Attitude Flashcards

1
Q

Context:

A
  • Attitude the UK’s best-selling and award-winning gay magazine
  • The magazine focuses on the interests and lifestyle of gay men more than lesbians, bisexual transgender and queer identities – attempt to be more exclusive
  • Similar demographic to GQ magazine (in terms of class)
  • It features opinions, style, competitions, active, travel – not just about gay identity
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2
Q

Social and Cultural context:

A
  • LGBT legalisation developments, The Equality Act
  • Improvement in public attitude and positive mainstream representation have been demonstrated by the rise of events such as PRIDE festival.
  • Many nations still outlaw homosexuality (death penalty punishment in Iran, Somali, Nigeria etc)
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3
Q

ECONMIC CONTEXT:

A
  • ATTITUDE has a print circulation of 60,000.
  • And many newsletter subscribers
  • Attitude Awards – tweets sent to over 5 million followers and seen by 1.6 million readers.
  • Most readers/consumers are active (25-55, 75% male, ABC1)
    · Attitude denies Hesmondhalgh ideas that “the radical potential of the internet has been incorporated into large, profit orientated companies” – Attitude is truly independent and offers diversity and inclusivity for its readers linked to diverse sexuality
    · Website and print magazine as main products reflecting brand identity
  • Funded by The Attitude Foundation (registered charity) and advertising revenue, plus subscriptions:
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4
Q

new technology + interactivity

convergence

A

· Website as central marketing hub
· Instagram as a stand alone platform links more with Attitude glossy photo shoots and awards ceremonies – limited number of followers relating to an older demographic
· Social media convergent links target a 25+ demographic (notable absence is links to TikTok and Snapchat)
· Twitter - significant amount of content updated regularly
· Shirky – opportunities to interact and speak back to the media via Twitter since the event of web 2.0

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5
Q

product context

A
  • Described as ‘the gay Bible’ by the Sun newspaper.
  • Marketing: celebrities, exclusive content, social and topical issues, gay agenda etc.
  • International sales: print magazine, digital download for smartphones
  • Narrowcasting to niche audience – targets audience through sexuality first and foremost
  • Sponsorship/charity – black tie Attitude Awards dinner every October benefits
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6
Q

Historical context

A

How have things changed?
● Homosexuality is more socially acceptable = in a western society
● In 2014, gay marriage was made legal in the UK
Less of a negative stigma (especially in the UK)
● Less of a stereotype that all gay men are ‘flamboyant and all lesbians are ‘butch’ or ‘manly’.
● More representations of homosexuality in the media = normalised.

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7
Q

Media language

A
  • High image to text ratio – teaser headlines - Audience scan the images and can quickly identify articles that may be of interest =stereotypically men dont like to read
  • Short paragraphing = look visually exciting and to minimise reading time
  • Global story content
  • Professional look and aesthetic
    Conventions:
  • Features real people
  • Fact-based news with LGBTQ= twist
  • Subversion of heteronormative imagery.
  • Exclusive interviews (star power)
  • 25= year heritage
  • This also makes it easier for the audience to quickly navigate their way around the articles by chunking text.
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8
Q

Website – brand identity:
Conventional:

A
  • MASTHEAD: San serif – no capitals informal – challenging dominant ideologies of sexuality
  • COLOUR PALETTE: Black and white colour palettereliable source of information – quite ironic in a way. White space (crisp, clean layout). Topic colours (underneath stories) re all rainbow banner colours = many bright colours – represents the pride flagfreedom, liberation – pride in their sexuality
  • WEBSITE FEATURES: navigation bar, search box, picture slideshow, hyperlinks, videos, social media links (convergence)
  • MODE OF ADDRESS- serious/political. Informal on the whole, however more serious topics have formal language to connote serious nature of story
  • MEDIATION + IDEOLOGY – most stories specifically linked to homosexuality, gay culture, things that affect gay people. (Homophobia, specific disease e.g. HIV). Ideology – left wing (although apolitical) and liberal
  • MULTIMODALITY + hypermodality - uses a variety of mediam (text, images, videos + hyperlinks (both))
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9
Q

Postmodernism in Atitude

A

Postmodernism (Baudrillard):

