Typeface Design Flashcards
aims (rules)
decide on the purpose, design direction, and technical requirements
symmetry / differentiation (rules)
must present a uniform appearance in formal terms (rhythmic details, equal end strokes, visually equal stem thickness, similar bowls, etc), but basic forms differentiate enough to distinguish easily
basic framework of the letters (rules)
the letters “H” and “n” convey the essential qualities of a typeface (determine height of the face and its various proportions)
character stroke width (rules)
lowercase letters have smaller stroke width than uppercase
width of letters (rules)
the “m” cannot be double “n”, the counter of “o” must be same as optical width of “n”, the “u” always a little narrower than “n”
round forms (rules)
letters with horizontal curves (“o”, “n”) should come above or below the imaginary type lines, to avoid looking too small in overall picture
ascenders / descenders (rules)
the descenders in a typeface should never be shorter than the ascenders. the lowercase ascenders should always be a little higher than the uppercase letters
cross bar height (rules)
the cross bar of an “H” is at optical but not mathematical center (applies to all letters divided in 2 horiz)
diagonal and bold upstrokes (rules)
upstrokes are thinner than downstrokes. diagonal bars that end freely (“z”) taper towards the intersection point. the lines in the cross of the “X” are not taken through as straights, but offset in relation to each other, and run slightly conically toward intersection point. horiz bars are narrower than stems
character set (rules)
the more script and numbering systems, alt characters, variants, symbols, the more applicable it will be
spacing a typeface (rules)
create spaces between letters that look the same, and align them with the typeface size, character width, letter counters, and stem weight. primarily done through the adjustment of “H”, “n”, “o”, “O”
kerning a typeface (rules)
essential for creating similar-looking white areas between characters. only the most important character pairs should be kerned (e.g. “AT”, “AV”, “Av”, “AC”, “DY”, “FA”)
kerning tip
for a normal sans-serif typeface, the distance between characters is about the weight of a stem (the small “i” is ideal for measurement)
italics
average slant on italic scripts is 12 degrees