Theories Flashcards

1
Q

Andrew Medhurst - Stereotypes
👗🩰🛍💄👠💍

A

He believed that stereotypes are used as quick identification if there isn’t enough time to get to know the characters.

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2
Q

Richard Dyer - Negitive view
💪👉 - 👱‍♀️🚫

A

• People in power give stereotypes to people without
• This can reinforce assumptions and ideologies

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3
Q

David Gauntlett - Construction of Identity
🤳📷😶‍🌫️

A

• The media gives people the tools to form our own identity
• ‘Reprisentation can be personally constructed’
• By choosing what you share on social media you are representing yourself

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4
Q

What are Stuart Hall’s three approaches to Reprisentation?
🪟🚫🏗

A

• Reflective
• Intentional
• Constructional

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5
Q

Stuart Hall - Approaches to Reprisentation
1. Reflective 🪟 📰📻

A

According to this view when we are representing something we are taking its true meaning and creating a replica, like reflecting something in a mirror
e.g. the news

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6
Q

Stuart Hall- Approaches to Reprisentation
2. Intentional 🪟🚫

A

The opposite of the reflective idea. This time the most important thing in the process is the person doing the representing. They are showing their views and ideology

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7
Q

Stuart Hall- Approaches to Reprisentation
3. Constructionalist 🏗

A

• A response to the weaknesses of the other theories
• No matter is it is reflective or Intentional representation the viewers will have their own interpretation.

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8
Q

The hypodermic syringe 💉 💭

A

• The media is like a syringe that injects ideas, attitudes and beliefs into the audience as a powerless mass and have little choice but to be influenced
E.g watch something violent = do something violent

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9
Q

Culmination theory
📺 ➕️ 📻 ➕️ 🖥 🟰 💭

A

Watching any one media text does not have too much effect but watching it repeatedly will.
E.g more violence you watch the less sensitive you are

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10
Q

Two step flow
🧍‍♀️🧍💬

A

• Our opinions are influenced by others
• Whatever our experience of the media we will be likely to discuss it with others and if we respect their opinion, the chances are we will be effected by it
(Opinion leaders)

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11
Q

Users and Gratification 🖥

A

• We all have different uses of the media and we can choose what to watch.
• When we encounter media it is not just mindless entertainment we are expecting to get something

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12
Q

Reception analysis
🍿🎞

A

• This suggests that the audience themselves help create meaning to a text.
• We all decode texts in different ways as a result of upbringing, mood, location, people we are with.

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13
Q

Integration and Social Interaction
👨‍👩‍👧‍👦

A

• We use the media to find out about other people
• Watching a show helps us to emphasise with lives of others

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14
Q

David Gauntlett - Gender Reputation
🍭🍬🧁🍫

A

• The media used to show straight forward gender stereotypes
• Now a more diverse range of representations are shown
• We can ‘Pick and Mix’ ideologies from this

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15
Q

Laura Mulvey - Male Gaze
🤵‍♂️👁

A

• The tenancy of media products to assume the male viewpoint
• Objectifies women
• Portrayed in a way that reflects male desires

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16
Q

Judith Butler - Queer Theory

A

• Gender is not based on how we are born but how we choose to act
• You can have traits of either gender regardless of your gender

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17
Q

Angela McRobbie - Post Feminism
💪👠

A

• Being provocative and sexulised but also appearing strong and empowered

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18
Q

Donald L Mosher - Hypermasculinity

A

• Exaggerating male stereotypes and behaviour

19
Q

Sarah Gill - Female Gaze
👰‍♀️👀

A

• Looking at men in a sexual or objectifying way

20
Q

What idea did Ronald Barthes introduce?

A

Signs can function at the level of denotation of the literal meaning and connotation of the meaning associated with it.

