‘To Althea, From Prison’ by Richard Lovelace Flashcards

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1
Q

What is the form of the poem?

A

‘To Althea, from Prison’ by Richard Lovelace is a four-stanza poem which is separated into sets of eight lines, or octaves.

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2
Q

What is the rhyme scheme of the poem?

A

Each of these octaves follows a structured and consistent rhyming pattern of ababcdcd which alternates as the poet saw fit throughout each of the four
verses.

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3
Q

What can the fixed rhyme be linked to? (2)

A

-The fixed rhyme scheme can be linked to the restriction he faced in prison.
-The lack of variation conveys the monotony and restricted circumstances in which
he found himself.

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4
Q

What is the restriction further conveyed by?

A

This restriction is further conveyed by the use of iambic tetrameter (consisting of 8 syllables and 4 iambic feet), alternating with the use of iambic trimeter (consisting of 6 syllables and 3 iambic feet).

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5
Q

What does the meter used in the poem create?

A

The meter creates a monotonous sound which captures the dull, unvarying circumstances of being imprisoned.

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6
Q

First line - meter?

Second line - meter?

A

(Iambic Tetrameter)

Iambic Trimeter

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7
Q

What does the poem describe?

A

The poem describes the speaker’s efforts at maintaining his freedom while imprisoned in Gatehouse Prison in 1642.

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8
Q

What does line 1 suggest?

A

Line 1 suggests that the speaker’s imagination liberates him from his physical surroundings by using a metaphor comparing love with a bird.

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9
Q

What does ‘love with unconfined wings hovers within my gates’ highlight?

A

‘love with unconfined wings hovers within my gates’ highlights the way the speaker imagines ‘Althea’ being ‘within my gates’.

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10
Q

What are the connotations of divine?

A

The use of ‘divine’ has connotations of her being perceived as a goddess while ‘whisper at the grates’ provides connotations of intimacy conveying the idea that they are re-united through the power of his imagination.

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11
Q

Who could Althea be?

A

Althea, which means healer, could be a reference to Lovelace’s fiancée, Lucy Sacheverell.
It suggests that she is a source of comfort for him.

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12
Q

What does the line ‘[lying] tangled in her hair’ and being ‘fetter’d to her eye’ reinforce?

A

The reference to ‘[lying] tangled in her hair’ and being ‘fetter’d to her eye’ reinforces this intimacy of them being intertwined and the notion of him being shackled/imprisoned by her emotionally which is far preferable to his physical imprisonment.

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13
Q

What connotations do ‘The Gods that wanton in the air’ offer?

A

The Gods that wanton in the air’ offers connotations of power while ‘wanton’ suggests the freedom they possess.

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14
Q

The speaker suggests that the Gods that have this freedom do not have the ____ that he possesses.

A

‘Liberty

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15
Q

What does the content of the poem deal with?

A

The content of the poem deals with the paradox of being free while in confinement.

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16
Q

What power does the speaker have despite being in prison?

A

Even though he is in prison, he still has the power of the imagination to reflect on previous
occasions spent with friends.

17
Q

What does ‘flowing cups’ suggest?

A

‘flowing cups’ suggest convivial times with friends where drink flowed freely and offers connotations of camaraderie.

18
Q

What does repetition of ‘our’ reinforce?

A

The repetition of ‘our’ reinforces this sense of togetherness.

19
Q

What attitude is shown by the reference to ‘careless heads’?

A

There is a carefree attitude shown by the reference to ‘careless heads’ suggesting their lack of
concern and worry about their lives.

20
Q

What image does ‘roses crown’d’ provide?

A

‘roses crown’d’ provides an idyllic image of young men with wreaths on their head which conveys their youthfulness and idealism.

21
Q

Given Lovelace’s loyalty to King Charles 1, what does the reference to ‘hearts with loyal flames’ imply?

A

Given Lovelace’s loyalty to King Charles 1, the reference to ‘hearts with loyal flames’ implies the young men’s devout loyalty to the King.

