TPL - Visual Logic (Assessment)

Question 1

In order to understand the full extent of James Penfield’s victimization, it is necessary to go beyond the plot and character and consider the visual logic of The Ploughman’s Lunch. For most of the film, Penfield, a self-interested liar who is always seeking an advantage, seems more exploiter than victim.

However, the way in which Richard Eyre structures his shots makes it obvious that we are intended to view James as a ______ even before his betrayal by Jeremy Hancock and Susan Barrington.

Answer 1

Victim

Question 2

Although he is on screen throughout The Ploughman’s Lunch, Penfield is never allowed to dominate the frame.

Instead he is consistently shot in ways that suggest anxiety, ________ and weakness.

Answer 2

Alienation

Question 3

Anxiety is the dominant emotion in an opening tracking shot of Penfield pushing his way hastily through crowds while glancing at his watch.

A cut to an oblique angle _______ shot of Penfield, screen centre and in focus, apparently oblivious to the other out of focus Underground passengers who press in on him from both sides, perfectly captures his alienation.

Answer 3

Medium

Question 4

These and similar visual devices are repeated throughout The Ploughman’s Lunch, climaxing in a final ______ ______ of the still anxious and isolated James Penfield, glancing at his watch as he pointedly ignores his father and the clergyman who stand beside him at his mother’s grave.

Answer 4

Freeze frame

Question 5

The overall effect of the film’s visual style is to make the viewer intensely aware of the extent to which the pursuit of Thatcherite goals has caused Penfield to sacrifice not just his _______ standards but his ability to relate to other human beings.

Answer 5

Ethical