The Duchess of Malfi Quotes Flashcards

#learn these quotes gunni! ✨✨✨

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1
Q

Corruption - The Cardinal and Ferdinand

A

‘He and his brother are like plum trees that grow crooked over standing pools.’

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2
Q

Madness - Ferdinand’s controlling behaviour - Laughter

A

‘laugh when I laugh’

‘I would then have a mathematical instrument made for her face, that she might not laugh out of compass.’

‘A most perverse and turbulent nature.’

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3
Q

Female power - the Duchess’s influence

A

‘She stains the time past, lights the time to come.’

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4
Q

Espionage - Ferdinand and his sister

A

‘observe the Duchess To note all the particulars of her ‘haviour’

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5
Q

Espionage - Bosola’s role as an informant

A

‘devil in flesh. An intelligencer.’

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6
Q

Corruption - Bosola’s position in relation to Ferdinand

A

‘I am your creature.’

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7
Q

Misogyny - the Duchess’s killer response to Ferdinand

A

‘Diamonds are of most value, They say, that have past through most jeweller’s hands.’

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8
Q

Misogyny - towards widows

A

‘Farewell, lusty widow!’

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9
Q

Female power - imperatives

A

‘Take pen and ink and write.’

‘Are you ready?’

‘What did I say?’

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10
Q

Corruption - Antonio’s view on ambition

A

‘Ambition, madam is a great man’s madness.’

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11
Q

Female power - the Duchess and what she has to do in response to inadequacy of men

A

‘We are forced to woo, because none dare woo us.’

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12
Q

Loyalty/Friendship - Delio and Antonio

A

‘Old friends, like old swords, still are trusted best.’

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13
Q

Misogyny/Corruption - Cardinal’s behaviour towards Julia

A

Cardinal’s use of imperatives with Julia - ‘Sit’

‘Though art a witty, false one.’

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14
Q

Misogyny - Ferdinand’s words for his sister (tricolon!)

A

‘A sister damned: she’s loose i’ th’ hilts; Grown a notorious strumpet.’

‘vile woman’

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15
Q

Madness/Sickness - Ferdinand’s graphic imagery regarding the Duchess’s heart

A

‘her bleeding heart I make a sponge To wipe it out.’

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16
Q

Madness/Paranoia - Ferdinand about imagining the Duchess in the act

A

‘Methinks I see her laughing… To see her in the shameful act of sin.’

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17
Q

Madness - Ferdinand about the Duchess’s child

A

‘to boil their bastard to a cullis And giv’t his lecherous father to renew The sin of his back.’

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18
Q

Role of women - how is the Duchess doing?

A

‘She’s an excellent Feeder of pedigrees.’

  • her maternal role as a bearer of children, Antonio reinforces her role.
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19
Q

Madness/Status/Women - The Duchess’s position in the eyes of Ferdinand

A

‘The witchcraft lies in her rank blood.’

rank - double entendre

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20
Q

Vulnerability - the Duchess and her looks

A

‘When I wax grey I shall have all the court Powder their hair arras to be like me.’

  • powerful vanity, awareness, flaw
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21
Q

Female power - the Duchess’s stoicism

A

‘I can do both like a prince.’

22
Q

Female power - why is the Duchess being treated like a holy relic?

A

‘Why should only I, Of all the other princes of the world, Be cased up like a holy relic?’

23
Q

Female power - the Duchess creating a plan and putting herself forward

A

‘I have fashioned it already.’

24
Q

Vulnerability - the Duchess confides in Bosola and falls into his trap

A

‘Oh, you render me excellent music!’

  • when Bosola flatters Antonio
25
Q

Corruption/Religion - Cariola’s beliefs about what is going on regarding religion - kind of sums it all up

A

‘I do not like this jesting with religion. This feigned pilgrimage.’

26
Q

Corruption - Bosola and the devil & men who do bad

A

‘A politician is the devil’s quilted anvil.’

‘And men that paint weeds to the life are praised.’

27
Q

Class - how Ferdinand describes Antonio

A

‘A slave that only smelled of ink and counters’

28
Q

Role of women - what Antonio tells the Duchess when parting

A

‘Be a good mother to your little ones’

29
Q

Vulnerability - the Duchess when parting with Antonio and her son

A

‘I know not which is best - To see you dead or part with you’

‘My laurel is all withered.’

30
Q

Female power - Bosola in awe of the Duchess’s stoicism

A

‘Rather welcome the end of misery Than shun it - a behaviour so noble.’

31
Q

Vulnerability - the Duchess and death

A

‘the greatest torture souls feel in hell - In hell! - that they must live and cannot die.’

  • antithesis
32
Q

Madness/Cruelty - Ferdinand’s why

A

‘To bring her to despair.’

33
Q

Female power - Duchess’s opinion about the madmen

A

‘Indeed I thank him. Nothing but noise and folly Can keep me in my right wits.’

  • defiant irony
34
Q

Madness/Corruption - Cariola’s words for Ferdinand

A

‘tyrant brother’

35
Q

Corruption/Madness - what the madmen represent

A

‘a mad lawyer and a secular priest.’

  • oxymoronic, non-religious priest. ordinary people brought to madness.
36
Q

Morality/Life - Bosola’s statement when dressed as an old man

A

‘box of wormseed’

‘Such is the soul in the body’

37
Q

Female power - Duchess and her title

A

‘I am Duchess of Malfi still.’

38
Q

Female power - the Duchess’s fearless nature towards death

A

‘Peace! It affrights not me.’

39
Q

Vulnerability - the Duchess’s last wishes to Cariola for her children

A

‘I pray thee, look thou giv’st my little boy Some syrup for his cold, and let the girl say her prayers ere she sleep.’

40
Q

Female power - her charitable and magnanimous nature

A

‘I forgive them.’

41
Q

Female power - the Duchess’s faith in the face of death

A

‘Pull and pull strongly… Must pull down heaven upon me… Come violent death.’

42
Q

Madness - Ferdinand’s response to his sister’s death

A

‘Cover her face. Mine eyes dazzle! She died young.’

43
Q

Corruption/Realisation - Bosola and the two brothers

A

‘Your brother and yourself are worthy men. You have a pair of hearts are hollow graves, Rotten and rotting others’

44
Q

Regret/Guilty conscious - Bosola regarding the Duchess’s death

A

‘Where were These penitent fountains while she was living?’

45
Q

Madness - Ferdinand’s case of lycanthropia

A

‘with the leg of a man Upon his shoulder, and he howled fearfully’

46
Q

Madness - how the doctor will make Ferdi better

A

‘I will make him as tame as a dormouse.’

47
Q

Female power/Sexuality - Julia

A

‘We that are great women of pleasure’

48
Q

Morality - the Cardinal’s realisation of his guilty conscious

A

‘How tedious is a guilty conscience!’

49
Q

Corruption - Bosola’s allusion to Lady Justice

A

‘Thou took’dt from Justice her most equal balance And left her naught but her sword.’

50
Q

Morality - Ferdi’s final reflection on his sister

A

‘we fall by ambition, blood or lust, Like diamonds we are cut with our own dust.’

51
Q

Morality - Bosola’s final view on the bleak world

A

‘Oh, this gloomy world! In what a shadow or deep pit of darkness Doth womanish and fearful mankind live?’

52
Q
A