22
Q

What does ‘thirsty grief in wine we steep’ suggest?

A

‘thirsty grief in wine we steep’ suggests that these young men are drowning their sorrows and proposing toasts shown by, ‘when healths and draughts go free –’. This conveys the idea that these men are toasting the king unreservedly and are drinking to cope with their grief at the state of the country.

23
Q

What does the dash at the end of line 14 provoke?

A

The dash at the end of line 14 is to provoke thought regarding what the speaker has said before the next lines which suggest the extent of their freedom in comparison to ‘fishes’.

24
Q

What figure of speech is ‘Fishes that tipple in the deep’?

A

‘Fishes that tipple in the deep’ is a metaphor which compares fish consuming water in the ocean to these young men that are consuming wine.

25
Q

What does the repetition of ‘Know no such liberty’ reinforce?

A

The repetition of ‘Know no such liberty’ reinforces the notion that the speaker cannot be mentally and emotionally imprisoned and is accompanied by a tone of defiance.

26
Q

We are reminded of the ___ that exists within the speaker’s situation.

A

paradox

27
Q

What is the simile in the beginning of stanza three?

A

The stanza begins with the speaker using a simile in which he compares himself to ‘committed linnets.’ A linnet is a song-bird and the use of ‘committed’ means imprisoned in this context. Thus, their position is similar – both the speaker and the bird are imprisoned.

28
Q

What does the speaker is suggest about the way in which him and linnet sing?

A

The speaker is suggesting that just as the linnet sings with mellifluous, harmonious sounds, he will sing with similar intensity of the ‘majesty and glories of my King’.

29
Q

How does his display of defiance continue in this stanza? (2)

A

-His display of defiance continues in this stanza as he has already been imprisoned because of his
support for the king but will not be cowed.
-He will continue to be openly supportive of King Charles 1 reflected in ‘When I shall voice aloud how good he is,’ as well as ‘how great’ he anticipates he will be in the future.

30
Q

What does the reference to ‘enlarged winds’ create an image of? (2)

A
  • The reference to ‘enlarged winds’ creates an image of an all-powerful wind that can push bodies of water back and ‘curl the flood’ because of its immense force.
  • This comparison suggests that the speaker’s voice will be as powerful (which suggests that he will make his views heard) and as forceful as the wind as he ‘voice[s] aloud’ how great King Charles is.
31
Q

What does the refrain of ‘Know no such liberty’ amplify?

A

The refrain of ‘Know no such liberty’ amplifies his notion that he is freer than this force of nature because his thoughts cannot be restricted.

32
Q

What is the shift from the beginning of each stanza with ‘when’?

A

Notice the shift from the beginning of each stanza with ‘When’ which suggests that when the speaker imagines the images he has provided in previous stanzas, he is able to escape his physical imprisonment to his confirmation that ‘Stone walls do not a prison make, nor iron bars a cage.’

33
Q

How is the speaker assertive in his statement?

A

The speaker is assertive in his statement that despite his physical surroundings, he cannot be mentally or emotionally imprisoned.

34
Q

He suggests that if you have a mind which is_____ (untroubled) and quiet’ that you will
find sanctuary in being imprisoned similar to a_____ (a secluded cottage).

A

‘innocent’

‘hermitage’

35
Q

What does the speaker believe about being imprisoned?

A

Thus, the speaker believes that being imprisoned gives him the opportunity to use his imagination to transcend his situation and escape the physical confines he is currently experiencing.

36
Q

What idea does he express in the final stanza?

A

He expresses the idea that as long as he has freedom of emotion and of being, then he perceives himself as being as free as the angels that soar above him.

37
Q

Comment on the The shift in refrain from ‘Know no such Liberty’ to ‘Enjoy such liberty’.

A

The shift in refrain from ‘Know no such Liberty’ to ‘Enjoy such liberty’ suggests that his freedom is no different to that of the angels.