Attitude Magazine creates an idealized version of a society that fully accepts LGBTQ identities, presenting a hyper-real world with progressive attitudes and promises of equality - however this is not always the case in reality

  1. Simulacra (Baudrillard):
    • Attitude’s vibrant, visually striking content blurs reality and imagination, presenting an idealized world dominated by beauty, fashion, and celebrity culture.
    • The magazine’s glossy pages create a hyper-real environment -
      escapism - By challenging and embracing anti-conformist themes, Attitude’s subversive nature aligns with hyper-reality.
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10
Q

Article on Sex education

Converging Media

A
  • Actor Asa Butterfeild discusses about how he ‘thinks its insance that people are still opposing LGBTQ lessons in schools
  • Convergence - BBC Sounds Twitter link in the article to a feature from the cast of ‘Sex Education’ on LGBTQ+ rights
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11
Q

IDEOLOGICAL AGENDA

Representation

A
  • Socially progressive gender representation -rights for all with LGBTQ+ identity,including non-binary, pansexual, transgender and queer.
  • Heteronormative gender ideals subverted by celebrations of gay marriage, gender transitioning surgery and gay adoption.
  • Peripheral reading demographic - ‘straight but supportive’ advocates.
  • subversions of camp gay stereotype, (not the only version of gay men - there are hypermasculine gay men celeberated in the magazine)
  • which challenges to the ‘victim’ representation of LGBTQ+ people, appeal to ‘gay gaze’ in photoshoots (hypersexualised), celebration of promiscuity but cautions of the dangers of online hook-ups on apps such as Grindr = represented as socially liberal.
  • Criticising stigmatization of LGBTQ+ people with association to HIV/ AIDS.
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12
Q

Theoretical application

Intersectionality (bell hooks) on representation

Celebration of Black Pride

A
  • Celebration of Black Pride which aims to bring queer BAME communities together - African-American trans women such as Laverne Cox (star of ‘Orange is the New Black’) are celebrity trailblazers who campaign for Black Trans rights.
  • Attitude writes an article of a new ‘BAME LGBT Voice’s Documentary.
  • Detailed representation of multiple sexual identities - egalitarian approach.
  • Gilroy’s Postcolonial theory - some negative portrayals of ethnicities with associations to oppressive homophobic governments.
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13
Q

Representation (Hall)

A
  • Traditionally underrepresented groups given a platform and voice to celebrate their sexuality - cultural stigmatization and marginalization frequently challenged - LGBTQ+ identity normalized through positive representation.
  • ‘those with power represent those without power’ - keeps the status quo - keeps the dominat group in power
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14
Q

TRADITIONAL REPRESENTATIONS OF HOMOSEXUALITY IN THE MEDIA

A
  • Drag queen – experimental with makeup
  • Feminine
  • In the past, homosexuals have been represented as ‘other’ (similarly to ethnic minorities) and ‘dangerous’. This is partially linked to traditional ideologies created/reinforced by religion
  • According to Wikipedia: “Historically, the portrayal of the LGBT community in media has been negative, reflecting the intolerance for the LGBT community seen in cultures’’
  • There has been positive portrayal or increased presence of the LGBT community in media has served to increase acceptance and support for the LGBT community
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15
Q

Heteronormative Culture vs. Homosexual Culture

A
  • mainstream media - stereotypically, camp, effeminate, theatrical or flamboyant
  • it only offers signifiers to reinforce hegemony.
  • Masculinity is often equated with heterosexuality in mainstream media, perpetuating the myth that in order to be masculine you have to be heterosexual.- reinforce and uphold hegemony

To what extent are traditional stereotypes around homosexuality and gender reinforced or challenged?
- more homosexuals og colour
- masculine gay men as opposed to femine gay men with heavy makeup

