The Shot: Mise-en-Scene Flashcards

1
Q

What are the four general areas of Mise-en-Scene

A
  • Setting
  • Costume
  • Lighting
  • Staging
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2
Q

Lighting quality

A

The relative intensity of illumination

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3
Q

What are the five different types of lighting?

A
  • Frontal lighting
  • Side lighting
  • Backlighting
  • Under lighting
  • Top lighting
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4
Q

Frontal lighting

A

Results in a flat looking image

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5
Q

Side lighting

A

Sculpts the characters features

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6
Q

Backlighting

A

Creates silhouettes

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7
Q

Under lighting

A

Tends to distort features and is used to create dramatic, horror effects or a realistic list source (like a fire place)

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8
Q

Top lighting

A

Usually creates realism but can also be glamorous (like a spotlight)

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9
Q

What are the two primary light sources called?

A

The key light and the fill light

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10
Q

What three lights are used in the three-point lighting system?

A
  • Key light
  • Fill light
  • backlight
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11
Q

What is the principle of contrast?

A

Using colour to get the viewers attention

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12
Q

Highlight

A

Patch of relative brightness on a surface

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13
Q

Lighting direction

A

The path of light from it’s source or sources to the object

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14
Q

Key light

A

The brightest light source, providing the brightest illumination and the sharpest shadows

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15
Q

Fill light

A

Less intense illumination that fills in, softening or eliminating shadows cast by the key light

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16
Q

High-key lighting

A

An overall lighting design that uses fill light and backlight to create relatively low contrast between brighter and darker areas

17
Q

Low-key lighting

A

Creates stronger contrasts and sharper, darker shadows. Often the lighting is hard and fill light is lessened or eliminated.

18
Q

Motion capture

A

The whole body is filmed for the purpose of creating a CGI character

19
Q

Performance capture

A

Concentrates on the face for the purpose of creating a CGI character

20
Q

Overlap

A

A spatial clue that makes an object or person seem closer to us because her body masks things further away

21
Q

Limited palette

A

A few colours in the same range

22
Q

Monochromatic colour design

A

When a filmmakers emphasises a single colour, varying it only in either purity or lightness.

23
Q

Depth cues

A

Elements in the image that create a 3D impression

24
Q

Planes

A

The layers of space occupied by persons or objects. They are described according to how close to or far away from the camera they are: foreground, middle, background.

25
Q

Arial perspective

A

The hazing of more distant planes

26
Q

Size diminution

A

Objects further away are normally smaller

27
Q

Linear perspective

A

Parallel lines converge at a distant vanishing point

28
Q

Shallow space composition

A

A shot with little depth

29
Q

Deep space composition

A

A shot with lots of depth

30
Q

Practical lighting

A

Lighting coming from irl not set lighting