TV Shows Flashcards

1
Q

socially cohesive

A

sharing an experience, feeling bonded together.

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2
Q

Change in social cohesiveness since the 1960s

A

It was a focal point of the family, they shared the excitement following the Uses and Gratifications theory. The world is not as socially cohesive anymore as we all have personal devices and more access to our own content based on our interests.

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3
Q

What genres are the most popular in 2018 and does this tell you something about the channels that they are aired on?

A

The most popular TV shows in the UK in 2018 were mainly lifestyle shows and soap operas, followed by a few real-life news programmes. People watch these shows mainly for entertainment and personal relationships.

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4
Q

Time-shifting

A

the recording of programming to a storage medium to be viewed or listened to after the live broadcasting.

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5
Q

1963 in historical context - Fashion

A

The difference between the 1950’s and the 1960 was that outfits were getting more revealing.

American fashions in the early years of the decade reflected the elegance of the First Lady, Jacqueline Kennedy. In addition to tailored skirts, women wore stiletto heel shoes and suits with short boxy jackets, and oversized buttons.

Simple, geometric dresses, known as shifts, were also in style.

The early 1960s gave birth to drainpipe jeans and capri pants, which were worn by Audrey Hepburn who was mainly dressed by Givenchy

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6
Q

1963 in historical context - music

A

In the 1950s, rock and roll was very popular so there was some influence in the early 1960s
In the 1960s, jazz, pop and folk music were popular
The beatles, the rolling stones, Elvis Presley, Marvin Gaye, Bob Dylan were some of the most popular artists
Aside from R&B and rock, Latin American and Caribbean music also achieved a degree of popularity during the 1960s.

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7
Q

1963 in historical context - politics

A

10/01/1960 - British Prime Minister Harold Macmillan makes the “Wind of Change” speech for the first time, to little publicity, in Accra, Gold Coast (modern-day Ghana).

SPACE RACE

Cold war

15/04/63 - 70,000 protesters arrive in London, who have marched all the way from Aldermaston to demonstrate against nuclear weapons.

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8
Q

1963 in historical context - television

A

Television in the 1960’s was very different from today’s T.V. You were only allowed watch the networks that were put on and there were only 3 channels available. (ABC, CBS, NBC). There were 18 variety shows going on the three networks
In the 1960s television became a political force, that year’s Nixon/Kennedy debate was the first televised presidential debate, it was also the rise of TV journalism.
- limited by technology and cost

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9
Q

1963 in historical context - science fiction

A

The Day of the Triffids-After meteors enter Earth’s atmosphere, blinding much of the planet’s population in the process, plantlike creatures known as Triffids emerge from the craters and begin to take over.
Beyond the Time Barrier-A pilot crashes through the time barrier into the world of 2024, inhabited by the last remnants of civilization.
The science fiction of Doctor Who was influenced by the post war sci-fi of Brian Aldiss and John Wyndham, two famous science fiction writers in their days of 1950s.

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10
Q

1963 in historical context - main point

A

rise of youth culture

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11
Q

Doctor Who - episode 1 - context

A

The rise of youth culture - baby boomers; reaction against the conservative 1950s…
The “space race” - The Cold War; interest in the universe and narratives that explored science fiction topics
The rise of mass media (television)
Head of drama at the BBC (Sydney Newman) developed the series as an educational programme using time travel as a means to explore scienctific ideas and famous historical events.

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12
Q

Doctor who - camera angles

A

Camera angles and shot sizes are used to create an effective establishing shot at the beginning. The camera movement creates mystery as it shows the setting of the junkyard. The scene then switches to the school to keep the audience interested. The camera is kept at eye level with panning to show the setting, outfits of the characters, movement and how they interact with each other.
Big close ups and zoom in pans are used frequently to highlight certain characters at different moments.
Close shots are occasionally used to demonstrate emotion but there is not a lot of camera change as it is mostly dialogue driven.
They used a long shot to show the relationship between the character (Barbara, Ian and Susan) and their environment.They used a dolly shot to focus in on a character when they’re thinking or when they come to a realization about something. They shook the camera to create the illusion that the environment is moving.

