Theories & Context Flashcards

1
Q

typography

A
  • SAN SERIF - small, stroke, usually flicked
    They may use it for formality, sophistication, rich & good quality
  • SERIF -composed with simple lines (easier to read, universal)
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2
Q

semiotic theory - Barthes

A
  • The media constructs meaning through a process of denotation and connotation.
  • The media has an ideological effect on audiences.
  • The media naturalises ideas through repetition (these ideas become myths which reinforce existing power structures).

weakness: - comp2
- ignores possibility for audience to have different reading (Hall)
- ignores the intention of the producers in creating semiotics for power (Curran and Seaton)

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3
Q

Steve Neale: genre

A
  • States that genre all contains instance of repetition and difference - difference is essential.
  • Films type should to the include features that are similar, so the audience know it is a what type of film i t is e.g. romance, horror

Weakness:
- Repeated mainstream genres tropes reflect dominant ideologies and these can exclude marginalised people (hooks)

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4
Q

shirky

End of Audience

A

No longer any such thing as a ‘passive audience’ because we are more active. This is a result of development technologies.
It means our expectations and behaviours have changed.

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5
Q

fandom - jenkins

Textual Poaching

A

Fans are taking the ‘semiotic raw materials’ from popular media products and reworking the signs into something new.
Textual poaching - fans create their own versions and interpretations.
-Paricpotaory culture - fans interpret their own cultural identites

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6
Q

media lang.

Jean Baudrillard – Postmodernism theory

A
  • Baudrillad’s postmodernism theory is that in the modern world, what something represents has become more important than what it actually is.
  • Postmodernism is the idea that society has moved beyond modernism
  • Baudrillard argued that, as modern societies were organised around production of goods, postmodern society is organised around ‘simulation’ – the play of images and signs.
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7
Q

theorist - media language

Lévi-Strauss- structuralism theory (binary oppositions):

A
  • What opposites can you see in costume, props, mise-en-scene and what is the effect of having one shown against the other? Is one seen as positive and one negative? Or is this view challenged and to what effect?
  • Quote “in every binary pair, one term is favoured and the other disfavoured.”

Evaluation:
- Ignores possibility for audience to have different readings (Hall).
* Western media predominantly and consistently favours white over non-white causing damaging stereotypes (Gilroy).

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8
Q

representaton theorists

Judith Butler

Gender

Performativity theory

A
  • believes gender is constructed through performance, so performing certain activities regularly makes you feel more feminine/masculine.
  • asserts that gender is viewed as binary in which humans are divided into two clear-cut groups: women and men.
  • believes masculine and feminine roles arenot biologically fixed, but socially constructed.
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9
Q

Alvarado - otherness

A
  • Theory related to ethnicity based on the idea that people from different cultures tend to be defined by how different they are, by their ‘otherness’.
  • These representations can focus on racial characteristics and on preconceived audience perceptions.
  • Certain ethnic groups represented as:
  • exotic: links closely to Stuart Hall’s.
  • The ‘exotic’ stereotype presents the individual in terms of how they look, what they wear,
  • dangerous: some texts represent ethnic minorities as a threat to society and are often blamed for social problem.
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10
Q

How useful is binary opposition approach to IN MEDIA text

A

The usefulness of binary opposition:
- It helps reveal the underlying structures of a media text. By identifying pairs of opposing elements, we can uncover the fundamental principles that shape the narrative, characters and themes.
- narrative tensions: opposing forces create narrative tension and conflict, which are essential elements of storytelling.
Criticism of a binary opposition approach to analysis

  • today we have fluidity and hybridity (especially in terms of gender). .
  • Power dynamics: it perpetuate power imbalnces by reinforcing dominant ideologies, which contributes to the marginalisation of certain groups
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11
Q

Key words for representation

A
  • ideology - set of ideas/beliefs
  • dominant ideology
  • stereotype
  • subversive representation
  • realism
  • hegeomny
  • fluid identity
  • gender as perfomance
  • beauty ideal
  • heteronormative reprsentation
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12
Q

