Sichi/nana Kyu Flashcards

1
Q

Togakure-Ryun ninpo taijutsu

A

School of the hidden door

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2
Q

Gokko-Ryu kosshijutsu

A

Jewelled tiger school

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3
Q

Kuki shinden Happo bikenjutsu

A

School of transmission of the 9 demons.

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4
Q

Koto-ryu koppojutsu

A

Knocking down tiger school

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5
Q

Shinden Fudo-ryu dakentaijutsu

A

School of the immovable spirit

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6
Q

Takagi yoshin-ryu jutaijutsu

A

Tall tree willow heart school

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7
Q

Gikan-ryu koppojutsu

A

Loyalty, truth and justice school

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8
Q

Gyokushin-ryu ninpo

A

Jewelled heart school.

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9
Q

Kumogakure-ryu ninpo.

A

Hidden in the clouds school.

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10
Q

Koppojutsu

A

Bone attack art

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11
Q

Kosshijutsu

A

Muscle attack art

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12
Q

Daikenjutsu

A

Combination of koppojutsu and kosshijutsu.

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13
Q

Jutaijutsu

A

Flexible body art

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14
Q

Bikenjutsu

A

Sword arts

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15
Q

Ninpo

A

Stealth or perseverance art.

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16
Q

Gyaku waza

A

Collection of twisting techniques

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17
Q

Omote take ori

A

Outside breaking bamboo - tori grabs back of uke’s hand. Steps outside grab and lowers weight. Tori lifts hand, folds fingers towards uke’s armpit and steps onto uke’s toe to prevent escape.

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18
Q

Ura take ori.

A

Inside breaking bamboo - tori cross grabs uke’s fingers drops weight and steps forward while pushing fingers back towards Uke’s elbow. Straight arm bar is on Uke’s arm by pushing elbow with other hand.

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19
Q

Omote Gyaku

A

Outside twist - from kihon Happo.

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20
Q

Ura Gyaku

A

Inside twist - from kihon Happo.

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21
Q

Hon Gyaku

A

True twist - from Uke’s hand on lapel tori guards hand, reaches over and twists Uke’s wrist to vertical. With both hands, tori supports Uke’s wrist on their chest and leans forward.

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22
Q

Omote Oni kudaki

A

Outside demon crush - uke grabs tori’s sleeve, tori steps back on same side was grabbed, raises grabbed arm to inside of uke’s arm, steps back in with same foot and brings other arm behind Uke’s arm and clasps hand. Step back with same foot whilst raising Uke’s elbow to put on lock.

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23
Q

Ura Oni kudaki

A

Inside demon crush - as in omote oni kudaki but instead of free arm doing behind Uke’s arm, tori places free hand inside Uke’s elbow to lift it and apply lock.

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24
Q

Musha dori

A

Warrior capture - from kihon Happo.

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25
Q

Muso dori

A

No intention capture - from kihon Happo.

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26
Q

O gyaku

A

Big twist - tori grabs Uke’s wrist with one hand and the same side shoulder with the other. Tori steps outside and pulls down shoulder and raises wrist. Tori maintains grip for use as a restraint or walks through uke to throw.

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27
Q

Rokushaku bo

A

Six-foot staff.

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28
Q

Hira ichimonji no Kamae

A

Flat straight line - Stand in Hira ichimonji with the bo held horizontally in front of you.

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29
Q

Ichimonji no Kamae

A

Straight line - as for Hira ichimonji no Kamae but with head and front foot pointing towards uke.

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30
Q

Jodan no Kamae

A

High level - from ichimonji raise bo so that back hand is above your head. Bo is angled to the ground.

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31
Q

Ihen no Kamae

A

Changing - To the side of the body, rear hand at ear level, front hand at waist level. Angle the bo across the body.

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32
Q

Chudan no Kamae

A

Mid level - Bo is held under armpit and bo is horizontal towards uke.