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13
Q

Doctor who - constrained by technology

A

Black and white TV (didn’t have colour back then)
Mobility was limited
Didn’t have variety of effects
Pre CGI
Restricted their content
Different camera settings were limited - poor night vision
The camera quality and camera settings (e.g. colour, night vision) were limited. This is because HD cameras were invented in the 2000s. And so , special effects get better gradually in sci fi movies → more computer-generated imagery, practical effects
Very pixelated

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14
Q

Doctor who - Mise-en-scene

A

Mise-en-scene: The costuming as part of the mise-en-scene was effective. This is because the hair, makeup and clothing were all popular at the time of airing, so it appeals to the audience. Viewers can recognise this and reflect and mimic these characteristics. (stereotypes - spark instant recognition)
SFX: The show used a variety of diegetic and non diegetic sound effects, but it is limited because of the technology. For example, creepy music was used for the soundtrack (non diegetic sound). This connotes an eerie atmosphere which many associate with space beings. Repeat use of similar sounds when characters are around the TARDIS - in the junkyard/garage
Lighting: The variated use of lighting adds depth to the scenes and helps emphasise the eeriness of the junkyard. In the episode, when the characters are in the classroom and in the TARDIS, the lighting is quite bright. This is in contrast to the darker lighting used in the junkyard when the teachers and the viewers are just finding about the TARDIS. This creates a spooky atmosphere for the viewers.
Color palette: There was no use of colour grading to show meaning because at the time the cameras were only able to capture black and white.
Setting: the new mise-en-scene at the end of the episode creates a link to the next episode

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15
Q

Doctor who - genre conventions

A

The show effectively conforms to the conventions of the Sci-fi genre. The soundtrack used at the beginning of the episode is quite futuristic which indicates that this show relates to the theme of Science Fiction. (Non-diegetic Audio).
Common characteristics of Sci-fi films is that they tend to revolve around the idea of time travel and teleportation which is the main theme of the show.
Setting is used to further imply that the show is about time travel since we see many futuristic appliances, for example the time machine.
Diegetic Audio is used when we hear the sound effects of the time machine at work and them travelling to a different location. The sound effects are also quite futuristic and shows the complexity of the equipment being used
Susan often refers to events or ideas from the future which conflicts with the time they are currently living in (time travel).
Through the use of zoom ins and establishing shots we are able to see new modern technology which would never be seen in that time period which indicates that the show is dealing with the idea of traveling through time and space.
The use of futuristic props represents the scientific advancements in the show. By using somewhat familiar elements we are able to make the connection between fiction and reality

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16
Q

Doctor who - narrative

A

Fictional narrative
Enigma : first scene is foggy which denotes mystery and horror.
Enigma : Susan is very smart and seems to know everything about history and science suggesting that she isn’t human.
Stereotypes: scene one police guard looking for anything bad
Starting with the enigma of the telephone box to create the code in the mind for later recognition. Breaking stereotype of the male gaze and having the young girl be very intelligent.
Propp’s character types : Barbara is the hero, Ian is the help and Susan is the villain along with her grandfather.
Flashback narrative
Rumors from the 1950’s said that women in that time were meant to look after their children at home. And in my opinion the show Doctor Who stands against that idea. Susan the protagonist of the show was a female that helps
Equilibrium is that Susan came to school, the problem is that she is smart but struggles in some classes, the resolution is finding out that Susan and her grandfather are exiled aliens and the new equilibrium is that they all land in a new alien planet.
Stereotypes: Susan’s home is showing that something isn’t right with her
Stereotype : This episode reinforces the idea that men are in charge because we see that Ian takes charge and also the Doctor is male.
Stereotype : it reinforces the idea that women are overly emotional and this is shown by Susan’s outbursts and over-reaction.
Enigma:French revolution book and Tardis

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17
Q

Mutually aided destruction

A

a doctrine of military strategy and national security policy in which a full-scale use of nuclear weapons by two or more opposing sides would cause the complete annihilation of both the attacker and the defender.

