The Eighteenth Century Flashcards
What are the overarching themes of the fifth session?
- From Restoration to Sentimental Comedy
- 18th. Century Contexts: The beginning of the Modern Period
- 18th. Century Literature: Neoclassicism and Satire
What are the important aspects of the 18th centuries historical contexts.
- Constitutional monarchy began with the ‘Glorious Revolution’ (1688)
- The Bill of Rights (1689)
- William of Orange (1688–1702)
- gets married to the daughter of Charles II (Mary II)
- had no heir which led to Mary’s sister taking over (Queen Anne)
- was required to sign the bill of rights - The House of Hannover (1717- 1830)
- Revolutions and evolutions both economic and cultural
- Agrarian, financial, consumer, industrial revolution – the
‘Whig version’ of history (?) - Social and cultural contrasts and the age of rules (rationality, sciences, neoclassicism)
- Bank of England (state would define value of money…Beginning of capitalism and consumer culture [Consuming over subsidence]).
What does the Act of settlement in 1701 determine?
It is written into the constitution, that the English monarch always has to be of protestant faith.
What are the characteristics of the sentimental comedy?
- Audiences were more middle class in the 18th century.
- Bourgeois morality - The education of the middle classes (Morally impeccable heroes. Wit/intrigue was delegated to the lower classes).
- In later forms: Mixture of comedy of manners and sentimental comedy (Heroes were rogues/rakes reformed [only sentimental comedy became to boring]).
- It becomes an important part of middle class class consciousness.
What is the context of thought development in the 18th century?
- Enlightenment and erudition: The sciences.
- Beginning of (Experimental) Natural philosophy.
- Empiricism
- Rationality (Kantian reason)
- Founding of the Royal Society in 1660
- Sir Isaac Newtons natural philosophy and the laws of nature.
What is the social context of tthe 18th century?
- Knowledge and the public sphere; coffee houses and the newspaper.
- The self-education of the middle classes: journals and the novel
- Virtue & Moderation became dominant themes.
How did the 18th-Century Literary System look?
- Print market and the end of the licensing act (1695) (This meant not only royal licensees could print).
- Circulating libraries and subscription models for financing of literature because the purchase aswell as production of novels was still incredibly expensive.
- Female readership (and esp. later on authorship) grows
- Cultural elitism which had to oppose the democratization of culture.
- Learning was only for male. Women shouldn’t get education according to this belief system.
- Paper became cheaper because people bought more clothes which lead to more leftover from the textile production that were used to make paper.
- The book market had become its own market with specific dynamics creating professions.
- As print was incredibly expensive, the amount of cash you could come up with determined how much (and thus What) you could write.
What are the characteristics of 18tht-century literature?
- The ‘Augustan Age’ of poetry, Neoclassicism (built on classical latin poetry)
- Didactic and philosophical poems (“Essays”)
- Satire and social criticism (Trying to get people to stick to virtue)
- Classical and moral education (Conduct literature)
- Discussion of Englishness as distinction to a growing world
What are the overarching themes of the sixth session?
- The emergence of the Novel in England (The term was introduced but not necessarily the today known genre)
- The American Post-Revolutionary Fiction
What does the theme of Sentiment & Sensibility refer to?
- Sensibility and Moral sense
- Sentimentalism/empathy vs. pure rationalism/selfishness (only if the two work together the human can be complete)
- Abolitionism (Sensibility taken into political action)
- Satires of Sentimentalism
- Conduct Books (How should … act? Often written by men)
What are the characteristics of tthe 18th century novel in England?
- The ‘modern’ novel – breaking with traditions (romance, novella, picaresque narrative) (?)
- ‘Circumstantial realism’ - Stories set in the here and now of the readership (Unbelievable plot endings are no longer in due to rationality) (Ian Watt)
- The private experience turned public (using the form or diaries, letters, spiritual autobiographies [confessional writing…conversion from a-moral to perfect citizen]/conversion narratives, travelogues) (All of these formats are genres of privacy…Readers become voyeurs of other peoples laundry).
- Displaying the active (and frequently failing), conscious, critical, developing self
- From satire towards sensibility (= feeling + reason)
- Lives in progress (history = story of human development processes)
- Verisimilitude, authenticity (vs. Romance)
- Excentricities as implicit validations of ‘normal’ behaviour.
- Benevolance and harmony: Individual, Social and Natural
- Burlesques and Classicisms (Voyeurism sold well and burlesque would attract people to the book stores [leads to sensationalism])
- The sentimental novel in the 2nd half of the century.
- The novel as a social panorama and proto-psychological analysis.
- Authors were still experimenting with the possible forms of the “new” genre.
What were themes of the epistolary novel?
Intimacy and the performance of exemplary morality (Young women abducted by noble man).
What are characteristics of the American Post-Revolutionary Fiction?
- Increasing distance from religious fervour in 18th century writing.
- There was political writing (pamphlets) and poems during the revolution.
What is the context of the American Post-Revolutionary Fiction?
The American Revolution and subsequent Wars of Independence 1775-1783
What were the take-home messages after the sixth session?
- 18th-century Britain saw the development of a modern society
- The age of Enlightenment; tensions between classicist notions of harmony, moderation and stability on the one hand, and agency, adventure, and extremes on the other
- The value systems, modes of communication and self-education of the middle classes came to dominate cultural production
- In this context, the novel emerged as multifaceted popular genre, beside the ‘Augustan’ forms of literature (fictional and non-fictional)
- The novel was more interested in ‘authenticity’ than previous prose fiction, but not ‘realist’ in our contemporary sense, and
experimented with styles, themes, and narrative strategies.