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33
Q

Seigan no Kamae

A

Correct eyes - From chudan, drop rear hand to waist level and angle the front end to Uke’s eyes.

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34
Q

Gedan no Kamae

A

Low level - from segan front hand is on the front end of the bo, with 2/3 of it behind rear hand. Rear end of bo is at ground level.

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35
Q

Heito no Kamae

A

From gedan, move the bo back behind the body.

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36
Q

Tenchijin no Kamae

A

Heaven-earth-man - feet are closer together, bo is held to the right side vertically. Right palm held flat against Bō at head height and left hand at waist level.

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37
Q

Tentō Uchi

A

Vertically downward strike to top of head.

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38
Q

Kasumi Uchi

A

Diagonally rising temple strike.

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39
Q

Yokomen Uchi

A

Horizontal temple strike

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40
Q

Do Uchi

A

Horizontal body strike

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41
Q

Kote Uchi

A

Vertical downwards strike to the wrists.

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42
Q

Ashi Barai

A

Sweeping strike to the legs.

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43
Q

Age Uchi

A

Vertical rising strike (to groin, hands, head, etc.)

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44
Q

Toki Uchi

A

Striking top of the foot.

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45
Q

Tsuki

A

Thrusting forwards strike.

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46
Q

Furi

A

Spinning the Bō to strike or take distance.

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47
Q

Kenjutsu

A

Sword art

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48
Q

Bikenjutsu

A

Sword work

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49
Q

Tsuka

A

Hilt

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50
Q

Tsuba

A

Hilt guard

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51
Q

Sageo

A

Cord attaching sword to belt.

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52
Q

Kashira

A

Rounded end of hilt.

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53
Q

Kashiragane

A

Rounded end of hilt.

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54
Q

Ha

A

Edge of blade

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55
Q

Hi

A

The blood gutter.

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56
Q

Kissaki

A

Point of the blade.

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57
Q

Mune

A

The back of the blade.

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58
Q

Tsuka Ito

A

Criss cross cord wrapping the tsuka.

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59
Q

Same

A

The ray or shark skin under the tsuka Ito.

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60
Q

Hamon

A

The wavy edge pattern down the blade.

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61
Q

Saya

A

Scabbard

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62
Q

Nuki

A

To draw

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63
Q

Lai

A

Draw (the blade)

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64
Q

Laido

A

The way in which you draw the sword.

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65
Q

Noto

A

To sheath

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66
Q

Chuburi

A

To clean blood from the blade.

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67
Q

Daisho

A

To wear short and long swords together.

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68
Q

Seigan no Kamae

A

Right leg forward, weight towards rear foot, sword pointing towards Uke’s eyes.

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69
Q

Chudan no Kamae

A

As for seigan but with sword pointing at stomach of uke.

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70
Q

Gedan no Kamae

A

As for segan, but with sword pointing at feet of uke.

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71
Q

Ichi no Kamae

A

Seigan with arms extended at shoulder level sword straight.

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72
Q

Daijodan no Kamae

A

Left leg forward, sword raised above head, this is attacking position for a vertical cut down.

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73
Q

To-Sui no Kamae

A

Left leg forward, weight on front leg, head forward as a false target. Sword held low, blade edge may be up. “Clear water cut”

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74
Q

Hasso no Kamae

A

Feet together, sword held at side with tsuba at level of ear. On right hand side blade is facing uke, on left, away from uke.

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75
Q

Kasumi no Kamae

A

Seigan with arms crossed and sword held horizontally in front of face.

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76
Q

Totoku hyoshi no Kamae

A

Tori kneels on the left knee (toes up) the right knee faces uke. The sword is held in the right hand and is vertical (left hand can hold the saya) sword is held in front if face to protect it.

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77
Q

Happō giri

A

Sword cuts.

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78
Q

Kesa giri

A

Sash cut - cut from shoulder to hip.