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16
Q

Jake shears - representations

text analysis - rep of masculinity

A
  • In the Jake Shears magazine cover representation of masculinity is represented in a non-traditional manner, challenging conventional norms.
  • His body language with his hand on his hips and serious facial expressions signifies confidence and self-assurance – challenging the notion that the traditional ideas about masculinity – confident in playing with gender identities
  • In an army jumpsuit – connotations – dominant, strong, fearless – he’s wearing it with half bottom up – sexual, alluring – nudity.
  • However, there is some elements of feminity with his hand gestures on his lips, makeup and painted nails embracing elements typically associated with feminity. – binary opposition of gender being fixed - playing around
  • Anchorage – Breaking stereotypes, encouraging readers to reconsider preconceived notions about masculinitysubjective – ‘busting the myth around masculinity and race’ = coverline – links to intersectionality
  • Sell lines: ‘playing it straight - what is to be a man’ – gender performative – Butler – meanings can be different – socially constructed
    criticises how societal norms and expectations that dictate how gender should be performed
  • Also links to Guantlett: identity theory pick and mix theory:
  • offers audiences a diversity of identities - resist the fixed identities that society constructed for us in the past
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17
Q

Semiotic analysis of the rainbow flag

A
  • Prideful and happy
  • The different rainbows in the flag could perhaps represent the different section within that community
  • Diversity and inclusivity – feature blue and green – masculine colours
  • It also connotes the struggle against oppression homosexuals have had to overcome to get to this point.
  • links to BAUDRILLARD
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18
Q

deleye

Identity (Gauntlett)

A
  • Diverse and complex intersecting representations/identities in the magazine
  • range of ethnicities and intersections of class within those platformed within the magazine - dominant representation of gay men with tokenistic reportage on Lesbian, Bisexual, Transgender and Queer identities.
  • in the past the media tended to convey singular, straightforward messages about ideal types of male and female identities, the media today offer us a more diverse range of stars, icons and characters from whom we may pick and mix different ideas.
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19
Q

Articles that highlight the LGBT representation within the Online Magazine - links to Judith Butler Gender oerfomativuty and bell hooks intersectionality

A
  • Gay Representation:
    • Articles featuring Sam Smith’s desire to open a gay bar in his hometown and Thomas Beattie’s experience as a gay football star reflect Judith Butler’s theory of gender performativity, challenging traditional norms of masculinity and contributing to the construction of their gay identities.
    • These narratives also intersect with bell hooks’ theory of intersectionality, acknowledging the interconnected nature of social identities and the unique challenges faced by individuals like Beattie, whose experience as a gay football star intersects with his identity as a professional athlete.
  • Transgender Representation:
    • The article showcasing Chiyu Gomes, Mr. Gay England’s first trans finalist, illustrates Judith Butler’s concept of gender performativity within the transgender community, challenging traditional notions of gender and beauty.
    • Gomes’ experience also aligns with bell hooks’ intersectionality theory, highlighting the significance of recognizing and addressing intersecting forms of oppression and discrimination faced by transgender individuals, particularly those of color.
20
Q

CONTER POOINTS ON Gender critical

INTERTEXTUAL REFERENCE

A
  • Gender Metaphysics - Argument: trans women are biologically men.
  • stereoypw:Argument: claiming womanhood for yourself without living any of the struggle that entails.
  • Reproductive Oppression-Argument: you don’t know what it’s like to be shamed for your periods, fear unwanted pregnancy, fight for right to abortion, bear the pain of childbirth
21
Q

Articles

Applying Hall’s Reception Theory

The Trans identity debate according to reading by public media figures

A

Preferred audience:

  • Mr Gay England’s First Trans Finalist Chiyo Gomes: ‘TERFs genuinely want to destroy the Trans existence’
  • Asa Butterfield says it’s insane that people are still opposing LGBTQ inclusive lessons in schools

Negotaited audience:

  • Young Teenagers sceptical about same-sex marriage and Trans rights

Oppisitional audience:
- JK Rowling doubles down on anti-Trans views in fear-mongering essay

22
Q

Industries

Advertising

A
  • Mediating between catering for niche audience means publication walks between compelling content creation and marketing effectively.
  • Attitude Advertising Policy - use behavioural advertising for digital platforms (uses cookies/IP) - targeted marketing. = resonates with its readership while also meeting the needs of advertisers seeking exposure to a targeted demographic
  • Prices vary for advertising rates (insider front cover double page spread = £9,000, full page).
  • Promoting Diversity and Inclusivity in Advertising: Adverts sometimes adapted to remove heteronormative paradigms (such as Virgin Holidays males holding hands). = aligning with its ethos as an LGBTQ+ publication.
23
Q

industries

Regulation (Livingstone/Lunt)

