Music of The North Nortena Flashcards

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1
Q

Musica Nortena

A

From northeastern mexico
SE United States

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2
Q

Late 19th-early 20th c Musica Notena

A

Monterrey, commerce, industry
Cultural influence
Was the richest city there
Over NE mexico
Over southern texas
Musica Nortena: music of the borderlands

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3
Q

Core of Musica Norteno

A

Accordion
Bajo sexto ( 12 string bass/rhythm guitar)
One or two voices in harmony
Pass a particular way of a mission using a different kind of vocal skills such as nasal, high pitched
Very beginning of norteno is polka, corrido
Very often the double bass is added when possible called tololoche ( double bass)
Los cascabeles - the bells

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4
Q

Nortena
(1930-1950)

A

Los Alegres de Teran (Eugenio Abrego and Tomas Ortiz)
Added to Notena: two voices, harmony nasal
Corrido, ballad
Cancion-corrido expression of feelings
Lyrical (ranchera) plus narrative ( corridos)
“Carta Jugada”
The Austente; Accordion intro, theme, according fill

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5
Q

1950’s-70’s

A

Ramon Ayala groups: Los relampagos del Norte
Los Bravos del Norte
added drum set and electric bass
Accordion: less bass, virtuosic melody ( following tejano style)
Keep emphasis on lyrics unlike tejano style
“Un rinconcito en el cielo”

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6
Q

Ramon Ayala groups

A

Crossed over to US from N mexico
Toured migrant circuit in the US
Collected lyrics from immigrants for corridos,ranchera and ballads
Ramon ayala, “ Central Camionera”

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7
Q

1970’s-1980s
Nortena ensembles

A

Larger ensembles
Stage personas and outfits
Pop concert format
Tigres del Norte
Hurricanes de Norte
Increased repertoire: Rock and pop, cumbia
Keyboards and electric guitars
Los Tigres del Norte

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8
Q

1970’s

A

1970’s
Out of california, into migrant circuit
Continued tradition of corrido
Immigrant corrido
Political critique
Narcocorrido

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9
Q

Los Tigres on Immigration

A

Mojado as counter- “Vivan los mojados” hegemonic term
(Long live the mojados)
Other Latin American migrants “Tres veces mojado” (Three times mojado)
* Reflection on migration:
Defiance and non-assimilation
Nostalgia for Mexico
Transnational identity
“El Otro México” (The other Mexico)
“La Jaula de oro” (The golden cage)

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10
Q

Narcocorridos 20th-21th c

A

Smuggling of narcotics
Borrowed ethos from earlier corridos
Protagonist changes: not good role model
Not always a real person
Enemy is not longer police but gangs and snitches
Glamorize drugs and violence

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11
Q

Narcocorridos

A

Common to nortena and banda
Increasingly explicit and violent
Drug cultivation and processing
Roots: poverty, big market in the US
Drug related crimes
Lifestyle: drug lords, families
many singer Ties to drug cartels
Commision corridos
Fiction and reality
“Contrabando y traicion” Tigres del Norte is fiction
“ El crimen de culiacan” is real by Chalino Sanchez

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