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79
Q

Gyaku kesa giri

A

Reverse sash cut

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80
Q

Dō giri

A

Torso cut

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81
Q

Kiri age

A

Cut rising (rising cut)

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82
Q

Tentō kiri

A

Heavens sword cut - to the top of the head.

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83
Q

Tsuki

A

Thrust.

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84
Q

Yokomen kiri

A

Side of head cut.

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85
Q

Uke Nagashi

A

How to deal with attacks.

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86
Q

Uke

A

Receive or parry.

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87
Q

Nagashi

A

Shedding or washing away.

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88
Q

Bikenjutsu Uke Nagashi

A

Methods of blocking with a sword.

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89
Q

Kyūsho

A

“Points of vulnerability” - pressure points.

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90
Q

Tentō

A

Top of the head

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91
Q

Happa

A

Inner ear (eight leaves)

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92
Q

Kasumi

A

Temple (mist)

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93
Q

Jinchū

A

Under the nose (middle of the person)

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94
Q

Ryūfu

A

Windpipe (willow wind)

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95
Q

Dokkotsu

A

The Adam’s apple (independent bone)

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96
Q

Hadome

A

Root of the teeth, sinus below cheekbone (tooth stop)

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97
Q

Uko

A

Side of neck (rain door)

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98
Q

Mira Same

A

Hollow of the throat (village rain)

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99
Q

Matsu Kaze

A

Hollow above collar (pine tree wind)

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100
Q

In

A

Cheekbone (shadow)

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101
Q

Asagasumi

A

Under chin (morning mist)

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102
Q

Butsumetsu

A

High on ribs beneath arm, or liver. (The day Buddha died)

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103
Q

Suigetsu

A

The solar plexus (moon reflected in water)

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104
Q

Gorin

A

Points around navel (five rings)

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105
Q

Kage

A

Sternum (shadow)

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106
Q

Waki Tsubo

A

The armpit (underarm pot)

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107
Q

Jujiro

A

Hollow between shoulder and chest (crossroads)

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108
Q

Kimon

A

Pectoral muscle (devil gate)

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109
Q

Ura kimon

A

Ribs below pectorals (reverse devil gate)

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110
Q

Inazuma

A

Liver (lightning)

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111
Q

Ushiro Inazuma

A

Liver from the back (outside lightening)

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112
Q

Kosei

A

Testicles (power of the tiger)

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113
Q

Suzu

A

Testicles (bell)

114
Q

Shichibatsu

A

Top of the hip

115
Q

Hiji

A

Elbow

116
Q

Hiji Hoshi

A

Crease of the elbow (elbow star)

117
Q

Setaki

A

Humerous (star)

118
Q

Nagare

A

Forearm nerve (flow)

119
Q

Jakkin

A

Between bicep and tricep, inside (weak muscle)

120
Q

Yubitsubo

A

Hollow between thumb and fingers (finger pot)

121
Q

Ura gyaku

A

Inside twist on wrist

122
Q

Omote gyaku

A

Outside twist point on hand.

123
Q

Sai

A

Thigh

124
Q

Koe

A

Groin (sound)

125
Q

Yaku

A

Inside calf muscle (bad luck)

126
Q

Kaku

A

Knee

127
Q

Toki

A

Instep

128
Q

Hajutsu Kyū Hō

A

9 ways of escape

129
Q

Te hodoki

A

Untying the hand

130
Q

Tai hodoki

A

Untying the body

131
Q

Yubi kudaki

A

Finger crushing

132
Q

Oya goroshi

A

Killing the father (finger crushing)

133
Q

Koshi kudaki

A

Crushing the hip

134
Q

Keri Gaeshi

A

Turning the kick

135
Q

Keri Kudaki

A

Crushing the kick.

136
Q

Ken kudaki

A

Crushing the weapon.

137
Q

Happō Geri

A

Kicking in all (8) directions

138
Q

Sokki ken

A

Swinging any part of the leg (usually knee)

139
Q

Kakato

A

Heel kick - type of soku gyaku (kick not push) using heel in. Front stamping kick or using heel to impact thigh.

