SuperHuman representation Flashcards

1
Q

Who created the advertisement “Super. Human.” for the 2020 Paralympic Games?

A

Bradford Young, Channel 4’s in-house creative agency 4Creative, Serial Pictures, and Somesuch.

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2
Q

What editing techniques are used in the advertisement to convey the athletes’ experiences?

A

Close-up shots, slow motion, and muting sound for dramatic effect.

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3
Q

What cultural narrative does the advertisement construct about disabled athletes?

A

It presents them as ordinary sports men and women facing extraordinary challenges, making their stories more accessible and compelling.

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4
Q

How does the advertisement use sound effects to enhance its message?

A

Sound effects like grunts, groans, and tape being applied underscore the music, emphasizing the battle of training.

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5
Q

What narrative technique is used to show the binary opposition between sport and family life?

A

The sequence where an athlete tries to sing ‘Happy Birthday’ to his daughter on a mobile phone while training on a bike.

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6
Q

How does Claude Lévi-Strauss’s theory of binary oppositions apply to the advertisement?

A

The advertisement contrasts gruelling training regimes with celebratory images of success, and dreamlike sequences with the harsh reality of daily life.

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7
Q

What song is played throughout the advertisement and from what film?

A

‘So you want to be a boxer’ from Bugsy Malone

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8
Q

What is the purpose of using the soundtrack “So You Want to be a Boxer” from Bugsy Malone in the advertisement

A

To communicate the struggles of the disabled athletes while giving the advertisement a positive feel.

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9
Q

How does the advertisement use visual codes to communicate meanings?

A

By using iconography and settings related to the athletes and their sports, juxtaposed with domestic scenes of everyday life.

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10
Q

What were the 2 previous Paralympic advertisements called?

A

‘We’re the SuperHumans’ and ‘Meet the SuperHumans’

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11
Q

What was the main focus of the “Super. Human.” campaign compared to previous campaigns?

A

To emphasize the “Human” rather than the “Super” and to show the realities of the athletes’ lives.

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12
Q

How does the advertisement challenge stereotypical representations of disabled athletes?

A

By avoiding negative stereotypes and presenting athletes as high-performance individuals rather than victims or heroes.

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13
Q

What impact did Channel 4’s coverage of the Paralympics have on viewers’ perceptions of disabled people?

A

65% of viewers felt it had a positive impact, and 82% agreed that disabled athletes were as talented as able-bodied athletes.

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14
Q

How does David Gauntlett’s theory of identity apply to the “Super. Human.” advertisement?

A

It offers a more diverse and inclusive range of role models and identities, allowing disabled people to see themselves represented positively.

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15
Q

How does Stuart Hall’s representation theory apply to the “Super. Human.” advertisement?

A

The Super. Human advert actively avoids common stereotypes created by the mass media. This could be a result of using Bradford Young to help produce the advert.

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16
Q

How does the advertisement avoid negative stereotypical representations of Paralympians?

A

By presenting them as high-performance athletes and focusing on their challenges and achievements rather than their disabilities.

17
Q

What is the significance of the on-screen graphic “To be a Paralympian there’s got to be something wrong with you”?

A

It creates a conceptual binary opposition between audience perception of Paralympic athletes and the reality, challenging misconceptions.

18
Q

How does the advertisement use humour to convey information?

A

Through recognisable visual signifiers like the hamster on the wheel and the ‘puke bucket’, and animated sequences that insert aspects of the comic into the athletes’ gruelling regimes.

19
Q

How does the advertisement’s representation of disability differ from traditional media portrayals?

A

It avoids portraying disabled athletes as victims or heroes, instead showing them as high-performance athletes with relatable lives.