Spotify Case Flashcards
1
Q
Industry
A
digital music streaming
2
Q
how much of music industry does streaming occupy
A
38%
3
Q
Threat of substitutes for Spotify (digital music streaming)
A
- other parts of the music industry
- –downloads, physical (CD, vinyl, cassette)
- –these are much of a threat, dropping in popularity
- video streaming
4
Q
Supplier power
A
- music labels
- – the big 3 have 70% market share
- also independent artists
- suppliers are more concentrated than the industry they supply to (meaning that supplier power is high)
- the goods are critical to Spotify success
- COGS show that supplier power is high since COGS are mainly the cost of rights (mid 70-mid 80%)
- to fight supplier power, Spotify invites artists to self-publish
- –backwards integration
- fighting in court for mechanical rights
- Spotify trying to publish original content
- in 2017 signed new contracts with publishers, which made Spotify more profitable
- –Spotify has large market share, such a big distribution channel
- -this suggests that supplier power isn’t as strong as it once was
5
Q
Buyer power
A
- consumers are the buyers
- there are low switching costs (increases buyer power)
- little differentiation in product (increases buyer power)
- many options
- advertisers are also buyer
- –have some bargaining power, because they have lots of options, but so does Spotify
- consumers have many options
- Spotify makes most of its revenue from premium subscription
- Spotify trying to offset bargaining power
- –increase switching costs
- —personalization, social features, diversification via podcasts
- Spotify faces pressure from both sides (buyers and suppliers)
6
Q
Threat of new entrants
A
- need size to be able to afford the rights
- threat of retaliation is present
- business model is not profitable for a while (capital investment is high)
- IT development costs are high
- even big companies struggle to succeed upon entry (Google Music, Amazon Music)
- despite entry barriers, threat is still high
- -> giants are entering, wanting share more than profits
- -> they can be loss leaders (like Apple) because they want to acquire customer and then monetize through other streams
7
Q
Rivalry among competitors
A
- Apple Music, Amazon Music, Google Music are considered the “Big 3” competitors for Spotify
- also other on demand streaming
- internet radio
- smaller services like Tidal, Deezer, Pandora
- Youtube
- piracy
-all of the above are competitors for Spotify, making rivalry pretty high
8
Q
summary of forces
A
all forces are high except substitutes, this squeezes profitability
-because of Spotify’s size, they can bargain a bit
9
Q
Summarize the problem for Spotify
A
- spotify makes money from streaming only, main competitors don’t
- face aggressive competitors who don’t care about making money (particularly from Apple Music)
- threat form Big 3 with deep pockets and much power/ability
- How does Spotify keep their position with the consistent pressure from competitors?
- –consider: partnerships (with video game companies for example)