140
Q

Sokuto

A

Foot sword / edge of the foot.

141
Q

School of the hidden door

A

Togakure-Ryun ninpo taijutsu

142
Q

Jewelled tiger school

A

Gokko-Ryu kosshijutsu

143
Q

School of transmission of the 9 demons.

A

Kuki shinden Happo bikenjutsu

144
Q

Knocking down tiger school

A

Koto-ryu koppojutsu

145
Q

School of the immovable spirit

A

Shinden Fudo-ryu dakentaijutsu

146
Q

Tall tree willow heart school

A

Takagi yoshin-ryu jutaijutsu

147
Q

Loyalty, truth and justice school

A

Gikan-ryu koppojutsu

148
Q

Jewelled heart school.

A

Gyokushin-ryu ninpo

149
Q

Hidden in the clouds school.

A

Kumogakure-ryu ninpo.

150
Q

Bone attack art

A

Koppojutsu

151
Q

Muscle attack art

A

Kosshijutsu

152
Q

Combination of koppojutsu and kosshijutsu.

A

Daikenjutsu

153
Q

Flexible body art

A

Jutaijutsu

154
Q

Sword arts

A

Bikenjutsu

155
Q

Stealth or perseverance art.

A

Ninpo

156
Q

Collection of twisting techniques

A

Gyaku waza

157
Q

Outside breaking bamboo - tori grabs back of uke’s hand. Steps outside grab and lowers weight. Tori lifts hand, folds fingers towards uke’s armpit and steps onto uke’s toe to prevent escape.

A

Omote take ori

158
Q

Inside breaking bamboo - tori cross grabs uke’s fingers drops weight and steps forward while pushing fingers back towards Uke’s elbow. Straight arm bar is on Uke’s arm by pushing elbow with other hand.

A

Ura take ori.

159
Q

Outside twist - from kihon Happo.

A

Omote Gyaku

160
Q

Inside twist - from kihon Happo.

A

Ura Gyaku

161
Q

True twist - from Uke’s hand on lapel tori guards hand, reaches over and twists Uke’s wrist to vertical. With both hands, tori supports Uke’s wrist on their chest and leans forward.

A

Hon Gyaku

162
Q

Outside demon crush - uke grabs tori’s sleeve, tori steps back on same side was grabbed, raises grabbed arm to inside of uke’s arm, steps back in with same foot and brings other arm behind Uke’s arm and clasps hand. Step back with same foot whilst raising Uke’s elbow to put on lock.

A

Omote Oni kudaki

163
Q

Inside demon crush - as in omote oni kudaki but instead of free arm doing behind Uke’s arm, tori places free hand inside Uke’s elbow to lift it and apply lock.

A

Ura Oni kudaki

164
Q

Warrior capture - from kihon Happo.

A

Musha dori

165
Q

No intention capture - from kihon Happo.

A

Muso dori

166
Q

Big twist - tori grabs Uke’s wrist with one hand and the same side shoulder with the other. Tori steps outside and pulls down shoulder and raises wrist. Tori maintains grip for use as a restraint or walks through uke to throw.

A

O gyaku

167
Q

Six-foot staff.

A

Rokushaku bo

168
Q

Flat straight line - Stand in Hira ichimonji with the bo held horizontally in front of you.

A

Hira ichimonji no Kamae

169
Q

Straight line - as for Hira ichimonji no Kamae but with head and front foot pointing towards uke.

A

Ichimonji no Kamae

170
Q

High level - from ichimonji raise bo so that back hand is above your head. Bo is angled to the ground.

A

Jodan no Kamae

171
Q

Changing - To the side of the body, rear hand at ear level, front hand at waist level. Angle the bo across the body.

A

Ihen no Kamae

172
Q

Mid level - Bo is held under armpit and bo is horizontal towards uke.

