Spotify Case Flashcards

1
Q

Industry

A

digital music streaming

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2
Q

how much of music industry does streaming occupy

A

38%

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3
Q

Threat of substitutes for Spotify (digital music streaming)

A
  • other parts of the music industry
  • –downloads, physical (CD, vinyl, cassette)
  • –these are much of a threat, dropping in popularity
  • video streaming
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4
Q

Supplier power

A
  • music labels
  • – the big 3 have 70% market share
  • also independent artists
  • suppliers are more concentrated than the industry they supply to (meaning that supplier power is high)
  • the goods are critical to Spotify success
  • COGS show that supplier power is high since COGS are mainly the cost of rights (mid 70-mid 80%)
  • to fight supplier power, Spotify invites artists to self-publish
  • –backwards integration
  • fighting in court for mechanical rights
  • Spotify trying to publish original content
  • in 2017 signed new contracts with publishers, which made Spotify more profitable
  • –Spotify has large market share, such a big distribution channel
  • -this suggests that supplier power isn’t as strong as it once was
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5
Q

Buyer power

A
  • consumers are the buyers
  • there are low switching costs (increases buyer power)
  • little differentiation in product (increases buyer power)
  • many options
  • advertisers are also buyer
  • –have some bargaining power, because they have lots of options, but so does Spotify
  • consumers have many options
  • Spotify makes most of its revenue from premium subscription
  • Spotify trying to offset bargaining power
  • –increase switching costs
  • —personalization, social features, diversification via podcasts
  • Spotify faces pressure from both sides (buyers and suppliers)
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6
Q

Threat of new entrants

A
  • need size to be able to afford the rights
  • threat of retaliation is present
  • business model is not profitable for a while (capital investment is high)
  • IT development costs are high
  • even big companies struggle to succeed upon entry (Google Music, Amazon Music)
  • despite entry barriers, threat is still high
  • -> giants are entering, wanting share more than profits
  • -> they can be loss leaders (like Apple) because they want to acquire customer and then monetize through other streams
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7
Q

Rivalry among competitors

A
  • Apple Music, Amazon Music, Google Music are considered the “Big 3” competitors for Spotify
  • also other on demand streaming
  • internet radio
  • smaller services like Tidal, Deezer, Pandora
  • Youtube
  • piracy

-all of the above are competitors for Spotify, making rivalry pretty high

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8
Q

summary of forces

A

all forces are high except substitutes, this squeezes profitability
-because of Spotify’s size, they can bargain a bit

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9
Q

Summarize the problem for Spotify

A
  • spotify makes money from streaming only, main competitors don’t
  • face aggressive competitors who don’t care about making money (particularly from Apple Music)
  • threat form Big 3 with deep pockets and much power/ability
  • How does Spotify keep their position with the consistent pressure from competitors?
  • –consider: partnerships (with video game companies for example)
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