Test 2 Subject Flashcards
World’s oldest bronze sculpture.
The Dancing Girl is the world’s oldest bronze sculpture
The first full-length motion picture
The first full-length motion picture – Raja Harishchandra (1913) - in India was produced by Dadasaheb Phalke. It was a silent movie featured in Marathi Language.
First indian oscar winner
Designer Bhanu Athaiya in 1982
For the film Gandhi
Films nominated for type academy awards till date
Mother india, salaam Bombay, Lagan
Chap char kut is
festival of Mizoram, India.
It is celebrated during March after the completion of their moist arduous task of jhum operation i.e jungle clearing
festival of Mizoram, India. It is celebrated during March after completion of their most arduous task of jhum operation i.e., jungle-clearing (clearing of the remnants of burning).
What’s that festival
Chapchar
Losar
Losar is a major festival in Arunachal Pradesh as it marks the Tibetan New Year.
Tribes like Monpa. Sherdukpens, Memba. Khamba and Nah following the Mahayana sect of Buddhism celebrate this festival.
Which tribes celebrate losar
Tribes like Monpa. Sherdukpens, Memba. Khamba and Nah following the Mahayana sect of Buddhism celebrate this festival.
Arunachal Pradesh
Tribes like Monpa. Sherdukpens, Memba. Khamba and Nah following the Mahayana sect of Buddhism celebrate this festival.
What festival
Losar
Arunachal Pradesh
Festival of Ao tribe of Nagaland, marks the completion of the sowing season.
Moatsu mong
Moatsu mong
Moatsu Mong is a festival of the Ao tribe in Nagaland. It marks the completion of the sowing season.
UNESCO’s List of Intangible Cultural Heritage list
Tradition of Vedic chanting
- Ramlila, the traditional performance of the Ramayana
- Kutiyattam, Sanskrit theatre
- Ramman, religious festival and ritual theatre of the Garhwal Himalayas.
- Mudiyettu, ritual theatre and dance drama of Kerala
- Kalbelia folk songs and dances of Rajasthan
- Chhau dance
- Buddhist chanting of Ladakh: recitation of sacred Buddhist texts in the trans-Himalayan Ladakh region, Jammu and Kashmir.
- Sankirtana, ritual singing, drumming and dancing of Manipur
- Traditional brass and copper craft of utensil making among the Thatheras of Jandiala Guru, Punjab
- Yoga
- Nawrouz
- Kumbh Mela
List of Intangible Cultural Heritage in need of Urgent Safeguarding. In India
Currently no cultural heritage items of India are listed in the List of Intangible Cultural Heritage in need of Urgent Safeguarding.
Kambala
A kambala is an annual buffalo race held in the southwestern Indian state of Karnataka.
Traditionally, it is sponsored by local Tuluva landlords and households in the coastal districts of Dakshina Kannada and Udupi, a region collectively known as Tulu Nadu.
Lohri
In Punjab huge bonfires are lit on the eve of Sankrant and which is celebrated as “Lohri”.
Kundhei
The string puppets of Orissa are known as Kundhei. Made of light wood, the Orissa puppets have no legs but wear long flowing skirts. They have more joints and are, therefore, more versatile, articulate and easy to manipulate. The puppeteers often hold a wooden prop, triangular in shape, to which strings are attached for manipulation.
String puppets of ORISSA are known as
The string puppets of Orissa are known as Kundhei. Made of light wood, the Orissa puppets have no legs but wear long flowing skirts. They have more joints and are, therefore, more versatile, articulate and easy to manipulate. The puppeteers often hold a wooden prop, triangular in shape, to which strings are attached for manipulation.
Kathputli
The traditional marionettes of Rajasthan are known as Kathputli. Carved from a single piece of wood, these puppets are like large dolls that are colourfully dressed. Their costumes and headgears are designed in the medieval Rajasthani style of dress, which is prevalent even today. The Kathputli is accompanied by a highly dramatised version of the regional music.
Traditional marionettes of rajasthan
The traditional marionettes of Rajasthan are known as Kathputli. Carved from a single piece of wood, these puppets are like large dolls that are colourfully dressed. Their costumes and headgears are designed in the medieval Rajasthani style of dress, which is prevalent even today. The Kathputli is accompanied by a highly dramatised version of the regional music.
