A Streetcar Named Desire Quotes Flashcards

#learn 'em gunni

1
Q

Elysian Fields - descriptions

A

‘has a raffish charm’

‘cosmopolitan city’

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2
Q

Stanley - animalistic, primal imagers

A

‘A red-stained package from a butcher’s’

‘[bellowing]’

‘[animal joy]’

‘[with the power and pride of a richly feathered male bird among hens.]’

‘[gaudy seed bearer]’

‘a different species’

‘[stalks into the bedroom]’

‘[lurches up and tosses some watermelon rinds to the floor]’

[charges after Stella]

[like a baying hound and bellow’s his wife’s name]

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3
Q

Blanche - appearance and meaning of name

A

‘Her appearance is incongruous to the setting.’

‘Dressed in a white suit… and ear-rings of pearl, white gloves and hat’

‘It means woods and Blanche means white, so the two together mean white woods.’

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4
Q

Blanche - light and delicate beauty

A

‘Her delicate beauty must avoid a strong light.’

‘suggests a moth’

‘I won’t be looked at it in this merciless glare!’ - light is unforgiving

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5
Q

Symbolism - allegorical representation of Blanche’s downfall

A

‘They told me to take a streetcar named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!’

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6
Q

The Southern Belle - poetry, reference to the arts

A

‘Mr Edgar Allan Poe!’

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7
Q

New Orleans

A

‘New Orleans is not like other cities.’

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8
Q

Racism

A

‘Polacks.’

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9
Q

Stella - dependency on Stanley

A

‘I cry on his lap like a baby.’

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10
Q

Soundscape

A

[The blue piano expresses the spirit of life.]

[A cat screeches.] - anxiety

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11
Q

Blanche - pain and trauma regarding Belle Reve

A

‘Funerals are pretty compared to deaths.’

‘the Grim Reaper had put up his tent on our doorstep!’

use of repetition: ‘I, I, I’
use of fragmentation
use of exclamations

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12
Q

Alcoholism

A

‘Oh, this buzzes right through me and feels so good!’

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13
Q

Stanley - Napoleonic Code

A

‘let me enlighten you on a point or two’

‘what belongs to the wife belongs to the husband and vice versa.’

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14
Q

Blanche - symbolism of fake jewellery and perfume

A

‘A rhinestone tiara she wore to a costume ball.’

[She sprays herself with her atomizer; then playfully sprays him with it.]

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15
Q

North vs. Southern Belle - difference between Kowalskis and DuBois

A

‘The Kowalskis and DuBois have different notions.’

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16
Q

Sexuality - Blanche

A

[a red satin robe]

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17
Q

Blanche - colours

A

‘I like an artist who paints in strong, bold colours, primary colours. I don’t like pinks and creams and I never cared for wish-washy people.’

  • ironic as she is always dressed in pale colours.
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18
Q

Blanche - tokens of love from Allan Gray

A

‘These are love letters, yellowing with antiquity’

  • talisman and token of their sentiment
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19
Q

Desire/Loss/Masculinity - Belle Reve

A

‘Grandfathers and father and uncles and brothers exchanged the land for their epic fornifications.’

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20
Q

Male saviour - the papers

A

‘Belle Reve should finally be this bunch of old papers in your big, capable hands!’

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21
Q

Male saviour/New America

A

‘He’s what we need to mix with our blood now that we’ve lost Belle Reve and have to go on without Belle Reve to protect us’.

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22
Q

Escapism - Blanche being left behind by New America

A

‘I ought to go there on a rocket that never comes down!’

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23
Q

Idiom - loss and vulnerability

A

‘The blind are - leading the blind!’

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24
Q

Important colour imagery regarding Stanley’s character

A

‘lurid nocturnal brilliance’

‘raw colours of childhood’s spectrum’

‘vivid green glass shade’

‘primary colours’

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25
Q

Misogyny/Domestic abuse - Stanley and Stella

A

[Stanley gives a loud whack of his hand on her thigh.]

  • breaks the first physical barrier
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26
Q

Blanche - Age

A

‘You are as fresh as a daisy… (stella)

‘One that’s been picked a few days.’

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27
Q

Sexuality/Female dominance - Blanche having control in Stanley’s home, music

Anger/Male Dominance - Stanley and the radio once again

A

[Rhumba music comes over the radio.]

[With a shouted oath, he tosses the instrument out of the window.]

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28
Q

Sexuality - Blanche and colour imagery

A

‘A red satin robe’.

‘dark red satin wrapper’

  • does the red intensify over time?
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29
Q

Vulnerability - Blanche’s convo with Mitch

A

‘The litter there is belongs to people who have experienced some sorrow.’

‘Show me a person who hasn’t known any sorrow and I’ll show you a shuperficial’

30
Q

Soundscape - physical abuse

A

[There is the sound of a blow. Stella cries out.]

31
Q

Symbolism - water

A

Stanley: ‘I want water.’

32
Q

Repeated phrase about poker

A

‘Poker should not be played in a house with women.’

33
Q

Animalistic imagery - Stella and Stanley coming together

A

[The low-tone clarinet moans… Then they come together with low, animal moans.]

34
Q

Stella not seeing her circumstances clearly

A

[Her eyes go blind with tenderness]

35
Q

Vulnerability - Blanche and Mitch - Kindness

A

‘Thank you for being so kind! I need kindness now.’