21
Q

Steve Nele - Genre

A

• Genres are instances of repetition and difference
• Familiar elements can be presented in unfamiliar ways
• Difference is essential to sustain a genre simply repeating codes would not appeal to an audience
• Audience’s enjoy seeing how a genre has been manipulated to produce something different yet recognisable
• It is an advantage to the media as they know what consumers will like

22
Q

Levi Strauss - Binary Opposite Theory

A
  • They are used by producers to create conflict, drama or meaning
  • It is for things to be compared or contrasted
23
Q

David Gauntlet - Identity Theory

A
  • Audiences gat a sense of their own identity from the media products they consume
  • You may get an idea of who you are or who you want to be
24
Q

Hermeneutic/ Enigma codes

A

The part of the media text that will engage the audience’s interest

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Semantic codes
- The parts of a media product that we understand have a hidden meaning/ have a connotation e.g. hugging the product shows how much they love it
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Proerratic/ Action codes
Elements of a media product that signify that something will happen as a result e.g. grabbing a gun ... someone will get shot
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Referential/ Cultural codes
- References that a certain group or culture will understand - This may exclude some audiences
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Culmination Theory - George Grebner
Culmination theory posits that long-term exposure to media shapes how consumers perceive the world and influences their behaviour. It suggests that people who watch more television tend to hold views of reality that align with television’s depiction. The way in which the media can influence people's perceptions of social reality. The idea that exposure to repeated patterns of representation over long periods of time can shape and influence the way in which people perceive the world around them. The idea that cultivation reinforces mainstream dominant ideologies. According to this, while any one media text does not have too much effect, years and years of watching more violence will make you less sensitive to violence.
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Female Gaze - Sarah Gill
The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender The concept of the ‘female gaze’ could be seen as a response to feminist film theorist Laura Mulvey’s term, the ‘male gaze’, which represents the gaze of a heterosexual male viewer along with the male character and the male creator of the film. According to Time Out’s global film editor, Phil de Semlyen: “I find the female gaze easier to define in terms of what it isn’t than what it is: it’s not about objectifying the female form or replacing fully-realised female characters with loose avatars for male sexual fantasy; it’s not framing sex scenes with tropes common to pornography aimed at men; it’s not about automatically relinquishing power and control to men in storytelling.”
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Queer Theory - Judith Butler
The theory is that gender is not based on what we are (i.e. whether we were born male or female) but how we choose to act. Women can display typical masculine traits; men can display typical feminine traits you have masculine and feminine traits regardless of your gender.
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Post Feminism - Angela McRobbie
Women can sometimes present what is known as post feminist representation. They can have a provocative, sexualised representation (common in the male gaze) but also be portrayed as strong, empowered, and in control (male traits - Queer Theory)
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Hypermasculinity - Donald L Mosher
The theory defines masculinity as the ‘macho’ personality. Hypermasculinity is a psychological and sociological term for the exaggeration of male stereotypical behaviour, such as an emphasis on physical strength, aggression and male sexuality. It consists of four aspects: The belief that violence is manly, danger is exciting. Derogatory attitudes towards women, emotional self control.
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Ethnic Representations - Manuel Alvarado
He studied the way in which ethnic minorities are represented in the media. He suggested that there are a few common stereotypes that exist including: Dangerous: Gangs and violence Exotic: Often in the media, representations of Eastern ethnicity fall under the ‘exotic’ category of this theory. We often see elements of cultures presented that make them seem different to our own, such as costume, traditions and cuisines. Although not as negative as the ‘dangerous’ stereotype the ‘exotic’ does create the sense of the ‘other’. Pitied: In certain texts ethnic minorities are stereotyped as vulnerable and victims. This is true of many newspaper and TV reports of developing countries; this is largely because the only time certain countries appear in the news is when they are linked to disasters such as famine and earthquakes. Similar representations are used for charity campaigns in order to shock the audience into action.
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Narrative Theory - Todorov
Narrative theory is a field of study that explores how humans use stories to make sense of their experiences and the world. Narrative theory examines the distinctive nature and features of narrative, such as its structure, elements, uses and effects. Narrative theory is also known as narratology a term coined by Tzvetan Todorov, who proposed a formula for the chronological order of narratives: The narrative begins with the equilibrium, where there is a state of balance Conflicts occurs, either due to character or circumstance, and this disrupts the equilibrium There is a quest to restore the initial equilibrium A climax is eventually arrived at A form of resolution occurs, and equilibrium is restored