A
  • Internet Watch Foundation - blocks illegal content (abuse images) - online content can attract vast users and
  • comments where algorims and online moderators find virtually impossible to regulate and censor successfully.
  • Algorithms and online moderators - limited opportunities for commenting and audience interaction - controlling offensive content from homophobic
  • Element of ‘self-regulation’ - avoid becoming a tarnished brand.
24
Q

Audience

Demographics and Psychographics

delete

A

Gay males (26-55) - social media savvy - emphasis on social media distribution makes more sense that print media - ABC1 audiences dominate readership - consumers with affluent lifestyle associated with disposable incomes in line with promoted activities (such as gym membership).
Generation X and Millennial audiences - mature enough to remember time without ‘smart technology’ - active left-leaning/Liberal audience - activists for social change, dispelling myths generated by under-represented minority groups.
Bachelor/married - gay men are stereotypically less likely to have children, although numbers of those who are parents/guardians and married are growing.
Activities - gay culture, fashion, film, travel, fitness - emphasis placed on entertainment as core leisure activity - editorial mix consists of soft news stories dominated by celebrity led content with harder issues covered.
Young & Rubicam’s 4 Consumers -
Reformers/Aspirers - narratives are political - LGBTQ+ orientated with material that deals with homelessness, voting rights and women’s rights - campaign-based journalism that tries to effect social change - aspirational feel - reference to premium fashion brands, material acquisition,

25
Q

Cultivation Gerbner

A

Influence - attitudes, lifestyle, advertised product purchases,
friendship groups, experiences.
Unilateral message of normativity - settle the reader’s own identity and make them proud of their sexuality instead of promoting shame - resonance with most readers mirroring some aspect, a memory or emotion within their own personal narrative.

26
Q

Uses and Gratifications (Blumer and Katz)

A

Surveillance - informs readers of range of LGBTQ+ issues on an international scale.
Escapism - celebrity gossip, political debate, interesting personal stories.
Personal identity - promotion of gay lifestyles that readers may align with.
Personal relationships - online comment threads to connect with other readers

27
Q

barthes

A
  1. Connotation:
    • Beyond their literal meanings, Attitude’s articles and imagery convey deeper connotations that resonate with its audience.
    • For example, a fashion spread featuring LGBTQ+ models may connote themes of empowerment, diversity, and representation within the community.
  2. Myth:
    - Attitude constructs meanings presenting certain ideas or values as natural and unquestionable.
    - For instance, the magazine may perpetuate myths surrounding beauty standards within the LGBTQ+ community or promote narratives of inclusivity and acceptance as inherent truths.
  3. Ideology:
    • The magazine reflects ideological perspectives through its content + advertising.
    • Attitude may promote ideologies of LGBTQ+ rights, social justice, and cultural diversity, shaping readers’ perceptions and beliefs about these issues.

Semiotic (Barthes)
- Multi-modal online media with multiple connotation based on an electic range of articles (polysemic meaning)
- Iconography of the rainbow flag as representative of LGBTQ= rights an identity – features as a motif in multiple articles.

28
Q

Neale

A
  1. Repetition and Difference: Attitude Magazine maintains its brand identity by repeating themes like LGBTQ fashion and style while differentiating itself with unique perspectives and content formats. - didverse range of celebritites featured
  2. change and development: the magazine adapts and , embraces digital trends and updating content to reflect changing societal norms regarding LGBTQ+ issues.
29
Q

Shirky

A
  1. Interactive Engagement:: through social media, comment sections, and online forums, encouraging active participation. - similarly controversial debates discussed - incresses interactiveity and people to talk more about it
  2. User-Generated Content: The magazine invites readers to submit stories, artwork, and personal narratives,making them co-creators and enriching the content with diverse LGBTQ+ experiences.
  3. Community Building offers them a sense of belonging and solidarity
30
Q

Fandom

A
  1. Active Participation in Meaning Construction: interpreting it through their own perspectives and experiences, and adding new layers of meaning through social media interactions and discussions.
  2. Textual Poaching and Appropriation: Fans remix and reinterpret Attitude’s content to align with their identities and viewpoints, asserting their autonomy and contributing to the cultural meanings within the LGBTQ+ community.
  3. Participatory Culture and Identity Construction: Attitude Magazine fosters a participatory culture where readers construct their social and cultural identities by engaging with LGBTQ+ representations, aligning with broader cultural movements, and incorporating these into their sense of self.
    .
31
Q

