The War of Art by Steven Pressfield Flashcards

1
Q

What is the primary challenge of writing according to the text?

A

Sitting down to write

This highlights the struggle with initiating the writing process.

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2
Q

What are the two lives most people have?

A

The life we live and the unlived life within us

Resistance stands between these two lives.

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3
Q

Define Resistance as described in the text.

A

Any act that rejects immediate gratification in favor of long-term growth, health, or integrity.

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4
Q

How is Resistance characterized in terms of visibility?

A

Resistance cannot be seen, touched, heard, or smelled, but it can be felt.

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5
Q

What is the nature of Resistance?

A

A repelling force that is negative and aims to distract and prevent us from doing our work.

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6
Q

Who is the enemy within according to the text?

A

Resistance.

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7
Q

What does the rule of thumb state about Resistance?

A

The more important a call or action is to our soul’s evolution, the more Resistance we will feel toward pursuing it.

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8
Q

In which direction does Resistance obstruct movement?

A

Only from a lower sphere to a higher.

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9
Q

When is Resistance most powerful?

A

At the finish line.

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10
Q

What common behavior is often a manifestation of Resistance?

A

Procrastination.

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11
Q

What is the most pernicious aspect of procrastination?

A

It can become a habit.

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12
Q

What can we do in this very moment according to the text?

A

Change our lives.

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13
Q

What does the text say about sex and Resistance?

A

Not all sex is a manifestation of Resistance; it can be determined by the hollowness felt afterward.

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14
Q

How do we unplug ourselves from the grid of unhappiness?

A

By doing our work.

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15
Q

What does criticizing others often indicate?

A

It may stem from Resistance.

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16
Q

What question indicates self-doubt related to one’s creative identity?

A

‘Am I really a writer? Am I really an artist?’

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17
Q

How does self-confidence differ between counterfeit innovators and real ones?

A

The counterfeit innovator is self-confident; the real one is scared to death.

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18
Q

How is fear related to Resistance?

A

The degree of fear equates to the strength of Resistance.

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19
Q

What is the relationship between Resistance and love?

A

Resistance is directly proportional to love.

20
Q

What do grandiose fantasies signify?

A

They are a symptom of Resistance.

21
Q

What is Rationalization’s role in relation to Resistance?

A

It keeps us from feeling shame for not doing our work.

22
Q

What is an insidious aspect of Rationalization?

A

Many rationalizations presented by Resistance are true.

23
Q

What did Tolstoy accomplish despite personal challenges?

A

He had thirteen kids and wrote War and Peace.

24
Q

What does Somerset Maugham’s quote illustrate about professionalism?

A

A pro writes regularly, exemplified by Maugham’s routine of writing every morning at nine o’clock sharp.

This highlights the importance of discipline in a professional’s work ethic.

25
Q

What is the Principle of Priority?

A

It states (a) the difference between what is urgent and what is important, and (b) do what’s important first.

26
Q

What motivates a professional to work?

A

A professional works out of love for their craft, not just for money.

This love is essential for long-term dedication and commitment.

27
Q

What is the risk of having too much love for one’s work?

A

Too much love can lead to choking or overwhelming pressure.

28
Q

What is the true payoff of playing the game for money?

A

The proper professional attitude developed through the experience, not the potential financial gain.

29
Q

What is the professional’s approach to patience?

A

A professional understands delayed gratification and avoids unrealistic timetables for project completion.

30
Q

How does a professional deal with fear?

A

A professional acts in the face of fear, knowing it can never be fully overcome.

31
Q

Why does a professional dedicate time to mastering technique?

A

To be prepared with a full arsenal of skills when inspiration strikes.

32
Q

What does it mean for a professional to distance herself from her instrument?

A

She assesses her talent and skills objectively, without personal identification.

33
Q

How should a professional handle failure and success?

A

They should not take either personally, as it reinforces Resistance.

34
Q

What is the role of self-validation for a professional?

A

A professional self-validates and objectively assesses their work to improve continuously.

35
Q

What does it mean to endure adversity as a professional?

A

It is better to be actively engaged in one’s work, even amidst struggle, than to be passive.

36
Q

What does the critic represent in the context of a professional’s work?

A

The critic often projects their own unfulfilled ambitions and fears onto the artist.

37
Q

What happens when we sit down and do our work as artists?

A

Power concentrates around us. Ideas come and insights accrete.

This reflects the idea that dedication attracts creativity and inspiration.

38
Q

What does Resistance feed on?

A

Fear.

Resistance manifests as various fears that hinder creative expression.

39
Q

List some fears associated with following our heart.

A
  • Fear of bankruptcy
  • Fear of poverty
  • Fear of insolvency
  • Fear of groveling
  • Fear of being selfish
  • Fear of failing to support families
  • Fear of betraying community
  • Fear of failure
  • Fear of being ridiculous
  • Fear of throwing away education
  • Fear of launching into the void
  • Fear of madness
  • Fear of death

These fears can prevent individuals from pursuing their true passions.

40
Q

What do we fear about our potential?

A

We fear discovering that we are more than we think we are.

This includes the fear of realizing our true talents and capabilities.

41
Q

What is the job of an individual in this lifetime according to the text?

A

To find out who we already are and become it.

This emphasizes authenticity over conforming to external ideals.

42
Q

What must the artist do in terms of their work?

A

The artist must operate territorially and do their work for its own sake.

This suggests that creative work should not be for personal gain or societal recognition.

43
Q

What is a key question to determine if one’s orientation is territorial or hierarchical?

A

If I were feeling really anxious, what would I do?

This self-reflective question can reveal true motivations behind creative pursuits.

44
Q

What would Arnold Schwarzenegger do on a freaky day?

A

He’d head for the gym.

This illustrates a focus on personal discipline rather than seeking social comfort.

45
Q

Fill in the blank: Creative work is not a selfish act or a bid for ________.

A

[attention]

It is presented as a gift to the world.

46
Q

What happens when we embrace our ideals?

A

We must prove worthy of them, which can be daunting.

This can lead to losing some friends but finding truer connections.

47
Q

What is the relationship between losing friends and finding new ones in the creative journey?

A

We lose friends but find better, truer friends.

This suggests that pursuing authenticity can lead to more fulfilling relationships.