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Test 2 Flashcards

1
Q

Plainchant/Gregorian chant Charectaristics

A

-single line melody, non-metrical Latin

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2
Q

Modes

A

Scale

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3
Q

Syllabic

A

One word per syllable

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4
Q

Neumatic

A

One syllable to one neume (2-4 notes)

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5
Q

Melismatic

A

Multiple notes per syllable

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6
Q

Hildegaurd Von Bingen

A

1098-1179, given to the church as a tithe, experienced visions, highly religious, founded a monastery, wrote poems

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7
Q

Organum

A

improvising a second voice with Gregorian melody.

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8
Q

Rhythmic Modes

A

set patterns in rhythm of long and short duration

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9
Q

Notre Dame School

A

forefront in evolution in polyphony, Gregorian chant used as foundation for upper voices

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10
Q

Troubadores and Trouveres

A

(Southern France) (Northern France) aristocratic poet - musicians

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11
Q

Ars Nova vs. Ars Antiqua

A

14th vs. 1,100-1,300 -Early Renaissance vs. Late Middle

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12
Q

The Crusades

A

Religious wars. West Europe tries to take Palestine from Muslims.

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13
Q

French Chanson

A

Secular Polyphonic French late Midieval + Renneisance

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14
Q

Italian Madrigal

A

short poem - emotional words - wide range of topic - most important genre in the Renaissance

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15
Q

Vernacular

A

Local language + type of language/ slang used

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16
Q

Secular

A

Not in relation to religion

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17
Q

Word - Painting

A

Clear relation from words to technical aspects of music

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18
Q

English Madrigal

A

English reformed the Italian Madrigal afterwards. (Some serious, some humorous

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19
Q

Ordinary Vs. Proper

A

Fixed # of chants and prayers Vs. chants and prayers that vary day to day

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20
Q

Cantus Firmus

A

A fixed melody based on the original plainchant. Basis of elaboration for other parts.

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21
Q

Protestant Reformation

A

A movement away from the Catholic Church- abusing its power. Wanted “simple unison” music

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22
Q

Martin Luther

A

launched the protestant reformation by posting 95 theses

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23
Q

Counter Reformation

A

Catholic internal reform movement - council of Trent- protestant led.

24
Q

Govanni Pierluigi da Palestrina

A

23 years in rome, sacred music, style: restrained, serene, not overly embellished.

25
Q

Lute

A

Guitar- string

26
Q

Shawm

A

Oboe - woodwind

27
Q

Sackbut

A

Trombone - wind - brass

28
Q

Rebec

A

Violin - string

29
Q

Viol de Gamba

A

String Double Bass - string

30
Q

Recorder

A

Recorder - wind wider + sharper timbre than new one

31
Q

Virginal

A

Piano - string

32
Q

Bas Instruments

A

Indoor instruments

33
Q

Haut Instruments

A

Outdoor Instruments

34
Q

Author: Alleluia, O virga mediatrix

A

Hildegaurd von Bingen

35
Q

Instrument: Alleluia, O virga mediatrix

A

unaccompanied

36
Q

Charectaristics: Alleluia, O virga mediatrix

A

monophonic, group+solos, melismatic

37
Q

Distinct: Alleluia, O virga mediatrix

A

nelismatic “Alleluia” sung by male voice`

38
Q

Composer: Maria Virgo

A

Notre Dame School

39
Q

Instrument: Maria Virgo

A

unacompanied

40
Q

Characteristics: Maria Virgo

A

polyphonic, cannon, caesuras, dramatic pauses

41
Q

Distinct: : Maria Virgo

A

cannon of “ah’s” - men

42
Q

Composer: Il bianco e dolce cigno

A

Jacques Arcadelt

43
Q

Instrument: Il bianco e dolce cigno

A

4 voices unnacompanied

44
Q

Charectaristics: Il bianco e dolce cigno

A

loud, emphasis on highest singer, soft-loud-soft, together for most

45
Q

Distinct: Il bianco e dolce cigno

A

4 part high, says name of song very beginning

46
Q

Composer: Fair Phyllis

A

John Farmer

47
Q

Instrument Fair Phyllis

A

4 voices unaccompanied

48
Q

Charectaristics: Fair Phyllis

A

high voice main, stacatto, popping from one part to anohter

49
Q

Distinct: Fair Phyllis

A

Says name, one voice, 4 voice, one voice, 4 voice

50
Q

Composer: Pope Marcellus Mass: Gloria

A

Pierluigi da Palestrina

51
Q

Instrument: Pope Marcellus Mass: Gloria

A

6 part choir, unaccompanied

52
Q

Charectaristics: Pope Marcellus Mass: Gloria

A

mostly monophonic, dynamic changes, strong lower voice, high male singer

53
Q

Distinct: Pope Marcellus Mass: Gloria

A

Low Male Solo - Gloria in excelsis de O

54
Q

Composer: Three Dances

A

Tielman Sustato

55
Q

Instrument: Three Dances

A

4 part instrumental

56
Q

Charectaristics: Three Dances

A

homophonic, mostly playful, medium volume, large crecendo

57
Q

Distinct: Three Dances

A

only instrument, trumpet

Music Appreciation (5 decks)

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