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18
Q

Doctor who - gender representations

A

This episode reinforces the idea that men are in charge because we see that Ian takes charge and also the Doctor is male.
It reinforces the idea that women are overly emotional and this is shown by Susan’s outbursts and over-reaction.
It subverts the gender stereotype when they present Susan as the smartest person in the class even though she is a girl which are thought to be below boys when it comes to education.
They represented the grandfather as a grumpy, impatient person which fits the stereotype of an old man.
Talk about girls wanting to watch it because of the hero being a female

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19
Q

Doctor who - age representations

A

Three different age categories:
Teenagers
Young - middle adult
Elderly - unconventional elderly which helps to represent him as not from Earth
This attracts audiences of all 3 different age groups.

Misrepresentations:
The actress playing Susan could be said to be too old and smart to play a 15 year old.
The person playing the doctor may be too old to play a lead role as a person from outer space.

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20
Q

Doctor who - education representations

A

Education is not about questioning things and curiosity, you are just meant to accept the knowledge you are given.
The teachers are not open to Susan’s ideas and reinforce the idea that adults are always right and shouldn’t be questioned
Teachers are worried about the student but following someone to their home is too extreme.
The classrooms are brightly lit, whereas the junkyard is dark and gloomy, they are opposites(Claude Levi-strauss). This represents education and school as a positive thing to students.
Education covers academic subjects such as (science, maths and history).

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21
Q

Doctor who - ethnicity representations

A

In the first episode of Doctor Who, ethnicity was misrepresented.
The U.K in the 1960’s had a mix of ethnicities and cultures, but the first episode failed to present these different ethnicities and only included white actors.
This means that some people might not be able to relate to the characters based on ethnicity.

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22
Q

How does Doctor Who target a family audience?

A

Doctor Who represents all three age groups so anyone of any age could watch it. The show includes a sense of group work and has a family nature to it, so people watching as a family could relate.

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23
Q

Doctor Who - Demographic & Psychographic

A

Aspirers: people that look up to the characters and aspire to be like them (susan, dr.who, ian, the other teacher)
Mainstreamers: Because of the global popularity of exploration (scifi)

Age: Many, Gender: Many, Ethnicity: caucasian because there was a misrepresentation of all the ethnicities present in the UK in the 1960s.

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24
Q

Doctor Who - U&G

A

Personal identity: Recognise the clothes popular in the 1960s that the character wore and relate that to themselves. Students can relate to the studies that Susan did in school.
Personal relationships: with the character and fans (fan club- whovians)
Entertainment: space race. Audience is interested in scifi topics
Information: educate people about scientific breakthroughs and historical events

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25
Q

Doctor Who - How is the audience positioned with respect to the character types and narrative?

A

The audience is introduced to the main characters in the first episode. We see a range of character types, however, the actual Doctor Who is presented as a intricate character. He doesn’t come off as the hero at first but instead the villain who isn’t letting the audience see what has happened to Susan. This causes the audience confusion about who to take sides with.

26
Q

Doctor Who - Would a contemporary audience “read” this text differently?

A

The technology during the 1960’s isn’t up to par with the technology we have now, which might affect a contemporary audience viewing of the first episode in a negative way. A contemporary audience would have high expectations due to the variety of media they have to their selection which may also change how they read and consume Doctor Who

27
Q

EPONYMOUS

A

when the name of a character is the title of the show/book/movie.

28
Q

Watershed

A

The watershed begins at 9pm and material unsuitable for children should not, in general, be shown before 9pm or after 5.30am.

