Theories Flashcards

1
Q

Andrew Medhurst - Stereotypes
πŸ‘—πŸ©°πŸ›πŸ’„πŸ‘ πŸ’

A

He believed that stereotypes are used as quick identification if there isn’t enough time to get to know the characters.

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2
Q

Richard Dyer - Negitive view
πŸ’ͺπŸ‘‰ - πŸ‘±β€β™€οΈπŸš«

A

β€’ People in power give stereotypes to people without
β€’ This can reinforce assumptions and ideologies

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3
Q

David Gauntlett - Construction of Identity
πŸ€³πŸ“·πŸ˜Άβ€πŸŒ«οΈ

A

β€’ The media gives people the tools to form our own identity
β€’ β€˜Reprisentation can be personally constructed’
β€’ By choosing what you share on social media you are representing yourself

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4
Q

What are Stuart Hall’s three approaches to Reprisentation?
πŸͺŸπŸš«πŸ—

A

β€’ Reflective
β€’ Intentional
β€’ Constructional

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5
Q

Stuart Hall - Approaches to Reprisentation
1. Reflective πŸͺŸ πŸ“°πŸ“»

A

According to this view when we are representing something we are taking its true meaning and creating a replica, like reflecting something in a mirror
e.g. the news

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6
Q

Stuart Hall- Approaches to Reprisentation
2. Intentional πŸͺŸπŸš«

A

The opposite of the reflective idea. This time the most important thing in the process is the person doing the representing. They are showing their views and ideology

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7
Q

Stuart Hall- Approaches to Reprisentation
3. Constructionalist πŸ—

A

β€’ A response to the weaknesses of the other theories
β€’ No matter is it is reflective or Intentional representation the viewers will have their own interpretation.

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8
Q

The hypodermic syringe πŸ’‰ πŸ’­

A

β€’ The media is like a syringe that injects ideas, attitudes and beliefs into the audience as a powerless mass and have little choice but to be influenced
E.g watch something violent = do something violent

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9
Q

Culmination theory
πŸ“Ί βž•οΈ πŸ“» βž•οΈ πŸ–₯ 🟰 πŸ’­

A

Watching any one media text does not have too much effect but watching it repeatedly will.
E.g more violence you watch the less sensitive you are

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10
Q

Two step flow
πŸ§β€β™€οΈπŸ§πŸ’¬

A

β€’ Our opinions are influenced by others
β€’ Whatever our experience of the media we will be likely to discuss it with others and if we respect their opinion, the chances are we will be effected by it
(Opinion leaders)

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11
Q

Users and Gratification πŸ–₯

A

β€’ We all have different uses of the media and we can choose what to watch.
β€’ When we encounter media it is not just mindless entertainment we are expecting to get something

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12
Q

Reception analysis
🍿🎞

A

β€’ This suggests that the audience themselves help create meaning to a text.
β€’ We all decode texts in different ways as a result of upbringing, mood, location, people we are with.

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13
Q

Integration and Social Interaction
πŸ‘¨β€πŸ‘©β€πŸ‘§β€πŸ‘¦

A

β€’ We use the media to find out about other people
β€’ Watching a show helps us to emphasise with lives of others

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14
Q

David Gauntlett - Gender Reputation
🍭🍬🧁🍫

A

β€’ The media used to show straight forward gender stereotypes
β€’ Now a more diverse range of representations are shown
β€’ We can β€˜Pick and Mix’ ideologies from this

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15
Q

Laura Mulvey - Male Gaze
πŸ€΅β€β™‚οΈπŸ‘

A

β€’ The tenancy of media products to assume the male viewpoint
β€’ Objectifies women
β€’ Portrayed in a way that reflects male desires

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16
Q

Judith Butler - Queer Theory

A

β€’ Gender is not based on how we are born but how we choose to act
β€’ You can have traits of either gender regardless of your gender

17
Q

Angela McRobbie - Post Feminism
πŸ’ͺπŸ‘ 

A

β€’ Being provocative and sexulised but also appearing strong and empowered

18
Q

Donald L Mosher - Hypermasculinity

A

β€’ Exaggerating male stereotypes and behaviour

19
Q

Sarah Gill - Female Gaze
πŸ‘°β€β™€οΈπŸ‘€

A

β€’ Looking at men in a sexual or objectifying way

20
Q

What idea did Ronald Barthes introduce?

A

Signs can function at the level of denotation of the literal meaning and connotation of the meaning associated with it.

21
Q

Steve Nele - Genre

A

β€’ Genres are instances of repetition and difference
β€’ Familiar elements can be presented in unfamiliar ways
β€’ Difference is essential to sustain a genre simply repeating codes would not appeal to an audience
β€’ Audience’s enjoy seeing how a genre has been manipulated to produce something different yet recognisable
β€’ It is an advantage to the media as they know what consumers will like

22
Q

Levi Strauss - Binary Opposite Theory

A
  • They are used by producers to create conflict, drama or meaning
  • It is for things to be compared or contrasted
23
Q

David Gauntlet - Identity Theory

A
  • Audiences gat a sense of their own identity from the media products they consume
  • You may get an idea of who you are or who you want to be
24
Q

Hermeneutic/ Enigma codes

A

The part of the media text that will engage the audience’s interest

25
Q

Semantic codes

A
  • The parts of a media product that we understand have a hidden meaning/ have a connotation
    e.g. hugging the product shows how much they love it
26
Q

Proerratic/ Action codes

A

Elements of a media product that signify that something will happen as a result
e.g. grabbing a gun … someone will get shot

27
Q

Referential/ Cultural codes

A
  • References that a certain group or culture will understand
  • This may exclude some audiences
28
Q
A