Koodiyaattam
Koodiyaattam, one of the oldest traditional theatre forms of Kerala, is based on Sanskrit theatre traditions. The characters of this theatre form are: Chakyaar or actor, Naambiyaar, the instrumentalists and Naangyaar, those taking on women’s roles.
The Sutradhar or narrator and the Vidushak or jesters are the protagonists. It is the Vidushak alone who delivers the dialogues. Emphasis on hand gestures and eye movements makes this dance and theatre form unique.
It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.
Kerala sanskrit theatre which got UNESCO intangible heritage rating
Koodiyaattam, one of the oldest traditional theatre forms of Kerala, is based on Sanskrit theatre traditions. The characters of this theatre form are: Chakyaar or actor, Naambiyaar, the instrumentalists and Naangyaar, those taking on women’s roles.
The Sutradhar or narrator and the Vidushak or jesters are the protagonists. It is the Vidushak alone who delivers the dialogues. Emphasis on hand gestures and eye movements makes this dance and theatre form unique.
It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.
Tamasha
Tamaasha is a traditional folk theatre form of Maharashtra. It has evolved from the folk forms such as Gondhal, Jagran and Kirtan. Unlike other theatre forms, in Tamaasha the female actress is the chief exponent of dance movements in the play. She is known as Murki. Classical music, footwork at lightning-speed, and vivid gestures make it possible to portray all the emotions through dance.
Traditional folk theatre of Maharashtra
Tamaasha is a traditional folk theatre form of Maharashtra. It has evolved from the folk forms such as Gondhal, Jagran and Kirtan. Unlike other theatre forms, in Tamaasha the female actress is the chief exponent of dance movements in the play. She is known as Murki. Classical music, footwork at lightning-speed, and vivid gestures make it possible to portray all the emotions through dance.
Yakshagaana
Yakshagaana, traditional theatre form of Karnataka, is based on mythological stories and Puranas. The most popular episodes are from the Mahabharata i.e. Draupadi swayamvar, Subhadra vivah, Abhimanyu vadh, Karna-Arjun yuddh and from Ramayana i.e. Raajyaabhishek, Lav-kush Yuddh, Baali-Sugreeva yuddha and Panchavati.
Traditional theatre of karnataka
Yakshagaana, traditional theatre form of Karnataka, is based on mythological stories and Puranas. The most popular episodes are from the Mahabharata i.e. Draupadi swayamvar, Subhadra vivah, Abhimanyu vadh, Karna-Arjun yuddh and from Ramayana i.e. Raajyaabhishek, Lav-kush Yuddh, Baali-Sugreeva yuddha and Panchavati.
Krishnattam
Krishnattam is the folk theatre of Kerala. It came into existence in the middle of 17th century A.D. under the patronage of King Manavada of Calicut. Krishnattam is a cycle of eight plays performed for eight consecutive days. The episodes are based on the theme of Lord Krishna - his birth, childhood pranks and various deeds depicting victory of good over evil.
Folk theatre of Kerala
Krishnattam is the folk theatre of Kerala. It came into existence in the middle of 17th century A.D. under the patronage of King Manavada of Calicut. Krishnattam is a cycle of eight plays performed for eight consecutive days. The episodes are based on the theme of Lord Krishna - his birth, childhood pranks and various deeds depicting victory of good over evil.
Busy dance
Bizu dance – This particular form of dance is characteristic of the Chakma community.
Bizu means Chaitra- Sanskriti.
Chaitra Sanskriti denotes end of the Bengali calender year.
It is during this period when the chakmas sing and dance to bid good-bye to the year just being ended and welcome the New Year.
The dance is beautifully orchestrated with the rhythem playing of what is known as “Khenggarang” and “dhukuk” sorts of flutes.
Bizu means
Bizu dance – This particular form of dance is characteristic of the Chakma community.
Bizu means Chaitra- Sanskriti.
Chaitra Sanskriti denotes end of the Bengali calender year.
It is during this period when the chakmas sing and dance to bid good-bye to the year just being ended and welcome the New Year.
