Sheila Flashcards

1
Q

Mummy (act one)

A

Sheila still comes across as childish because of the way she addresses her mother

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2
Q

You talk as if we were responsible (act one)

A

She’s the first one to realise that they may have done something wrong

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3
Q

But these girls aren’t cheap labour - they’re people (act one)

A

First aign of her socialist views (goes with Priestley views) and that she isn’t afraid to disagree with her father

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4
Q

(little cry, gives a half stifled sob, and then runs out) - Act one

A

Sheila is affected by Eva’s suicide and cannot stay in the room

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5
Q

So I’m really responsible (act one)

A

At first she can’t believe she has done something wrong

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6
Q

It was my own fault (act one)

A

The first to accept her responsibility

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7
Q

Of course he knows (act one)

A

Sheila is the one to realise the inspector knows everything and is now waiting for everyone else to admit what they have done

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8
Q

She feels responsible-inspector (act two)

A

Sheila is immediately able to admit to IG that what she has done is wrong, much to her mother’s dismay

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9
Q

I know I’m to blame, it was my fault (act two)

A

Sheila openly says that she is in the wrong

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10
Q

It’s simply my fault that in the end she - she committed suicide (act two)

A

Sheila has the complete opposite reaction to her parents and goes as far as to put the full blame on herself

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11
Q

You mustn’t try to build up a kind of wall between us and that girl (act two)

A

Sheila understands that regardless of class, we are all essentially the same. Links to Priestley views

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12
Q

And probably between us we killed her (act two)

A

Tries to make her family understand that they have all had a part to play in driving this girl to suicide

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13
Q

I’m not a child don’t forget (act two)

A

Sick of being treated as a child and has now had enough

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14
Q

I’m ashamed of it ( act three)

A

She’s disappointed with herself because of what she has done

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15
Q

The point is, you don’t seem to have learnt anything (act three)

A

Sheila has taken something from what has happened and is annoyed that her parents have not

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16
Q

That’s what’s important - and not whether a man is a police officer or not (act three)

A

Sheila is able to see what is important and what isn’t out of what happened that night

17
Q

You’re just beginning to pretend all over again (act three)

A

Sheila is blunt with her parents that they are living a lie.