How have ideologies, values or aims of the magazine changed? What is the messages of ‘new attitudes’

A
  • Before people were either gay/ lesbian - targeted for men’s
  • not many openly gay men - still a taboo back then
  • went for Hollywood stars (males) that they thought gay men look up to. = easy option e.g Brad Pit, David Beckham - usually on female magazines, aligns gay men to be in touch with their feminine side.
32
Q

theorectical applications

Binary Opposition

A

Feature article
* Fear versus bravery
* Rejection versus acceptance
* In the closest versus out of the closest
* Shame versus pride
* Truth versus lie

Attitude in general
* Heterosexuality versus homosexuality
* Persecution versus freedom and liberty
* Oppressive versus progressive
* Intolerance versus acceptance
* Public versus private

33
Q

The history of Black Pride

A
  • Historical Context: The UK held its first official Pride event in London 50 years ago, attracting around 2,000 participants.
  • Need for Safe Spaces: Queer people of ethnic heritage have created safe spaces for Black, Asian, and minority ethnic (BAME) LGBTQ+ communities to address issues at the intersection of racism and homophobia.
  • Exclusion and Racism: Many BAME LGBTQ+ individuals have faced racism in the gay scene and feel excluded from mainstream Pride events, which are often perceived as “white-washed and very cis-gendered.”
  • Stonewall Riots: 1969, a series of violent confrontations between police and gay rights activists outside the Stonewall Inn, Greenwich Village, NY.
  • Stonewall Research Findings: Over half of BAME LGBTQ+ people (51%) have faced discrimination within the LGBTQ+ community, highlighting the importance of dedicated spaces for BAME LGBTQ+ individuals to express themselves and raise awareness of their specific issues.
34
Q

Race and Ethnicity Representation in Attitude

A
  • bell hooks
  • Paul Gilroy
  • Stuart Hall
  • African countries are portrayed as backwards and oppressive due violence suffered and its persecution of members of the LGBTQ community.
  • The west is portrayed as a safe haven for LGBTQ community from the third world, as they are able to express this aspect of their identity.
  • Racial hierarchies are established by the fact that non white homosexual males are marginalised within the gay community.
35
Q

attitude article

A
  1. Othering of Homosexual Men:
    • Portrayals of exaggerated feminine traits visually code homosexual characters as deviating from heterosexual norms.
    • Technical Codes: Camera angles and mise-en-scène isolate homosexual characters and emphasize their divergence from heterosexual norms.
  2. Reinforcement of Colonial Discourses and Racial Hierarchies:
    • Written Codes: Lack of representation and persistence of stereotypes regarding Black gay men reinforce colonialist views.
    • Technical Codes: Lighting and set designs subtly position Black gay characters as outsiders or secondary within predominantly white or heterosexual environments.
  3. Intersectionality and hooks’ Theory in Ethnic Minority and Non-White Experience of Sexuality:
    • Intersectionality: Travis, a Black gay civil rights attorney in “Sanford Arms,” navigates multiple identities, complicating societal norms.
    • hooks’ Theory: Travis’ character highlights systemic challenges faced by Black gay men within the imperialist white-supremacist capitalist patriarchy.
    • Technical and Visual Codes: Lighting, camera angles, and character interactions depict Travis’ nuanced experiences, revealing both progress and ongoing challenges in representation and societal acceptance.
36
Q

Identity

A

-1. Role Models and Identity Exploration:
- Figures like Tom Daley and Sam Smith challenge gender norms and inspire identity exploration.
- Showcasing diverse gender and sexuality expressions helps users construct their identities.