The dance is beautifully orchestrated with the rhythem playing of what is known as “Khenggarang” and “dhukuk” sorts of flutes.
Chakma community dance
Bizu dance – This particular form of dance is characteristic of the Chakma community.
Bizu means Chaitra- Sanskriti.
Chaitra Sanskriti denotes end of the Bengali calender year.
It is during this period when the chakmas sing and dance to bid good-bye to the year just being ended and welcome the New Year.
The dance is beautifully orchestrated with the rhythem playing of what is known as “Khenggarang” and “dhukuk” sorts of flutes.
Hozagiri dance
Hozagiri Dance – While the theme of the dance remains almost to be the same as of other tribes, the dance form of the Reang/Bru community is quite different from others.
The movements of hands or even the upper part of the body is somewhat restricted, whereas the movement beginning from their waist down to their feet creates a wonderful wave.
Speciality of hozagiri dance
Hozagiri Dance – While the theme of the dance remains almost to be the same as of other tribes, the dance form of the Reang/Bru community is quite different from others.
The movements of hands or even the upper part of the body is somewhat restricted, whereas the movement beginning from their waist down to their feet creates a wonderful wave.
Doregata
Doregata: This is quite interesting dance as the Khasi women try to knock off the turbans of their male pertners.
Khasi women dance
Doregata: This is quite interesting dance as the Khasi women try to knock off the turbans of their male pertners.
Chhau
Chhau is a popular folk dance of Orissa/Bihar/Bengal. Chhau means mask.
All the Chhau performers hold swords and shields while performing. The stages are decorated and brightly lit by torches, lanterns and flickering oil lamps.
Popular folk dance of Orissa/Bihar/ Bengal
Chhau is a popular folk dance of Orissa/Bihar/Bengal. Chhau means mask.
All the Chhau performers hold swords and shields while performing. The stages are decorated and brightly lit by torches, lanterns and flickering oil lamps.
Dumhal
Dumhal is a dance performed by the men folk of the Wattal tribe of Kashmir This dance is performed with long colorful robes, tall conical caps (studded with beads and shells).
Dumhal dance is accompanied by songs which the performers themselves sing.
Dance performed by the men folk of the wagtail tribe of Kashmir
Dumhal is a dance performed by the men folk of the Wattal tribe of Kashmir This dance is performed with long colorful robes, tall conical caps (studded with beads and shells).
Dumhal dance is accompanied by songs which the performers themselves sing.
Kalbelia dance
Kalbelia Dance is performed by the womenfolk hailing from the Kalbelia community in Rajastan. The dance movements and the costumes have an uncanny resemblance to the slithery creatures.
Dance performed by the womenfolk of kalbelia community
Kalbelia Dance is performed by the womenfolk hailing from the Kalbelia community in Rajastan.
The dance movements and the costumes have an uncanny resemblance to the slithery creatures.
Kalarippayattu
Kalarippayattu is a martial art, which originated as a style in Kerala, southern India (North Malabar).
The word kalari first appears in the Tamil Sangam literature (c. 300 BCE to 300 CE) to describe both a battlefield and combat arena
Martial art of Kerala
Kalarippayattu is a martial art, which originated as a style in Kerala, southern India (North Malabar).
The word kalari first appears in the Tamil Sangam literature (c. 300 BCE to 300 CE) to describe both a battlefield and combat arena
Silambam
Silambam is a weapon-based Martial Art of India, more specifically in the state of Tamil Nadu.
The word “Silambam” means either a mountain or merely to sound. While the Silambam fencers are fighting, the weapon makes sound. This might have been the cause for its being named as “Silambam”.
Martial art of Tamil Nadu
Silambam is a weapon-based Martial Art of India, more specifically in the state of Tamil Nadu.
The word “Silambam” means either a mountain or merely to sound. While the Silambam fencers are fighting, the weapon makes sound. This might have been the cause for its being named as “Silambam”.
Thang ta
Thang-ta is the popular Manipuri name for a set of armed and unarmed fighting techniques developed by the Meitei people of the state of Manipur, India.
The formal name for this martial system is Huyen Lallong.