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Semiotics - Roland Barthes
Semiotics is the study of signs and meaning. The idea that texts communicate their meanings through the process of signification. The idea that signs can function at the level of denotation, which involves ‘literal’ or common sense meaning of the sign, and the level of connotation which involves the meanings associated with or suggested by the sign. The idea that constructed meanings can come to seem self-evident achieving the status of myth through the process of naturalisation. E.g. the apple logo - Denotation: A piece of fruit or a literal apple, Connotation the company Apple and its whole brand Barthes Codes: Enigma codes: these set up a question to be answered later Simic codes: How characters, actions, events, settings, take on meaning within culture Symbolic code: Binary oppositions or psychological symbols Action code: an understood cross reference to other narratives in our culture Cultural codes: understood through our interaction with the wider world and popular culture
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Genre Theory (repetition and Difference) - Steve Neale
According to Neale, genre is constructed through repetition of similar features but also marked by change and difference to keep the audience interested. Genre is constituted by ‘specific systems of expectations and hypotheses which spectators bring with them to the cinema, and which interact with the films themselves during the course of the viewing process. Much of the pleasure of popular cinema lies in the process of ‘difference in repetition” - recognition of familiar elements and the way in which those elements might be orchestrated in an unfamiliar fashion or in the way that unfamiliar elements might be introduced. He adds that ‘difference is absolutely essential to the economy of genre; mere repetition would not attract an audience. Genres change, develop and vary, as they borrow from and overlap with one another. Genre exists within special economic, institutional and industrial contexts.
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Media Effects - Albert Bandura
Media effects theories are concerned with the effects that the media may have on audiences. Albert Bandura is a psychologist whose research explores the way in which the media can influence social behaviour. The main principles of his ‘social learning theory’ include: The idea that the media can implant ideas in the mind of the audience directly The idea that audiences acquire attitudes, emotional responses and new styles of conduct through modelling The ideas that media representations of transgressive behaviour, such as violence or physical aggression, can lead audience members to imitate those forms of behaviour.
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Clay Shirky - End of audience
The internet and digital technologies have had a profound effect on the relationship between media and individuals. The idea of audience members as passive consumers of mass media content is no longer relevant in the age of the internet, as media consumers have now become producers who ‘speak back to’ the media in various ways, as well as creating and sharing content with one another.
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Barthes’ theory of semiotics
Roland Barthes’ Semiotics Theory is the study of signs and symbols and their interpretation. Barthes expanded the idea of language beyond words, asserting that everything in our cultural environment communicates meaning through signs. According to Barthes, anything in culture can be a sign and send a specific message. Barthes’ Semiotic Theory broke down the process of reading signs and focused on their interpretation by different cultures or societies.
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Persuasive Techniques
Maternal: Appealing to mothers and their maternal instincts Conformity: Wanting to fit in and be like others Emotional Appeal: Envy/ Personal Success: Playing on fears
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bell hooks
Argues that feminism is a struggle to end patriarchal oppression and the ideology of domination, and that the position of the underrepresented is by class and race as well as gender. “Women in lower class and poor groups, particularly those who are non-white, would not have defined women’s liberation as women gaining social equality with men since they are continually reminded in their everyday lives that all women do not share a common social status.” the idea that feminism is a struggle to end sexist/patriarchal oppression and the ideology of domination the idea that feminism is a political commitment rather than a lifestyle choice (you need to be active) the idea that race and class as well as sex determine the extent to which individuals are exploited, discriminated against or oppressed.
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Liesbet van Zoonen
Van Zoonen explores communication methods, theories, and models to highlight the ways in which feminist research strategies offer a challenge to traditional assumptions about media and communication that ignore the influence of gender in the production, representation, and consumption of media. Van Zoonen argues that there is a “variety of feminist discourse” and identifies, in her essay “Feminist Perspectives on the Media” 3 distinct perspectives. Liberal feminist perspective Radical feminist perspective Socialist feminist perspective
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