29
Q

The extract is from the early stages of An Unearthly Child, the very first episode of Dr.Who (from 5.28 seconds – 7.54 seconds). Enigmas are used to attract and hold the audience’s attention. What is an enigma? [2 marks]

A

Barthes’ Action and Enigma codes theory attracts the audience and holds their attention. Enigma codes work effectively in this scene as enigma is used to create mystery when the teachers ask Susan if they want to take her home and she says she likes walking in the dark. This intrigues the audience to continue watching to see what Susan does when she ‘walks home.’

30
Q

Susan’s character is both ‘normal’ and ‘unearthly’ in the extract from An Unearthly Child. How are these two sides of her character represented in the extract? [8 marks]

A
Normal:
Attends school
Her appearance / fashion sense
Her mannerisms / non-verbal dress codes
Being involved in popular culture
Unearthly:
Smarter than everyone at certain subjects
Knows things that no one else knows
Talks about the future as if she’s been
Lives in a phone box

Talk about binary opposites and star theory

31
Q

Television drama in 1963 was much slower-paced than it is today due to the technical limitations of TV at the time. How far does an analysis of the extract from An Unearthly Child show this to be true? [12 marks]

A

Low definition, B&W, difficult to focus
Very few camera shots (close up and wide shot)
TV set is very limited
Audio is limited, sound needs to be close to camera for ‘pick-up’
The audience of today would not be critical of the production because of the limitation

32
Q

‘The science fiction genre deals with society’s changing hopes and fears.’ To what extent is this true of television drama? Answer with reference to the first episode of Dr Who, An Unearthly Child (1963) and Class, Co-owner of a Lonely Heart (2016) (Close Study Products). [20 marks]

A

Similarities (London school, aliens living with us, Doctor etc.) allows a view at the ideologies in the 1960s and 2010s
Susan is not threatening and our interest in her as an alien reflects the hopefulness that surrounded the scientific communities in the early 1960s with post-war social and economic development and the exploration of space.
The futuristic world inside the TARDIS reflects this technological development.
This positivity is juxtaposed by the unknown threat presented by the Doctor who is eccentric, secretive and imprisons the teachers. This representation connotes the fear of the outsider (immigration and racism) that gripped the post-war era.

33
Q

Doctor Who Spin-off

A

We know Doctor Who is popular because it has run for a long time. It stopped and restarted from 1989 - 2005. Season 13 is set to release in late 2021.

The BBC is funded by the government, who funds TV stations through TV licenses. It also receives money through documentaries.

The series was created and written by Patrick Ness. He was asked to write for Doctor Who, and his spin off idea was a show on Earth, since the original was rarely on Earth. He wanted to make it more relatable.
He took an ensemble from Coal Hill (the original school).

34
Q

Media Industries (UK) - BBC Funding

A
An annual television license fee which is charged to all British households 
Copyright lawsuits 
Selling of BBC programmes 
Supported by the government
Taxpayers’ money 
National lotteries are done daily
35
Q

Media Industries (UK) - UK TV Advertising

A

Funding - There are two television advertising costs: buying adverts and TV shows in the UK. Rates for the smaller digital channels start around £50 to £150 for daytime and £150 to £300 for peak time. TV adverts during Good Morning Britain or Lorraine can cost between £3,000 – £4,000.

In the UK, 42% stated television is where they are most likely to find advertising that they trust in comparison to 6% for YouTube and 5% for social media. Effectiveness: Advertisers invest in TV advertising because it works.

36
Q

Media Industries (UK) - UK Subscription TV

A

Subscription TV is TV that you pay for to receive exclusive content over the air. UK streaming subscriptions soared by 50 percent to 31 million during the pandemic, up from 20 million in 2019.

Examples:
Netflix (£5.99 - £9.99/month)
BBC iPlayer (free service)
Disney plus (£7.99/month)
Amazon Prime (£7.99/month)
Britbox (£5.99/month)
Sky Q (£42/month) - Some people don’t find this worth it because it only includes the BBC and ITV channels
37
Q

Media Industries (UK) - On-Demand UK TV

A

Movies and series you can download and watch, you do not need to watch it live.
Examples:
Netflix, BBC iPlayer, All 4, Sky Go, Virgin Media, Now TV, BT TV, Apple TV, YouTube, Amazon Prime Video and ITV Hub.

