Sequential Illustration Flashcards

1
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Lynd Ward

A

(1905 – 1985)

  • Considered one of the founders of the graphic novel
  • Born Lynd Kendall Ward in Chicago, Illinois. Supposedly, Ward first considered becoming an artist at age 7 when he realized that Ward was “draw” spelled backwards
  • Ward learned linoleum-block printing in high school and attended Columbia Teachers College with a major in fine art. He learned wood engraving, etching and lithography while studying at the National Academy for Graphic Arts & Bookmaking, while living in Leipzig, Germany for a year. While there, Ward became inspired by the wordless novels of Franz Masereel and Otto Nückel.
  • Ward began illustrating children’s books soon after graduating from school
  • In 1929, Ward created Gods’ Man. It was published the week before the stock market crashed, but still sold more than 20,000 copies over the next four years. It was not only the first American wordless novel, but also the first American novel-length story told in wood engravings
  • Ward produced five more wood engraving novels over the next eight years: Madman’s Drum, Wild Pilgrimage, Prelude to a Million Years, Song Without Words, and Vertigo
  • These wordless, wood engraving novels were very influential on the graphic novel movement and on the writers of the Beat Generation, including Allen Ginsberg.
  • Ward’s illustrations blend Art Deco and Expressionist styles and he’s known for the socially conscious themes in his work, particularly regarding issues of labor and class struggle.
  • 1937 – Lynd Ward became director of the Graphic Arts Division of the Federal Art Project, part of the WPA (Works Progress Administration)
  • Although known for his woodcut novels, Ward worked in a variety of media including lithography, watercolor, mezzotint, and many more. He worked for over 50 years, illustrating around 200 juvenile and adult books, 26 of which were written by May McNeer, his wife.
  • Ward won a Caldecott Medal, illustrated six Newberry Honor books, and two Newberry Award books. He’s also in the Will Eisner Hall of Fame.
  • He served as president of the Society of American Graphic Artists from 1953 to 1959
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2
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Lynd Ward

Gods’ Man (1929)

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3
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Lynd Ward

Vertigo (1937)

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4
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Lynd Ward

Beowulf (1939 Heritage Press edition)

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5
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Lynd Ward

The Biggest Bear (1953)

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6
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Lynd Ward

The Silver Pony (1973)

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7
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Will Eisner

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  • One of the most important contributors to comic book medium.
  • Established the graphic novel as a form of literature.
  • Highest main stream comic book award, “The Eisner” named after him.

Eisner was born in Brooklyn, New York. He was influenced by J.C. Leyendecker. He studied for 1 year at the Art Students League. Then he worked as an advertising writer and cartoonist for the New York American newspaper and created $10/pg illustrations for pulp magazines.

1936: Eisner contributed 4 comic strips to Wow, What a Magazine! before it folded. He then worked with that editor producing and selling original comics material. He became rich before the age of 22
1939: Eisner created The Spirit, a detective comic for a more adult audience for Quality Comics. It was distributed in Sunday Newspapers. It was extremely popular and influenced many super hero comics, even though its protagonist didn’t have super powers.

The Spirit featured a range of styles – crime drama, noir, adventure, mystery, horror, comedy and romance. Hybrid elements that twisted the genre and reader expectations. It ended with its Oct. 5th, 1952 edition. It was known for its innovative “Splash Pages” – One image with integrated text, rendering of atmosphere (mist, night skies, fuming sewers). The Spirit began as a daily strip from in newspapers in 1941 and became a comic book in 1942.

Will Eisner was drafted into the Army in late 1941, early ’42. He created comics for training and editorial comic strips, including Joe Dope, for Army Motors. Eisner spent four years working in the Pentagon, editing and illustrating Firepower and PS (Preventative Maintenance Monthly) – two of the earliest comics created for instructional purposes.

While Eisner was working for the Army, the Studio “ghosted” The Spirit, which meant that other illustrators secretly drew the comic even though he was still listed as the illustrator. Eisner returned to working on The Spirit after the war.

Eisner tried to launch other comic series. None succeeded, but some of the failed material was later used in The Spirit.

