DI - Character (Assessment) Flashcards

1
Q

His early exchanges with Phyllis are rich with flirtatious double entendre. For example, the early “I’d hate to think of your having a smashed fender or something while you’re not fully covered” as she stands above, covered in only her towel. What does the double entendre mean?

A

Double meaning.

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2
Q

Neff’s double motivation is apparent but his ultimate conformity and failure to unequivocally carry out the plan is evident from the start. After securing Mr Dietrichson’s unknowing signature on the insurance certificate, he unwittingly ends up giving his daughter ____ a lift into town.

A

Lola

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3
Q

Neff’s conformist values come through in his paternalistic approach to Lola and even _______, and the guilt is operating well before the act of murder even takes place.

A

Zachetti

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4
Q

Neff informs us: “It gave me a nasty feeling to be thinking about them with that briefcase right behind my head that had her father’s signature in it’. This neurotic guilt continues to manifest itself in his paranoid conversations with Phyllis in the ___________.

A

Supermarket

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5
Q

“And yet, Keyes, as I was walking down the street to the drugstore, suddenly it came over me that everything could go wrong. It sounds crazy, Keyes, but it’s true so help me; I couldn’t hear my own _______. It was the walk of a dead man.”

A

Footsteps

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6
Q

Neff’s friendship with Lola, which almost has conventional paternalistic qualities, once again reveals the essentially conformist soul which resides within him. Lola’s assertion that Phyllis was responsible for her mother’s death provides new dramatic tension creating further suspicion and mistrust between Neff and Phyllis. As these suspicions lead Phyllis to shoot Neff, they hold one another in their symbolic deathly _____.

A

Embrace

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7
Q

Whether the stony Phyllis softens in this final embrace is questionable:
Phyllis: No, I never love you Walter. Not you or anybody else. I’m _____ to the heart.

A

Rotten

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8
Q

The character of Phyllis Dietrichson is regarded as one of the archetypal femme fatales. Her character role is to challenge the patriarchal status quo but in her death, we see a misogynistic order re-impose itself.

What does misogynistic mean?

A

A person who hates women.

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9
Q

Phyllis’s first appearance is one of sexual assertiveness and unconventionality as her appearance in her towel reveals her forwardness and disdain for propriety. Our focus on her partially clothed body is then replaced by the sign of her ___ as she descends the stairway.

A

Legs

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10
Q

Phyllis’s sexuality is never ______. She may be subject to our voyeuristic gaze but she defiantly stares back.

A

Passive

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11
Q

Phyllis’s motives may be selfish and materialistic but like Neff, she wishes to rise above conformity of her life. Marriage is a trap which denies her autonomy and which imposes limits on her freedom:
“He’s so mean to me. Everytime I buy a dress or a pair of shoes, he yells his head off. He never lets me go anywhere. He keeps me shut up. He’s always been ____ to me. Even his life insurance goes to that daughter of his. That Lola.”

A

Mean

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12
Q

We can’t accept Phyllis’s words at face value as they may be subject to her manipulation. Dietrichson may be bad tempered but there is little evidence to support her accusations that he ____ her.

A

Slaps

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13
Q

After the murder, her composure becomes one of the most significant character contrasts with Neff and dramatically it creates tension and conflict that propels the _______ along

A

Narrative

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14
Q

Phyllis does meet an end which fulfils the demands of the code and which imposes ____ justice, but her interactions with less than noble men make her characterisation and her plot role more complex than it first appears

A

Moral

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15
Q

The humorous exchange between Keyes and Gorlopis at the beginning of Double Indemnity establishes Keyes’s investigation zeal from the start. He will clearly be crucial to the plot development as his persistent acumen and _____ acts as the principle obstacle to the success of their fraudulent plans.

A

Intuition

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16
Q

Keyes is a loyal if reluctant servant of the system, dismayed by a company which will ‘write anything down just to get it on the ____ sheet.’

A

Sales

17
Q

Keyes may have the brains and integrity but he remains a rather ______ figure. He had a mistrust of all women and indeed all of those who work in the insurance business.

A

Isolated

18
Q

Since a sustained relationship with a partner is often denied to men in film noir, Keyes’s only route to friendship is through the buddy system with ____.

A

Neff

19
Q

____ acts as a major contrast to the femme fatale.

A

Lola

20
Q

Lola may be moral and virtuous but even she goes against type. She is willing to go against her father in her secret rendezvous with the volatile _______ and she openly expresses dislike and suspicions of her stepmother.

A

Zachetti

21
Q

Along with Keyes, Lola develops into an important plot force in act _ as her threat to implicate Phyllis in two murders is regarded by Neff as ‘dynamite’. She also allows Neff the opportunity to expiate his sins and attempt some atonement in the friendship offered between them. Her revelation that she saw Phyllis in a mourning dress before her father’s death with eyes that had ‘that look in them’ provides information which unsettles Neff as her fades from actor to mere agent.

A

4

22
Q

Mr Dietrichson represents everything Neff strives to avoid in his work and his relationships. Dour, boorish and exhausted, he is worn out by the ______ burdens he carries as the provider, and it’s a role he seems to carry reluctantly.

A

Economic

23
Q

Mr Dietrichson’s conversations with his wife and daughter are prohibitive, objecting to the formers _____ and the latter’s social arrangements

A

Spending

24
Q

____ Zachetti is a rebellious adolescent. He contrasts strongly with the shrewd, cautious characters which surround him.

A

Nino

25
Q

Zachetti’s relationship with Phyllis is initially a surprise when he has formerly been attached to ____, but his volatility makes him dangerously susceptible to the machinations of Phyllis.

A

Lola