38
Q

Media Industries (UK) - UK TV Licenses (cost)

A

To get a license it cost £159
People aged 75 or over are exempt from tv licenses fee
You can pay in one go, or spread the cost with a range of Direct Debit options or a TV Licensing payment card

39
Q

Media Industries (UK) - UK TV Licenses (debates)

A

Streaming services like Netflix, Disney+ and Amazon are becoming more popular in the UK, reducing the demand to purchase a TV License. There is a debate whether the license should be cut. BBC is also more old fashioned and expensive compared to Netflix.
Earlier this year, there was a parliament debate about if the fee should be cut for 75+ residents because currently all residents need to pay the licencing fee even if they don’t watch the BBC or they could be fined.
The petition, which has more than 110,000 signatures, states: “We wish the government to end the TV License as soon as possible.”

40
Q

Media Industries (UK) - TV Regulation (UK)

A

Ofcom regulates TV and communications in the UK. They are a government office. They make sure people get the best from their broadband, home phone and mobile services, as well as keeping an eye on TV and radio.
TV is up to rating - they check for glorification of drug use, sex (present in Class) and nudity, foul language, gore (present in Class), violence, adult themes.

41
Q

Class - media language

A

Mise-en-scene - establishing shot - the alien’s home,
Flower petals from the start of the episode eventually shatter everywhere. This represents the disruption in the storyline. Flower petals are a consistent motif throughout.
Camera - shots, angles, movement - transition from alien world to Earth
Lots of camera movement, expresses tension and power dynamics.
Editing - special effects used on April to show connection to shadowkin, special effects used to create warp in space and time.
Sound - music builds up at certain moments to create tension. Camera focus helps the audience focus on specific characters.
Propp, Levi-Strauss, Todorov, Barthes, - vague character types, not sure who has good intentions. Clear narrative structure. Enigma code: the scene cuts between April and the Shadowkin King make viewers constantly think that April is about to turn evil. The audience is also constantly wondering about the new head teacher.

42
Q

Class - media representations

A
Schools - teaching about war
London
Family - good relationship between Ram and his father, bad relationship between April and her father, he just came out of prison. Close proxemics between the shadowkin parallels with the dynamic of April and father. 
Teenagers
Sexuality - Matteusz and Charlie
Gender
“Aliens” - 
Disability - April’s mum in a wheelchair 
Different races
Parental relationships

*much more diverse than doctor who

43
Q

Class - camera

A

Shot size is used in Class to present facial expressions. This is shown in the scene of April and her father, where April is threatening to hurt him. We see the importance of the shot sizes as it implies Barthes’ action and enigma code as it creates mystery using facial expression.

Camera movement is used in Class to express power dynamics. This is emphasised in the scene between April and her father, where the camera tilts up and down to create the illusion of bigger and smaller characters. This shows the character types.

44
Q

Class - Characters

A
Tanya Adeola
April MacLean
Charlie Smith
Ram Singh
Matteusz Andreiwski
Miss Quill
45
Q

April + Susan - Are they active or passive?

A

They are active characters by constantly persisting with their lives even though they have obstacles in their way. Susan’s grandfather is aggressive in his desire to return to the century they came from, whilst the Corakinus is aggressive in his desire for April’s heart. Mostly everything in the episodes are driven forward by the two characters’ actions.

46
Q

April + Susan - How do they interact with male characters?

A

April forms romantic relationships with certain male characters whilst Susan is more interested in communicating her beliefs.

47
Q

April + Susan - Where do similarities exist?

A

They both have secrets, and are outsiders to their world. To some extent, they both have an element of non-human species. By outsiders, they are looked at like they are crazy.

48
Q

April + Susan - What (Propp) character type do they play?

