Romanticism Flashcards
What are the overarching themes of the seventh session?
- Forerunners and Beginners
- The older Generation of British Romanticists
- The Poetics of Individualism
What are the main themes of the precursors to Romantic poetry?
- Nature/The countryside (Lake poets)
- Melancholy
- The Ancient and Exotic (Saving the oral tradition by putting it into print)
- Pre-romantic individualism
- Contrasts and Antitheses
- Against Conventions
- A private Mythology
Who are the six “Big” English Romantic Poets?
- Generation
- William Blake (1757-1827)
- William Wordsworth (1770-1850)
- Samuel Taylor Coleridge (1772-1834) - Generation
- George Gordon Byron (1788-1824)
- Percy Bysshe Shelley (1792-1822)
- John Keats (1795-1821)
What are the political and social backgrounds of Romanticism?
- Agitation for social and political reform (Revolutionary thinkers arguing for a reconstruction of the entire social structure and the introduction of reason and criticism, e.g. Jean-Jacques Rousseau, William Godwin etc.).
- Political events/Conflicts:
- American Revolution (1776)
- French Revolution (1789)
- Napoleonic Wars (until 1815) - General social and political unrest (questioning of authorities)
- Industrial Revolution (With both its advantages and disadvantages [pauperism])
- Water-driven spinning machines - multiplied production of thread that was then woven into cloth
- Invention of the steam engine by James Watt, latet 1760s
- Factory work, population streaming to tthe new cities; urbanisation.
- Disintegrattion, exploitaition, social misery, child labour and environmental pollution.
What were the Reactions of Romantic Poets to Their Contexts?
- The responses were ambivalent and contradictory
- Ranging from revolutionary criticism to conservative escapism (Romanticism isn’t just about nature but often nature works as a refuge and a solace)
- Female poets frequently commented on social injustice and areas of feamle experience
What were the main themes of the Romantic Poets Older Generation?
- Nature as a refuge/solace
- Individualism
- Imagination
Whatt are the contexts of Romantic Poetry?
- Industrial revolution (from mid-18th century), urbanisation (Romanticism as a countermovement against the industrial revolution and urbanisation)
- Enlightenment rationality, the sciences and nature (Romanticism as a counter-movement. You go into nature to let go of rationality. And we aren’t entirely rational beings)
- French Revolution (1789-99) (initial enthusiasm until Robespierre turned it into tyranny)
- Reform Bill (1832) (acknowledgment of change in British society)
What were the take-home messages on romantic poetry?
- The topics and concerns that characterise Romantic poetry can
already be found in pre-Romantic poetry throughout the 18th century. - Although the Romantic period was short (ca. 1790s to 1820s or 30s), it brought about a significant change in the self-awareness of authors.
- Romanticism can be seen as a counter-movement reacting to
dominant mentalities of the late 18th century. - ’The Romantics’ were never a unified group; all writers have their own individual approaches, themes, and styles.
- Some authors (Burns, Blake) who wrote ca. in the Romantic period are difficult to subsume under the label Romanticism.
What is “The Sublime”?
“The attraction of the grotesque, the terrible and
the uncontrollable, a stark contrast to the prevailing 18thcentury preferences for the controlled and balanced.”
or
“Delightful Horror” (It is triggered by extremes). Horror in the arts can be perceived as pleasure. Horror can be attractive within the literature. Horror thus needs to be portioned in order to excite the reader without scaring them away. Awe-inspiring nature that isn’t explainable by reason. The idea to go into nature that was untouched by nature was an ideal. We as humans are so tiny and nature is so huge and beautiful and impressive.
Who are the three main poets of the High/late romanticism era?
- Lord Byron (George Gordon)
- Percy Shelley
- John Keats
Which three characteristics of Byron were kept within the lecture?
- He lived an unorthodox (and contradictory) life-style fashioning an artist-persona which was close to the heroes in his stories (He was known to have several affairs and had to leave England because of his horrible reputation).
- He coined the Byronic hero (“a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection.”) A man always in extremes and embracing sin.
- He is closer to classicist models than all other romantic poets.
- He was an aristocrat (Didn’t have to work for a living…Idleness is something only the upper classes like him could afford).
- He often wrote about supernatural forces and old and exotic elements.
Which three characteristics of Percy Shelley were kept in the lecture?
- He was against conventions (social ones like marrriage; poetical and literal conventions [makes a plea for the freedom of the imagination and plays with the literary form showing the limitlessness of the human imagination], religious conventions [Atheism])
- He was a political radicalist (Most of his readers were pro the things that he was against. He has an early political agenda against capitalism and pro development of anarchist movement. Liberation from capitalist society as a personal goal.)
- His poetological programme was the power of imagination (We as humans should (and can) change the world we live in)
Which characteristics of Keats were kept in the lecture?
- He favoured a retreat into nature.
- He followed a melancholic quest for beauty
- He also wrote on the power of imagination
- Acceptance of death
What are the features of this Dark Romanticism era?
- In American literature: Individualism as in Transcendentalism, but they focus on the negative/self-destructive forces of the individual.
- In British literature: Byronic heroes, The Gothic novel.
What are the features of the gothic novel?
- Setting: Medieval castles, monasteries and wild landscapes.
- Plot/Action: Mysterious occurences, disappearances, the “damsel in distress”, power and manipulation, violence. Everything is totally irrational.
- Mood: Mystery, doubt, threat, terror and high-strung emotion (melodrama).
- Length: Most of them are around 500-700 pages long.