Task 6 - Three Dimensions Flashcards

1
Q

Cue approach to depth perception

A

it focuses on identifying information in the retinal image that is correlated with depth in the scen

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2
Q

Occlusion

A

a signal, or cue, that one object is in front of another – we learn the connection between this cue and depth through our previous experience with the environment

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3
Q

Three major different types of cues

A

Oculomotor: cues based on our ability to sense the position of our eyes and the tension in our eye muscles
Monocular: cues that work with one eye
Binocular: cues that depend on two eyes

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4
Q

Oculomotor cues are created by

A

(1) convergence, the inward movement of the eyes that occurs when we look at nearby objects, and
(2) accommodation, the change in the shape of the lens that occurs when we focus on objects at various distances

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5
Q

Monocular cues

A

Accommodation: described under oculomotor cues
Pictorial cues: which is depth information that can be depicted in a two-dimensional picture
Movement based cues: based on depth information created by movement

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6
Q

Pictorial cues

A

sources of depth information that can be depicted in a picture

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7
Q

Occlusion

A

Occlusion occurs when one object hides or partially hides another from view. The partially hidden object is seen as being farther away

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8
Q

Relative height

A

objects that are below the horizon and have their bases higher in the field of view are usually seen as being more distant

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9
Q

Relative size

A

when two objects are of equal size, the one that is farther away will take up less of your field of view than the one that is closer – also depends a little on a person’s knowledge of physical sizes

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10
Q

Perspective convergence

A

the perceptual coming-together of parallel lines (as distance increases)

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11
Q

Familiar size

A

judge distance based on our prior knowledge of the sizes of objects

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12
Q

Atmospheric perspective

A

occurs when more distant objects appear less sharp and often have a slight blue tint –The farther away an object is, the more air and particles (dust, water droplets, airborne pollution) we have to look through, making objects that are farther away look less sharp and bluer than close objects

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13
Q

Texture gradient

A

Elements that are equally spaced in a scene appear to be more closely packed as distance increases

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14
Q

Shadows

A

Shadows that are associated with objects can provide information regarding the locations of these objects – they also enhance the three-dimensionality of objects

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15
Q

Two different motion-produced cues

A

(1) motion parallax and

(2) deletion and accretion

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16
Q

Motion parallax

A

occurs when, as we move, nearby objects appear to glide rapidly past us, but more distant objects appear to move more slowly

17
Q

Deletion and accretion

A

Covering is deletion

Uncovering is accretion

18
Q

Binocular disparity

A

the difference in the images in the left and right eyes

19
Q

Corresponding retinal points

A

the places on each retina that would overlap if one retina could be slid on top of the other

20
Q

Horopter

A

which is an imaginary surface that passes through the point of fixation and indicates the location of objects that fall on corresponding points on the two retinas

21
Q

Angle of disparity

A

the difference between where the image falls on the eye and the corresponding point

22
Q

Absolute angle of disparity / absolute disparity

A

it provides information about the distances of objects — the amount of absolute disparity indicates how far an object is from the horopter — One of the properties of absolute disparity is that it changes every time the observer changes where he or she is looking

23
Q

Relative disparity

A

the difference between two objects’ absolute disparities — disparity information that remains the same no matter where an observer looks

24
Q

Frontal eyes

A

results in overlapping fields of view

25
Q

Lateral eyes

A

result in no overlapping visual fields and therefore cannot use disparity to perceive depth

26
Q

Binocular depth cells / disparity-selective cells

A

neurons that are tuned to respond to specific amounts of disparity. The first research on these neurons described neurons in the striate cortex (V1) that responded to absolute disparity

27
Q

Visual angle

A

the angle of an object relative to the observer’s eye – when a person moves closer the visual angle becomes larger – The visual angle tells us how large the object will be on the back of the eye

28
Q

Size consistency

A

This principle states that our perception of an object’s size remains relatively constant, even when we view an object from different distances, which changes the size of the object’s image on the retina

29
Q

Size-distance scaling

A

the mechanism that takes an object’s distance into account

30
Q

Emmert’s law

A

The relationship between the apparent distance of an afterimage and its perceived size

31
Q

Müller-Lyer illusion

A

the right vertical line appears to be longer than the left vertical line, even though they are both exactly the same length (with the arrows pointing in and out)

32
Q

Misapplied size constancy scaling

A

size constancy normally helps us maintain a stable perception of objects by taking distance into account – Gregory suggests that the fins on the right line make this line look like part of an inside corner, and that the fins on the left line make this line look like part of an outside corner

33
Q

Conflicting cues theory

A

our perception of line length depends on two cues:

(1) the actual length of the vertical lines, and (2) the overall length of the figure

34
Q

Ponzo (or railroad track) illusion

A

both animals are the same size on the page, and so have the same visual angle, but the one on top appears longer

35
Q

Ames room

A

causes two people of equal size to appear very different in size
The reason for this erroneous perception of size lies in the construction of the room

36
Q

Moon illusion

A

The enlargement of the moon at the horizon compared to the elevated moon – although in both cases they have the same visual angle

37
Q

Apparent distance theory

A

the moon on the horizon appears more distant because it is viewed across the filled space of the terrain, which contains depth information; but when the moon is higher in the sky, it appears less distant because it is viewed through empty space, which contains little depth information

38
Q

Angular size contrast theory

A

the moon appears smaller when it is surrounded by larger objects – Thus, when the moon is elevated, the large expanse of sky surrounding it makes it appear smaller. However, when the moon is on the horizon, less sky surrounds it, so it appears larger