Stevie Wonder Flashcards

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1
Q

Describe the overall structure of Superstition

A

Superstition has a verse-chorus structure, which is based around a repeated two-bar groove. The structure is a repeat of A-A-B.

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2
Q

Describe the structure of the verses in superstition

A

Each verse is made up of the two-bar riff played four times.

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3
Q

How many bars is the chorus in superstition?

A

8 bars

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4
Q

Describe the structure of the bridge in superstition

A

N/A

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5
Q

Give 4 key features of the melody in superstition

A

Jazz Techniques (e.g. Slide up notes), Eb minor Pentatonic scale, Sense of Dorian Mode and Chromaticism

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6
Q

List the instruments used in superstition

A

Horn Section, Moog Base, Clavinet, Drums, Vocals

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7
Q

Describe the drum groove used in superstition

A

Hi-hat uses syncopation and quavers, bass drum plays beats 1&3, Snare drum plays beats 2&4

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8
Q

Describe the use of the drums in the groove

A
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9
Q

Describe the keyboard part in the groove

A

The keyboard (clavinet) plays a repetitive off-beat staccato motif

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10
Q

Describe the overall texture of supersition

A

Homophonic

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11
Q

What is the overall tonality?

A

The piece is neither major nor minor, as it uses the Dorian Mode.

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12
Q

Give 3 key musical features of the melody in ‘Sir duke’

A

Use of chromatic scales in the pre-chorus, Melisma on the word “Over” alternating between A# and G# and the horn riff carries a melody that increases in complexity by adding notes in the pentatonic scale

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13
Q

Give 3 key features of the rhythm in ‘Sir duke’

A

Typical swing/big-band swung hi-hat, Standard Motown backbeat in the verse, Heavily syncopated riff

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14
Q

Give 3 key features of the texture in ‘Sir duke’

A

Alternation between clear homophonic sections (Intro and pre-chorus) and intricate melody and accompaniement in verse and chorus, plus unison for shout chorus.

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15
Q

Describe the structure of ‘Sir duke’

A

Intro, Verse, Pre-Chorus, Chorus, Shout-Chorus, Verse, Pre-Chorus, Chorus, Chorus, Shout-Chorus, Chorus and repeats

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16
Q

Give 3 key harmonic features of ‘sir duke’

A

Doo-wop chord progretion (I vi IV V) - common for the 50s and 60s - but IV replaced with flattened VI to create descending bass line, Chromatic chord progression (series of passing Chromatic chords) in the Pre-Chorus - E9, Eb9 D9 Db9 D9 D#9 E9 F9 F#9, Interesting use of substitution chord in the chorus adding spice to the harmonies.