Rossetti AO5 & AO3 Flashcards

(30 cards)

1
Q

Westerholm

A

‘poem-prayers’

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2
Q

Symons

A

‘The thought of death had a constant fascination for her.’

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3
Q

Sullivan

A

‘Tension between control and chaos… the only resolution is death.’

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4
Q

What were the two sides of Christina bestie’s character? Mermin

A

‘the sensuous and the ascetic’

(ascetic - self-discipline)

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5
Q

Natural imagery? Grass

A

‘considering Rossetti’s love of the natural world around her.’

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6
Q

Shrimpton

A

‘The reserve of the elite.’

Only those armed with faith and devotion can access the teachings and beliefs of the divine.

Tractarian theology

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7
Q

Virginia Woolf - love and life and therefore poetry because of her religion’s demands

A

‘she starved herself of love, which meant also life; then of poetry in deference to what she thought her religion demanded.’

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8
Q

Virgy Woolf again about religion and poetry

A

‘Rossetti’s religion is at enmity with her poetry.’

Sexual desires versus religion

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9
Q

Coleridge

A

‘Creative power and intellectual energy wrestle as in a war embrace.’

May refer to her religion here. Antagonism with religion and poetry, not a most loving embrace.

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10
Q

Wilson

A

‘observant and imaginative’

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11
Q

Birch

A

‘Her life had an undertone of melancholy.’

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12
Q

Williams

A

‘Her sense of her ideal human condition is in her poetry, often identified with femininity.’

‘She had a strong sense of church hierarchy.’ ‘She was not a feminist in that sense’

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13
Q

Mole

A

‘Rossetti is saturated in the bible.’

  • Shows how her poetry is more concerned with being orthodox rather than original. She wants to inculcate the values of High Anglican tradition by actually using its language.
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14
Q

William Michael Rossetti

A

‘She certainly felt that to write anything for publication is to incur a great spiritual responsibility.’

  • ‘Spiritual responsibility’ weighed on Rossetti significantly and informed her approach to poetry, which was to do ‘God’s work’.
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15
Q

Dinah Roe - where gods meet mankind

A

‘Her poems, both secular and devotional, create imaginative arenas where gods meet mankind, muses face poets and hope does battle with despair.’

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16
Q

Dinah Roe - the PRB

A

Pre-Raphaelite movement ‘pined for a lost, idealised medieval England.’

17
Q

Oliver Herford - metrical rhythms

A

‘The musical metrical sound is the easiest way to communicate. The exchange of love.’

18
Q

Avery - trapped females

A

Her poetry depicts ‘female figures who are trapped.’

19
Q

Scholl

A

‘Rossetti steers away from equating female sexuality with sinfulness.’

20
Q

Rossetti herself (A Castle Builder’s World) - flaws of the mortal world versus divine power

A

‘A world of mere opinions and fancies of daydreams and castles in the air is antagonistic to true and substantial world of revelation.’

  • comments on the truth and stability that her High Anglican faith provides as opposed to things that are not grounded in objective truth.
21
Q

which year was she born in
which year did she die in

A

born - 1830
died - 1894

22
Q

at which age did she develop grave’s disease?

23
Q

she had bouts of depression from childhood

24
Q

2 relationship with whom? and why broken?

A

James Collinson
Charles Bagot Cayley

Everyone’s religious beliefs and values overpowered their romantic feelings

She was engaged twice 👀

25
High Anglican faith?
depended on liturgical observation and repeated rituals repetition create an insistent chanting rhythm incantatory nature to lines
26
Tractarianism
It was a religion that wasn't preached but instead sought for by its followers
27
Females
exhibited female sympathies She had a strong sense of church hierarchy, therefore not a feminist in that sense Volunteered at the House of Magdalene for fallen women meaning she witnessed female suffering and redemption supported women during the period of stultifying expectations (Angel of the house figure coined by Coventry Patmore in 1854) time of gender/sexual politics and double standards
28
PRB
wanted to return to the rich detailed observation of nature, vibrant and dual-like and carefully observed idyllic/bucolic imagery pined for a lost medieval england her brother dante gabriel rossetti was one of the founders she wasn't allowed in it but heavily influenced by the movement
29
Biblical allusions
ruth-esque images of loyalty and stoicism parable of the sower parable of the ten virgins revelationist imagery creationist imagery agrarian imagery dante's 'Inferno' - downward spiral to hell
30
Musicality
harmony vs discordant mellifluous due to lyrical/hymn-like cadences 'poem prayers'