Armed and unarmed fighting techniques of Manipuri style of martial art
Thang-ta is the popular Manipuri name for a set of armed and unarmed fighting techniques developed by the Meitei people of the state of Manipur, India.
The formal name for this martial system is Huyen Lallong.
Bhand Pather
Bhand Pather is a traditional theatre form of Kashmir.
A unique combination of dance, music and acting.
Traditional theatre form of Kashmir
Bhand Pather is a traditional theatre form of Kashmir.
A unique combination of dance, music and acting.
Kuchipudi
Kuchipudi is originally from Andhra Pradesh. Its evolution can be traced to traditional dance -
drama, known under the generic name of Yakshagaana.
What is called with a generic name of yakshagaana
Kuchipudi is originally from Andhra Pradesh.
Its evolution can be traced to traditional dance -
drama, known under the generic name of Yakshagaana.
Traditional dance of Andhra Pradesh
Kuchipudi is originally from Andhra Pradesh.
Its evolution can be traced to traditional dance -
drama, known under the generic name of Yakshagaana.
Kuchipudi starts with the invocation of
It begins with an invocation to Lord Ganesha followed by nritta (non-narrative and abstract dancing) shabdam (narrative dancing) and natya.
The Sangeet Natak Akademi confers classical status and it has been accorded on how many dance forms
The Sangeet Natak Akademi confers classical status and it has been accorded on eight Indian dance forms:
Bharatanatyam: originating in Tamil Nadu
Odissi: originating in Odisha
Kuchipudi: originating in Andhra Pradesh
Mohiniaattam: originating in Kerala, performed by women Sattriya: originating in Assam, conferred classical status most recently Kathakali: originating in Kerala, performed by men
Kathak: originating in Northern India
Manipuri: originating in Manipur.
What are the eight indian dance which sangeet natak Akademi confers
The Sangeet Natak Akademi confers classical status and it has been accorded on eight Indian dance forms:
Bharatanatyam: originating in Tamil Nadu
Odissi: originating in Odisha
Kuchipudi: originating in Andhra Pradesh
Mohiniaattam: originating in Kerala, performed by women Sattriya: originating in Assam, conferred classical status most recently Kathakali: originating in Kerala, performed by men
Kathak: originating in Northern India
Manipuri: originating in Manipur.
The Sattriya dance
The Sattriya dance form was introduced in the 15th century A.D by the great Vaishnava saint and reformer of Assam, Mahapurusha Sankaradeva as a powerful medium for propagation of the Vaishnava faith.
Sattriya dance was introduced in 18th century what do you say ?
The Sattriya dance form was introduced in the 15th century A.D by the great Vaishnava saint
and reformer of Assam, Mahapurusha Sankaradeva as a powerful medium for propagation of the Vaishnava faith.
Odissi age
Odissi, originally from Orissa, is a dance of love and passion touching on the divine and the human, the sublime and the mundane.
It is the oldest surviving dance form of India on the basis of archaeological evidences and date backs to 2nd Century B.C.
Odissi is a highly stylised dance and to some extent is based on the classical Natya Shastra and the Abhinaya Darpana.
In fact, it has derived a great deal from the Abhinaya Darpana Prakasha by Jadunatha Sinha, theAbhinaya Chandrika by Rajmani Patra, and the Abhinaya Chandrika by Maheshwara Mahapatra.
The lyricism of Odissi poem sung in background is based on
The lyricism of Odissi poem sung in background is based on Gita Govinda
What is the rasa theory
Performance of arts is a tool to raise individual consciousness for spiritual upliftment.
It asserts that entertainment is a desired effect of performance arts but not the primary goal, and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness, and reflects on spiritual and moral questions.
Thumri
Indian Hindustani Classical Music has various divisions like Khyaal, Thumari/Thumri, Tappa, Tarana, etc. The thumri is based on the romantic-devotional literature inspired by the bhakti movement.
The text is usually derived from the Radha-Krishna theme and is of primary importance. The semi- classical music form ‘thumr is known to have derived its name from thumakna. Loosely translated the word means, “dance-like movements”.