A

Chudan no Kamae

173
Q

Correct eyes - From chudan, drop rear hand to waist level and angle the front end to Uke’s eyes.

A

Seigan no Kamae

174
Q

Low level - from segan front hand is on the front end of the bo, with 2/3 of it behind rear hand. Rear end of bo is at ground level.

A

Gedan no Kamae

175
Q

From gedan, move the bo back behind the body.

A

Heito no Kamae

176
Q

Heaven-earth-man - feet are closer together, bo is held to the right side vertically. Right palm held flat against Bō at head height and left hand at waist level.

A

Tenchijin no Kamae

177
Q

Vertically downward strike to top of head.

A

Tentō Uchi

178
Q

Diagonally rising temple strike.

A

Kasumi Uchi

179
Q

Horizontal temple strike

A

Yokomen Uchi

180
Q

Horizontal body strike

A

Do Uchi

181
Q

Vertical downwards strike to the wrists.

A

Kote Uchi

182
Q

Sweeping strike to the legs.

A

Ashi Barai

183
Q

Vertical rising strike (to groin, hands, head, etc.)

A

Age Uchi

184
Q

Striking top of the foot.

A

Toki Uchi

185
Q

Thrusting forwards strike.

A

Tsuki

186
Q

Spinning the Bō to strike or take distance.

A

Furi

187
Q

Sword art

A

Kenjutsu

188
Q

Sword work

A

Bikenjutsu

189
Q

Hilt

A

Tsuka

190
Q

Hilt guard

A

Tsuba

191
Q

Cord attaching sword to belt.

A

Sageo

192
Q

Rounded end of hilt.

A

Kashira

193
Q

Rounded end of hilt.

A

Kashiragane

194
Q

Edge of blade

A

Ha

195
Q

The blood gutter.

A

Hi

196
Q

Point of the blade.

A

Kissaki

197
Q

The back of the blade.

A

Mune

198
Q

Criss cross cord wrapping the tsuka.

A

Tsuka Ito

199
Q

The ray or shark skin under the tsuka Ito.

A

Same

200
Q

The wavy edge pattern down the blade.

A

Hamon

201
Q

Scabbard

A

Saya

202
Q

To draw

A

Nuki

203
Q

Draw (the blade)

A

Lai

204
Q

The way in which you draw the sword.

A

Laido

205
Q

To sheath

A

Noto

206
Q

To clean blood from the blade.

A

Chuburi

207
Q

To wear short and long swords together.

A

Daisho

208
Q

Right leg forward, weight towards rear foot, sword pointing towards Uke’s eyes.

A

Seigan no Kamae

209
Q

As for seigan but with sword pointing at stomach of uke.

A

Chudan no Kamae

210
Q

As for segan, but with sword pointing at feet of uke.

A

Gedan no Kamae

211
Q

Seigan with arms extended at shoulder level sword straight.

A

Ichi no Kamae

212
Q

Left leg forward, sword raised above head, this is attacking position for a vertical cut down.

A

Daijodan no Kamae

213
Q

Left leg forward, weight on front leg, head forward as a false target. Sword held low, blade edge may be up. “Clear water cut”

A

To-Sui no Kamae

214
Q

Feet together, sword held at side with tsuba at level of ear. On right hand side blade is facing uke, on left, away from uke.

A

Hasso no Kamae

215
Q

Seigan with arms crossed and sword held horizontally in front of face.

A

Kasumi no Kamae

216
Q

Tori kneels on the left knee (toes up) the right knee faces uke. The sword is held in the right hand and is vertical (left hand can hold the saya) sword is held in front if face to protect it.

A

Totoku hyoshi no Kamae

217
Q

Sword cuts.

A

Happō giri

218
Q

Sash cut - cut from shoulder to hip.

A

Kesa giri

219
Q

Reverse sash cut

A

Gyaku kesa giri

220
Q

Torso cut

A

Dō giri

221
Q

Cut rising (rising cut)

A

Kiri age

222
Q

Heavens sword cut - to the top of the head.