  • prophetic statement
36
Q

Soundscape - choral chant

A

[There is a confusion of street cries like a choral chant.]

37
Q

Sexuality - appeal for danger and desire - Stella

A

‘I was - sort of - thrilled by it.’

‘I said I’m not in anything I want to get out of.’

‘things that happen between a man and a woman in the dark - that sort of make everything else seem - unimportant.’
- ‘What you are talking about is brutal desire’ (B)

38
Q

Blanche - her being wise and sage

A

‘Pull yourself together and face the facts.’

39
Q

Symbolism - escapism

A

‘dial phone’

40
Q

Blanche’s view on desire regarding Stella’s relationship with Stanley

A

‘What such a man has to offer is animal force’

‘the only way to live with such a man is to - go to bed with him! And that’s your job - not mine!

41
Q

Blanche’s opinion of Stanley’s primal behaviour

A

‘He acts like an animal’

‘sub-human - something not quite to the stage of humanity yet!’

‘survivor of the Stone Age!’

42
Q

Blanche’s identity and irony about not ‘hanging back with the brutes’

A

‘hold as our flag! In this dark march towards whatever it is we’re approaching.’

43
Q

Stage directions showing Stanley’s victory over Blanche

A

[Stella has embraced him with both arms, fiercely and full in the view of Blanche… he grins through the curtains at Blanche.]

44
Q

Misogyny/Domestic Abuse - Eunice and Steve being a microcosm of S+S relationship

A

[A clatter of aluminium striking a wall is heard, followed by a man’s angry roar, shouts and overturned furniture. There is a crash; then a relative hush.]

45
Q

Vulnerability/Misogyny/Position of women/Aging - Blanche

A

‘I was never hard or self-sufficient enough.’

‘Have got to be seductive - put on soft colours… to pay for one night’s shelter’

‘from under one leaky roof to another leaky roof - because it was storm - all storm, and I was - caught in the centre’

‘men don’t - don’t even admit your existence unless they are making love to you.’

‘so the soft people have got to - shimmer and glow - put a -paper lantern over the light’

‘And I - I’m fading now!’

46
Q

Sexuality - Blanche and the young man + sexual innuendos

A

‘Young man! Young, young, young, young - man! Has anyone ever told you that you look like a young prince out of the Arabian Nights?’

‘you make my mouth water’

47
Q

Southern Belle and Blanche’s ideals

A

‘Old fashioned ideals.’

48
Q

Triplet to describe Allan

A

‘a nervousness, a softness and tenderness’

49
Q

Symbolism/Soundscape for modernity and New America

A

[A locomotive is heard approaching outside.]

[The sound of it turns into the roar of an approaching locomotive.]

50
Q

Soundscape - Blanche’s past

A

Varsouviana/polka music

51
Q

Blanche - escapism - song she sings

A

‘it’s only a paper moon, Sailing over a cardboard sea - But it wouldn’t be make-believe If you believed in me!’

‘It’s a Barnum and Bailey world’

52
Q

Homophobic slur

A

‘degenerate’

53
Q

Stanley planning out Blanche’s future

A

‘Her future is mapped out for her.’

  • the bus ticket
54
Q

Soundscape - descent into chaos

A

[The distant piano goes into a hectic breakdown.]

55
Q

Masculinity - Stanley looses it with Stella

A

‘A pair of queens? Remember what Huey Long said - ‘Every Man is a King!’ And I am the king around her, so don’t forget it!’

56
Q

Light imagery - fading - candles

A

‘that candles burn out in little boys’ and girls’ eyes, or wind blows them out’

57
Q

Stella to Stanley about Blanche being forced to change because of people like him

A

‘You didn’t know Blanche as a girl. Nobody, nobody, was as tender and trusting as she was. But people like you abused her, and forced her to change.’

58
Q

Soundscape - Blanche reliving her trauma

A

[A distant revolver shot is heard]

59
Q

Blanche and her intimacies with strangers

A

‘Yes, I had many intimacies with strangers.’

‘hunting for some protection’

60
Q

Blanche wishing for escapism and fantasy

A

‘I’ll tell you what I want. Magic!’

61
Q

Blanche being limited and held down by Stanley and Kiefaber

A

‘Kiefaber, Stanley, and Shaw have tied an old tin can to the tail of the kite.’

62
Q

Misogyny - Blanche’s value being deteriorated and not good enough for Mitch

A

‘You’re not clean enough to bring in the house with my mother.’

63
Q

Fear being projected onto the walls

A

[Lurid reflections appear on the walls around Blanche. the shadows are of a grotesque and menacing form.]

64
Q

Vulnerability - Blanche - being taken advantage of

A

[He picks up her inert figure and carries her to the bed.]

65
Q

Stella - family/betrayal - dismissing her sister

A

‘I couldn’t believe her story and go on living with Stanley.’

66
Q

Almost a motto for New America

A

(eunice) ‘Don’t ever believe it. Life has got to go on. No matter what happens, you’ve got to keep on going.’

67
Q

Pain and trauma displayed across Blanche’s face

A

[a look of sorrowful perplexity as though all human experience shows on her face.]

68
Q

Colour imagery - virgin mary

A

‘It’s Della Robbia blue’

69
Q

Blanche’s iconic line - male dependency

A

‘[holding tight to his arm]: Whoever you are - I have always depended on the kindness of strangers.’

70
Q

Life is a big game…

A

‘This game is seven-card stud.’