Audience theory

Guantlett - theory

A
  • audience mirrors idenitity through media text
  • could be a gender/sexual identity
  • in the past = they were simple representation e.g. men are supposed to be strong, go to work.
  • now with Newer media products = have a more diverse reperenstation
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13
Q

represnetation - feminist theory

Van zoonen

A
  • concept of Discoure: we get our ideas about gender from the media
  • women are objectified and sexualised in the media = due to a paitrachal society.
  • ideas of masculinity/feminity changes overtime, depends on its cultural context
  • women and men are protrayed differently. women are associated with domesticity, men are seen as the breadwinner
  • protrayed as ‘spectacles’ = men with their abs
  • women bodies are shown as something that peopleshould lust over - male gaze theory
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14
Q

feminist - representation

bell hooks - intersectionality

A
  • takes a intersectional appraoch: factors such as race, class, age contribues to the oppression of women. not just gender
  • this creates white supermacist
  • Feminism is a struggle to end patriarchalhegemony
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15
Q

gilroy

A
  • African slavery and colonialism were justified through race science.
  • Black people were seen as less intelligent than white people.
  • Primitive and less civilised.
  • Therefore, they needed to be controlled and given western civilisation.
  • The setting up of binary oppositions based on notions of ‘otherness’
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16
Q

Binary Opposition - Hall ethnicity

A
  • The binary opposition of black and white is of great cultural significance in Western societies.
  • Where ‘white’ is taken to mean fair, pure, good and true,in opposition, black is understood to be deadly, malignant, sinister anduntrustworthy.
  • Such connotations have an impact upon how **ethnicity is understood **as skin tone is such a visible
  • Racist prejudices have historically linked **darker skin tones with inferiority **or villainy and representations aspect of some ethnic groups’ identities.
17
Q

Pros of cultivation theory

A

1.Understanding Media Influence: acknowldges how consistent exposure to certain media content,can shape individuals’ perceptions of social reality.
2.long term effect: can contribute to the formation of cultural norms and attitudes over time.
.

18
Q

Criticism of cultivation theory

A
  1. Homogeneity Assumption: Cultivation theory assumes a homogeneity(uniformity)of media effects, suggesting that all individuals exposed to similar media content will develop similar perceptions. However, people interpret media messages differently based on factors such as age, gender, cultural background, and personal experiences.
19
Q

How can we apply Uses and gratification to Zoe Suggs uses

A

Entertainment: Zoe Sugg’s lifestyle vlogs, beauty tutorials, and personal updates offer her audience relaxation and escapism from daily life.
- Information: Many followers seek Zoe Sugg’s beauty tips, fashion advice, and lifestyle recommendations for her expertise and transparent approach.
- Personal Identity: Followers relate to Zoe Sugg’s lifestyle and values, using her content for self-expression and identity formation.
- Escapism: Zoe Sugg’s positive and uplifting content provides a temporary escape from everyday stresses and anxieties.

20
Q

industry

Livingstone & Lunt - Regulation

A
  • Technological convergence makes it increasingly difficult for governments to regulate
  • the proliferation of online content made by a wide range of prosumers also made it harder forcontrol content, enforce rules and prevent potentially harmful content being published
  • HARD TO Regulate - easlity accessible
  • The challenges of protecting the young and vulnerable from unsuitable content online
  • The use of age verification systems
  • Introduction of screen time limits = watershed - anything before 9pm is suitable for kidson TV, however - dont have this on the internet
  • The way regulatory bodies such as ASA have responded to ‘new’ digital tech and platforms such as YouTube
  • The role of the ASA is regulating online advertising, advertorial vlogs, product placement within vlogs
  • Issues around who is responsible for what is posted online
21
Q

add more

Hasmondalugh

A

maximises competition = minising risk,
to achive this a company must have
- horizontally/vertically intergrated
- clever formats and genres
- publishe on mutiple platform