A

Both Susan and April are questionable heroes. They both have secrets that affect their daily lives, but as an outsider this could be seen in a bad way. They are not portrayed as villains either.

49
Q

April + Susan - How is their character type shown?

A

Using special effects, April is presented with red eyes like a villain when she goes into a certain state. Susan is portrayed as mental and crazy. They are both main characters with other obstacles interfering with their lives.

50
Q

April + Susan - How are they represented (negatively and positively)?

A

They are both represented as outsides who don’t fit in. In Susan’s case, it’s because of her beliefs whilst in April’s case, it’s because of her weird behaviour due to her heart being stolen.

51
Q

April + Susan - How does the character reflect the context of the time they were created in?

A

Susan does not romantically interact with other characters the way April does. The special effects are very different. Susan is portrayed as being weird, just because she is smart for her age. This would be more accepted in the 2010s than in the 1960s.

52
Q

To what extent have social and cultural contexts influenced the representation of teenagers in a television drama?

A

In Class, 2016, teenagers were presented as a lot more accepting and diverse than in the 1960s. This was presented through the ethnicities, sexualities and the feelings towards April’s inhuman element. Her friends, who were all from different backgrounds, accepted her differences and helped her work through them. In contrast, teenagers were presented as immature and ignorant in Doctor Who, 1963. This was presented in the scene where her classmates all laugh at Susan for asking the teacher a question. This shows that the kids were being closed-minded towards Susan’s argument.

53
Q

To what extent have social and cultural contexts influenced the representation of teenagers in a television drama?

A

In Class, romantic relationships are represented in different ways. This is shown in the relationship between Ram and April, and Charlie and Matteusz. In contrast, Doctor Who does not present any romantic relationships between teenagers, and no desire for it.

54
Q

To what extent have social and cultural contexts influenced the representation of teenagers in a television drama?

A

In Class, dress codes are presented as more flashy and casual compared to Doctor Who, where the clothes are more conservative and restricted. This reflects on the pop culture of the time the shows were made. We can see the clothing choices of the directors when we see the children at school in both shows.

55
Q

To what extent have social and cultural contexts influenced the representation of teenagers in a television drama?

A

In Class, teenagers are presented as arrogant and feisty towards their elderly. We see this when April argues with her teacher, father and mother. In Doctor Who, although Susan disagrees with her elders at some points she does not argue with them. This presents the influence of teenagers’ surroundings in the modern day.

56
Q

To what extent have social and cultural contexts influenced the representation of teenagers in a television drama?

A

Ideology is presented differently in how the students view their education. Susan is seen to value her education and is extra smart, whilst April ditches class to spend time with her boyfriend. This shows how the ideology of education has changed.

57
Q

Technical codes in Class

A
  • numerous examples of shot selection, camera movements and angles, focus, zooms linked to meanings
  • new locations with establishing shots
  • editing - special effects, rapid transitions, sound bridges, crosscutting, alien voices
58
Q

Genre features in Class

A

Sci-fi - space and time travel, laser weapons, invasion of Earth
Fantasy - prosthetics, make-up, special fx (Shadow Kin), CGI landscapes
Teen Drama - clothing, hairstyle, relationships, speech, Coal Hill, April’s house, preoccupation with group and personal relationships

59
Q

Narrative features in Class

A

fast paced action, equilibrium comes later
Donor of April’s ‘magical gift’ is also villain. Princess is April’s heart.
Binary Opposition

60
Q

Media Industry - Class

A

Class originally released on BBC3. An example of original BBC material produced for online consumption (convergence)

Aired on BBC America, but audience figures dropped during the course of the series.

Later aired on BBC1, disappointing viewing figures.Axed in 2017, no second series. (licence fee was not justified by viewing figures, which is important to a PSB like BBC.)

61
Q

Audience Pleasures

A
aesthetic
cerebral - intellectual
visceral - 'chills'
voyeuristic - knowing something unknown
vicarious 
catharsis - relief