A

Tentō kiri

223
Q

Thrust.

A

Tsuki

224
Q

Side of head cut.

A

Yokomen kiri

225
Q

How to deal with attacks.

A

Uke Nagashi

226
Q

Receive or parry.

A

Uke

227
Q

Shedding or washing away.

A

Nagashi

228
Q

Methods of blocking with a sword.

A

Bikenjutsu Uke Nagashi

229
Q

“Points of vulnerability” - pressure points.

A

Kyūsho

230
Q

Top of the head

A

Tentō

231
Q

Inner ear (eight leaves)

A

Happa

232
Q

Temple (mist)

A

Kasumi

233
Q

Under the nose (middle of the person)

A

Jinchū

234
Q

Windpipe (willow wind)

A

Ryūfu

235
Q

The Adam’s apple (independent bone)

A

Dokkotsu

236
Q

Root of the teeth, sinus below cheekbone (tooth stop)

A

Hadome

237
Q

Side of neck (rain door)

A

Uko

238
Q

Hollow of the throat (village rain)

A

Mira Same

239
Q

Hollow above collar (pine tree wind)

A

Matsu Kaze

240
Q

Cheekbone (shadow)

A

In

241
Q

Under chin (morning mist)

A

Asagasumi

242
Q

High on ribs beneath arm, or liver. (The day Buddha died)

A

Butsumetsu

243
Q

The solar plexus (moon reflected in water)

A

Suigetsu

244
Q

Points around navel (five rings)

A

Gorin

245
Q

Sternum (shadow)

A

Kage

246
Q

The armpit (underarm pot)

A

Waki Tsubo

247
Q

Hollow between shoulder and chest (crossroads)

A

Jujiro

248
Q

Pectoral muscle (devil gate)

A

Kimon

249
Q

Ribs below pectorals (reverse devil gate)

A

Ura kimon

250
Q

Liver (lightning)

A

Inazuma

251
Q

Liver from the back (outside lightening)

A

Ushiro Inazuma

252
Q

Testicles (power of the tiger)

A

Kosei

253
Q

Testicles (bell)

A

Suzu

254
Q

Top of the hip

A

Shichibatsu

255
Q

Elbow

A

Hiji

256
Q

Crease of the elbow (elbow star)

A

Hiji Hoshi

257
Q

Humerous (star)

A

Setaki

258
Q

Forearm nerve (flow)

A

Nagare

259
Q

Between bicep and tricep, inside (weak muscle)

A

Jakkin

260
Q

Hollow between thumb and fingers (finger pot)

A

Yubitsubo

261
Q

Inside twist on wrist

A

Ura gyaku

262
Q

Outside twist point on hand.

A

Omote gyaku

263
Q

Thigh

A

Sai

264
Q

Groin (sound)

A

Koe

265
Q

Inside calf muscle (bad luck)

A

Yaku

266
Q

Knee

A

Kaku

267
Q

Instep

A

Toki

268
Q

9 ways of escape

A

Hajutsu Kyū Hō

269
Q

Untying the hand

A

Te hodoki

270
Q

Untying the body

A

Tai hodoki

271
Q

Finger crushing

A

Yubi kudaki

272
Q

Killing the father (finger crushing)

A

Oya goroshi

273
Q

Crushing the hip

A

Koshi kudaki

274
Q

Turning the kick

A

Keri Gaeshi

275
Q

Crushing the kick.

A

Keri Kudaki

276
Q

Crushing the weapon.

A

Ken kudaki

277
Q

Kicking in all (8) directions

A

Happō Geri

278
Q

Swinging any part of the leg (usually knee)

A

Sokki ken

279
Q

Heel kick - type of soku gyaku (kick not push) using heel in. Front stamping kick or using heel to impact thigh.

A

Kakato

280
Q

Foot sword / edge of the foot.

A

Sokuto