Film Art and Filmmaking Flashcards

1
Q

Form

A

The overall patterning of a film, the way it works together to create an effect

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2
Q

Style

A

Involves the film’s use of cinematic techniques. There are four main categories

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3
Q

What are the four categories of film style?

A
  • Mise-en-scene
  • Cinematography
  • Editing
  • Sound
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4
Q

Persistence vision

A

The tendency of an image to linger briefly on our retina

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5
Q

Mise-en-scene

A

The arrangement of the actors, props, scene etc

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6
Q

Coverage

A

Shooting every scene several times from different angles

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7
Q

Whip Pans

A

Rapid, blurry movements of the camera that give the impression of a continuous shot

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8
Q

Apparent motion

A

If a visual display is changed rapidly enough, our eye can be tricked into seeing movement

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9
Q

Critical flicker fusion

A

A light flashing 50 flashes a second turns into a continuous beam

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10
Q

What three phases to movies typically go through?

A
  • Production
  • Distribution
  • Exhibition
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11
Q

What are the four main stages during the production process?

A
  • Screenwriting and funding phase
  • Preparation for filming phase
  • Shooting phase
  • Assembly phase
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12
Q

What two roles are vital for the screenwriting and funding stage during the production process?

A
  • The producer
  • The screenwriter
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13
Q

Define the job role of a producer

A
  • They look after financial and organisational factors
  • They can also act as a liaison between writers, directors and potential funding companies
  • They have the task of distribution after filming and promotion/marketing
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14
Q

What are the three stages a screenplay goes through?

A
  • Treatment
  • One or more full length scripts
  • Shooting script
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15
Q

What are sprockets?

A

The small teeth on the edge of the film strip

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16
Q

What is the gauge?

A

The width of the film strip.

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17
Q

Executive producer

A

The person who arranges the financing of the project or obtains literary rights

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18
Q

Line producer

A

Oversees the day to day activities of the director, cast and crew

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19
Q

What is the treatment stage during the screenplay process?

A

A synopsis of the action

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20
Q

Shooting script

A

The final version of the screenplay

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21
Q

What happens in the preparation for filming stage?

A
  • Producer figures out a schedule
  • Graphic artists create storyboards
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22
Q

Name the six roles in the directors crew

A
  • Script supervisor
  • First assistant director (AD)
  • Second assistant director
  • Third assistant director
  • Dialogue coach
  • Second unit director
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23
Q

The script supervisor

A

In charge of continuity from shot to shot

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24
Q

First assistant director (AD)

A

Helps the director plan each day of shooting

Sets up shot for directors approval

Keeps track of the actors

Monitors safety conditions

Keeps energy levels up.

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25
Q

Second assistant director

A

The liaison among the first AD, the camera crew and the electricians crew

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26
Q

Third assistant director

A

Serves as a manager for director and staff

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27
Q

Dialogue coach

A

Feeds performers their lines and speaks the lines of the offscreen characters

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28
Q

Second unit director

A

Films stunts, location footage, action scenes

29
Q

What three things does the cinematographer supervise?

A
  • The camera operator
  • The key grip
  • The gaffer
30
Q

What is the Key grip?

A

Equipment, props and elements of the setting and lighting)

31
Q

What is the gaffer?

A

The head electrician who supervises the placement and rigging of the lights

32
Q

Who is the sound unit lead by?

A

The production recordist

33
Q

What is the role of the production recordist?

A

Recording dialogue

34
Q

Who are the three members of the sound unit crew?

A
  • Boom operator
  • The third man
  • Sound designer
35
Q

What is the role of the third man in the sound unit crew?

A

places other microphones

lay sound cables

In charge of controlling ambient sound

36
Q

When does the assembly / post-production phase happen?

A

Both during and after the shooting process

37
Q

Picture editing

A

An editor cuts the scenes together

38
Q

Theatrical exhibition

A

Screening to a public that pays admission

39
Q

Nontheatrical exhibition

A

Alll other presentations such as home video, cable transmissions, internet downloads etc

40
Q

Above-the-line costs

A

The costs of literary property, scriptwriter, director and major cast

41
Q

Below-the-line costs

A

The costs of the crew, secondary cast, the shooting and assembly phases

42
Q

Negative cost

A

The sum of the above and below the line costs - the total cost of the film

43
Q

Preproduction

A

When funding is mostly secure and the script is solid enough to start filming and filmmakers can prepare for the physical production.

44
Q

Previsualisation

A

Reworking the storyboards into three dimensional animation, complete with moving figures, dialiogue, sound effects and music

45
Q

Principal photography

A

Also known as shooting

46
Q

Wrangler

A

Works with animals

47
Q

Sound mixer

A

Also known as a production recordist

48
Q

Production accountant

A

Monitors expenses

49
Q

Production secretary

A

Coordinates telephone communications among the groups

50
Q

Production assistants (PAs)

A

Run errands

51
Q

Clapperboard

A

Has scene, shot and take on it - it can be used to line up sound with image

52
Q

Master shot

A

Recording of all the dialogue and action

53
Q

Coverage

A

When parts of the master shot are refilled apart from the big scene

54
Q

Dailies

A

The takes that take place that day 0 they are sent over to the editor as soon as the day’s filming is done

55
Q

Digital intermediate (DI)

A

Footage that has been shot on film and scanned frame by frame into computer files

56
Q

Automated dialogues replacement (ADR)

A

When dialogue is recorded in postproduction

57
Q

Synergy

A

Focusing the film, music, television and publishing sectors of the company on promoting a piece of branded content

58
Q

Platforming

A

Film opens first in a few big cities then gradually expands

59
Q

Wide release

A

Flim opens at the same time in many cities and towns

60
Q

Ancillary markets

A

Non-theatrical markets for feature films

61
Q

Letterboxing

A

Placing dark bands at the top and bottom of the screen to ensure the whole image can be seen on any device

62
Q

Pan-and-scan

A

When letterboxing isn’t used so parts of the image is cut off to fit the screen

63
Q

Fiction film

A

More control over the preparation and shooting phases

64
Q

Documentary film

A

Usually controls only certain portions of preparation, shooting and assembly

65
Q

Compilation film

A

Assembles existing images and sounds that provide historical evidence on the topic

66
Q

Animated film

A

Produced from drawn images

67
Q

Large-scale production

A

When a company in the business of film creation make films. They own equipment and retained workers on long-term contracts

68
Q

Small-scale production

A

Films have lower budgets and people do multiple jobs - very common in documentary filmmaking