Thumri was about mild eroticism and dramatic gestures and was the invention of courtesans. The text is romantic and devotional in nature, and usually revolves around a girl’s love for Krishna. The language is a dialect of Hindi called Brij bhasha.
Thumri is one of the division of Carnatic music
Indian Hindustani Classical Music has various divisions like Khyaal, Thumari/Thumri, Tappa, Tarana, etc. The thumri is based on the romantic-devotional literature inspired by the bhakti movement.
The text is usually derived from the Radha-Krishna theme and is of primary importance. The semi- classical music form ‘thumr is known to have derived its name from thumakna. Loosely translated the word means, “dance-like movements”.
Thumri was about mild eroticism and dramatic gestures and was the invention of courtesans. The text is romantic and devotional in nature, and usually revolves around a girl’s love for Krishna. The language is a dialect of Hindi called Brij bhasha.
Sallekhana ritual of Jainism
It is the religious practice of voluntarily fasting to death by gradually reducing the intake of food and liquids. It is viewed in Jainism as the thinning of human passions and the body, and another means of destroying rebirth-influencing karma by withdrawing all physical and mental activities.
Sallekhana is prescribed for both householders and ascetic. It is permitted in case of Imminent death, severe famine and suffering from incurable diseases
Mahavamsa deals with
Mahavamsa is the most important Pali epic poem. Mahavamsa means “Great Chronicle”.
It’s a historical poem in Pali Language which deals about the Kings of Sri Lanka.
Dipavamsa deals with
Dipavamsa is the oldest historical record of Sri Lanka. Dipavamsa is one of the most important works in Pall Literature. It details the tooth relic and Bodhi Tree’s arrival in Sri Lanka.
Brihaddeshi is written by
Brihaddeshi written in the 9th century by Matanga focused on the definition of the word
‘raga’.
Matanga work in 9th century
Brihaddeshi written in the 9th century by Matanga focused on the definition of the word
‘raga’.
Sangeeta Makaranda was composed by
The 11th century text, Sangeeta Makaranda was composed by Narada (Nanda) who enumerated 93 ragas and classified them into feminine and masculine forms.
Swaramela-Kalanidhi written by
Swaramela-Kalanidhi written by Ramamatya in the 16th century which again deals primarily with ragas.
Ten main styles of Hindustani music are
There are ten main styles of singing in Hindustani music like the ‘Dhrupad’, ‘Dhamar’, ‘Hori’, ‘Khayal’, ‘Tappa’, ‘Chaturang’, ‘Ragasagar’, ‘Tarana’, ‘Sargam’ and ‘Thumri’.
Hindustani music: practiced in the
Hindustani music: practiced in the northern parts of India. The Hindustani branch of music focuses more on the musical structure and the possibilities of improvisation in it. The Hindustani branch adopted a scale of Shudha Swara Saptaka or the ‘Octave of Natural notes.
Characteristics of Carnatic Music
Indigenous
No freedom to improvise
Only one particular prescribed style of singing
More emphasis on vocal music
Doesn’t adhere to any time.
Ain-e-Akbari
Abul Fazl, courtier and chronicler at the court of the Emperor Akbar, defines the dhrupad verse form in his Ain-e-Akbari as “four rhyming lines, each of indefinite prosodic length.
Kirana gharana famous singers
Kirana Gharana have had a long line of great singers but the most famous are Pandit Bhimsen Joshi and Gangubai Hangal.
Amir Khusrau
Amir Khusrau (1252-1325) was the famous Persian writer of this period. He wrote a number of poems. His famous work Tughlaq Nama deals with the rise of Ghyiasuddin Tughlaq.
Who is also called father of qawwali
Amir Khusrau (1252-1325) was the famous Persian writer of this period. He wrote a number of poems. His famous work Tughlaq Nama deals with the rise of Ghyiasuddin Tughlaq.
He is also called as father of qawwali
Shabads are devotional songs of
Shabads are devotional songs of the Sikhs sung in gurdwaras on religious occasions.
They are ascribed to Sikh gurus and many Bhakti saint-poets.
Shabad originated as a musical composition around the 17th century AD. Guru Nanak and his disciple Mardana are credited with the development and popularity of shabad.