Test 2 Flashcards

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0
Q

Plot

A

A series of connected incidents

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1
Q

Fictional Narrative

A

A vehicle of meaning: an extended metaphor that implies correspondence with life.

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2
Q

Flashback

A

A summary of earlier events in a story

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3
Q

In medias res

A

When an epic poem begins in “the middle” of things

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4
Q

Ad terminum rerum

A

A story that begins at “the end”

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5
Q

Exposition

A

Essential background information

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6
Q

Summary method

A

When the author presents information directly to the reader

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7
Q

Scenic method

A

When the exposition is “acted out” by characters and through incidents

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8
Q

Conflict

A

The problem in a story

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9
Q

Protagonist

A

The chief character of a story

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10
Q

Antagonist

A

The opposing character

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11
Q

Mystery

A

When a writer sustains interest by withholding information from the reader while tantalizing curiosity

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12
Q

Dramatic Irony

A

When the writer sustains interest by giving the reader knowledge concerning a situation or outcome unknown to the characters so that the behavior of the characters seems absurd with this new information

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13
Q

Foreshadowing

A

An anticipation of the outcome by hints

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14
Q

Rising action

A

When new situations complicate the plot

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15
Q

Crisis

A

A circumstance or choice that brings a reversal of fortune in a story

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16
Q

Climax

A

The point of highest emotional intensity usually near the turning point of the action

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17
Q

Falling action

A

When the consequences of the crisis unfold

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18
Q

Resolution or Denouement

A

When the falling action ends and the action reaches a state of equilibrium

19
Q

Character

A

Tools used by the writer to create plot

20
Q

Flat characters

A

Characters with little individuality

21
Q

Round characters

A

Characters presented with a more fully developed interior life and often with psychological complexity

22
Q

Static Character

A

A character that remains unchanged throughout the story

23
Q

Developing character

A

A character that changes throughout a story

24
Q

Initiation

A

An experience through which a character comes to an understanding that marks a stage in his development toward maturity.

25
Q

Point of view

A

The angle from which a story is told

26
Q

First person narration

A

A story that is told personally, by a narrator speaking in the first person. Either a character or the author can be narrators.

27
Q

Third person narration

A

When the story is told not by a narrator but in the manner of an impersonal historical account. No narrative voice heard.

28
Q

Omniscient

A

When the author or narrator is all knowing

29
Q

Limited

A

When the author or narrator’s scope of knowledge is limited

30
Q

Intrusive

A

When the author interrupts with comment in his own person and with his own voice

31
Q

Unintrusive

A

When the reader is not conscious of the author’s speaking voice.

32
Q

Central

A

Where the story is told in a limited point of view through the awareness of the main character

33
Q

Peripheral

A

Where the story is told through the awareness of a minor character

34
Q

Objective

A

Where everything is viewed from the outside, and there is no access to the mind of any of the characters

35
Q

Setting

A

The time and place in which a story takes place

36
Q

Atmosphere

A

The emotion pervading a story

37
Q

Tone

A

The emotion a reader is meant to share with the author

38
Q

Closet drama

A

When drama is read as if it were being acted

39
Q

Soliloquy

A

When an actor is alone on stage speaking

40
Q

Aside

A

When an actor speaks within earshot of other characters supposedly unable to hear

41
Q

Author of Son from America

A

Isaac Singer

He was Jewish

42
Q

Author of The Sire De Maletroit’s Door

A

Robert Stevenson

43
Q

Author of Appointment with Love

A

S. I. Kishor

Jewish woman

44
Q

Author of Miss Brill

A

Katherine Mainsfield

Died an early age

45
Q

Author of Blues Ain’t No Mockin’ Bird

A

Toni Bambara
He was black
written to support racial equality

46
Q

Author of The Most Dangerous Game

A

Richard Connell