh” in bassline

18
Q

If the soprano is 321 common progressions are…

A

I-viio6-I, I-V6/4-I, I6/4-V-I

You can also voice exchange in part writing

19
Q

If soprano is 4,2,1 then a common chord progression is

A

IV-V-I

20
Q

If the soprano is 2,7,1 then a common chord progression is

A

iio6-V-I

21
Q

What can ii go to?

A

I, IV, V, and vii

22
Q

What can IV go to?

A

I, ii, V, vi, vii

23
Q

What can V go to?

A

I and vi

24
Q

What can VI go to?

A

ii, IV, and V (commonly in minor)

25
Q

What can vii got to?

A

I and vi

26
Q

When is it common to use VI?

A

When trying to bridge I and ii or IV