  • Encourages embracing authentic selves, empowering the community.
  • Promotes fluid and diverse identities within the LGBTQ+ spectrum.
  1. Representation on Attitude.co.uk:
    • Features a wide array of LGBTQ+ voices and stories to address underrepresentation.
    • Provides respectful, accurate portrayals to combat stereotypes and foster understanding..
    • Embraces pluralism to ensure inclusive representation and understanding of LGBTQ+ experiences.
37
Q

Washington post article ethnicity

A
  • In the 1950s-60s, TV depicted gay men and lesbians as stereotypes.
  • By the 1970s, more diverse portrayals emerged, influenced by sophisticated ratings systems and independent producers.
  • However, progress regressed in the 1980s due to conservatism and AIDS. The 1990s-2000s saw an increase in complex, diverse representations of Black gay characters on television.
38
Q

Industry - historical

A
  • Attitude was originally published in Richard Desmond’s (former pornographer).
  • Northern & Shell owned magazines, newspapers, and TV stations
  • quite tabloid and gossip based
  • In 2014 Attitude was **purchased by Stream **Publishing, an independent publishing company:
  • ‘By bringing Attitude into the Stream family, it can enjoy the support of a larger publisher with greater resources, but - given our entrepreneurial nature - continue to enjoy the freedom and independence a title with maverick tendencies sometimes needs.”
39
Q

Stream publishing LTD

A
  • Stream Publishing Background: Darren Styles, Stream is a small independent publishing company, known for magazines like those found on airplanes.
  • Expansion into Luxury Gay Lifestyle: Stream owns Winq, the English version of a Dutch luxury gay lifestyle magazine.
  • Motivation Behind Attitude
  • Impact of Ownership on Content: With a gay owner, Attitude may prioritize authentic representation,* aligning with Styles’ personal values and Stream Publishing LTD’s mission.*
40
Q

Hesmondaluglh

A

LINKS TO ATITUDE:
* by using a website as a marketing tool (and social media), Stream are attempting to maximise audiences and take less risk.
* Stream are a LTD, but have one shareholder, Darren Styles - he is free to take as many risks as he wants because he answers only to himself. = Vertical and Horizontal Integration
- Operating Similar to Conglomerates: Stream Publishing, akin to conglomerates, diversifies and synergies between publications, and seeks expansion in related cultural industries.

41
Q

Digital Platforms + Ad Revenue

A
  • Attitude targets a modern audience through its website and digital editions for phones and tablets, capitalising on the trend of increased digital consumption.
  • Distribution across various digital platforms contributes to a significant online presence, with approximately 1.7 million website users monthly
  • Digital editions sell over 11,000 copies monthly, prompting the need for online advertising revenue streams.
  • Online advertising opportunities like banners, sponsored websites, advertorials, and promotions generate substantial revenue for Stream Publishing.
  • As they transition from print, where most revenue came from advertising, Stream Publishing now offers brands diverse online advertising options, leading to revenue growth.
42
Q

Global Product + social media

A
  • Digital editions allow global distribution, reaching beyond the previously limited British audience.
  • The content includes diverse cultures and LGBTQ issues.
  • Exclusive interviews with high-profile figures like royalty and celebritiesboost audience engagement
  • Social media expands the global audience, especially in countries where the print version is restricted, highlighting the importance of online platforms.
43
Q

Regulation + online regulation

A
  • Content features male models, with efforts to censor more adult material on platforms like Twitter and Facebook.
  • Concerns arise over hateful and discriminatory comments on social media, with inadequate support from platforms like Facebook, Twitter, and Instagram.
  • Limited options for audience engagement online may stem from fears of homophobic or transphobic backlash.
  • Challenges include protecting young and vulnerable users from inappropriate online content and implementing age verification systems.
  • Clickbait tactics employ intentionally manipulative techniques, including low-resolution images and misleading content, posing risks to vulnerable audiences.
44
Q

Curran & Seaton

A
  • whilst Attitude used to be owned by a media conglomerate, it is now owned by an independent publisher.
  • This allows more creative freedom and less commercial (economic) pressure to push for profit & power.
  • Whilst Stream still want to make a profit, they are free to make decisions which more mainstream publishers may not do. Challenges C&S to some extent.
  • The website it easy to navigate and use - multimodal/hypermodal = would appeal to neophiles
45
Q

how they target men

A
  • stereotypically men dont like to read/not - short chunkned paragraph
  • alot of the content is factual and avoids deep emotional responses,which may appeal to men e.g. interviews about the history of celebrities
  • many clickbait - more for advertising - audience further clicks
  • a big focus on retro 90’s fashion, music and pop culture -reflects a those who were born in the 90’s - choice of social media: instagram, facebook = 25-55 age range - little interactive content