The Mexican Son (continue) Son Jalisciense Mariachi Flashcards
Son Jalisciense
Both from the state of jalisco and Michoacan
Original Ensemble
2 violins
Guitarra quinta or de golpe
Harp
Original performance , practice and repertoire
Sones were slower, longer, more coplas, and more improvisation (improvising lyrics )
Communal purposes / other neighboring towns come together ex. Tocada
Repertoire: sones, Jarabes
Changes in the 20th century
Groups traveled: jalisco to Mexico city
They were being called to mexican city to participate banquets, celebrations ( saw the opportunity to go professional
First recordings: cuarteto Coculense 1908
El Carretero
very early recording “Las conchitas” ( the little sea shells)
Son jalisciense
Field recording 1970’s
Musicians in their 80’s
Slower
Harp, guitarra quinta, violin
Technology mediated
Technology intervene recordings with electric technology
Started to broadcast live
Employed by radio broadcasting company such as XEW, 1930
Also employed in movies
In first mexican sound film santa (1931)
Became professional musicians
Impact of Technology
Louder instruments
Harp, and guitarra 5a: Less or not used
More instruments: guitarron: bass
Vihuela guitar (more strings) : chored
Violins, trumpets: melody
3 vocalista (solo singers)
Son Jalisciense became the Mariachi
Mariachi
Origins of word unknown
In 19th century; party, tarima, or musicians themselves
Now we refer to them as musicians
“ El limoncito” in son jalisciense
harp players became solo arperos: jose mendoza
Mariachi as a symbol of Mexico
-Movies 1930-50 West- central mexico
- Rural locations
- mariachi groups in;
- Serenatas
-ferias (fairs) Palenques (cock fights)
Movies
Provided role models:
Males: Honest, brave, tequilas, horses, guns, but good: singing charro
Women: pretty, long braids, modest, faithful, feisty
Effects
Vocalista; solo singer (negrete, pedro infante)
Classically trained voice
Film soundtracks: Big sound arrangements
Large repertoire ( more genres)
Mariachi can accompany: Jarabes, sones (traditional)
Huapango ( son huasteco)
Polkas, and waltz corrido time from germany and czech
Corridos
Ballads
Cancion ranchera
Stable Genre of Mariachi cancion ranchera
From the cancion of the 1910’s-20
In the 1930’s- 40’s in the theater and movies
References the countryside (horses, haciendas, charros)
Romantic, but matter of fact no heartbreak
Example: “Allá en el Rancho Grande”
References to horses tortillas,
Modern canción ranchera 1950’s
Modern sensibility: more clearly sexual
Lots of sorrow, heartbreak, despecho
Greater emotional intensity/ often slower waltz
Ex: Jose Alfredo Jimenez: Cuando lloran los hombres (When men cry)