1978: Will Eisner created A Contract with God, an early American graphic novel. It thematically linked short stories into a single-bound volume and proved that graphic novels could tell serious and/or realistic stories. It turned into a string of graphic novels that tell the history of New York City immigrant communities, particularly Jewish communities. The title story was inspired by the death of Eisner’s leukemia-stricken teenaged daughter in the 1970s.

Will Eisner created new books into 1970s and ‘80s at average rate of a book a year.

He died 2005 of complications from a quadruple bypass surgery performed the year before.

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8
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Will Eisner

Wow! Vol 3 (Sept 1936)

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9
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Will Eisner

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10
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Will Eisner

The Spirit (June 30, 1940)

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11
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Will Eisner

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12
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Will Eisner

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13
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Will Eisner

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14
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Will Eisner

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15
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Will Eisner

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16
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Jean Giraud / Moebius / Gir

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(1938 - 2012)

  • French comic artist known for his wide range of sci-fi and fantasy comics in highly imaginative and surreal, almost abstract style
  • Born Jean Henri Gaston Giraud in France.
  • Giraud originally worked under the pseudonym ’Gir’, while focusing on creating Western comics early in his career. During this time he worked on one of his best-selling comics series, Blueberry, per recommendation from mentor Joseph “Jije” Gillain. Blueberry featured one of the first anti-heroes in Western comics
  • Inspired by a trip to Mexico, Giraud’ s style often featured desert settings, and large, flat shapes and areas contrasting small areas of high detail.
  • The name “Mœbius” was used for Giraud’s fantasy / sci-fi work.
  • Created in 1963 for a short magazine strip, the name was later resumed in 1975, during which he became one of four founding creators of Metal Hurlant, a French sci-fi magazine that was eventually published in America as Heavy Metal.
  • Moebius created Arzach (1975 – 2012, worked on throughout his life), one of the first fantasy / sci fi comics to not use speech bubbles, captions, or written sound effects, non-linear plots
  • Some of his other well-known comics: The Airtight Garage of Jerry Cornelius, The Incal, and Edena Cycle
  • He was extremely influential. While Giraud garnered universal praise for his work as ”Mœbius” (especially in the US, the UK, and Japan), it should be noted that as “Gir”, Blueberry has always remained his most successful and most recognized work in his native France and in mainland Europe.
  • Giraud also created storyboards and concept designs for movies, including Alien, Willow, Tron, The Fifth Element, and The Abyss
  • In 1979, he met Alexandro Jodorosky, a Chilean Filmaker attempting to adapt to film a version of Frank Herbert’s novel, Dune. Giraurd created storyboards and character designs, but the project fell apart before it could be made. Jodorosky and Giraud continued collaborating as writer and artist on several graphic novels after.
  • Giraurd created a full-length animated movie Les Maitres du temps (Time Masters) in 1982. He also wrote the story and worked as the conceptual designer for Japanese animated film version of Little Nemo:Adventures in Slumberland (’82).

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He was adaptable to various working methods: etchings, black and white ink illustrations, ligne Claire, water colors. He drew very quickly.

-Moebius/ Jean Giraurd/ Gir died in March 2012 at the age of 73 from cancer

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17
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Jean Giraud / Moebius / Gir

Blueberry (1963- 2007)

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Jean Giraud / Moebius / Gir

Blueberry (1963- 2007)

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Jean Giraud / Moebius / Gir

Arzach, 1975

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Jean Giraud / Moebius / Gir

Arzach, 1975

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Jean Giraud / Moebius / Gir

The Airtight Garage , 1976-1979

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Jean Giraud / Moebius / Gir

Storyboards and concept art from Jodorosky’s Dune attempt

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Jean Giraud / Moebius / Gir

Storyboards and concept art from Jodorosky’s Dune attempt

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Jean Giraud / Moebius / Gir

Storyboards and concept art from Jodorosky’s Dune attempt

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Jean Giraud / Moebius / Gir

Voyage d’Hermes, 2011

-2 of 9 images created for the luxury fashion brand, Hermès, but never used, possibly because they contain zero reference to the brand

26
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Jean Giraud / Moebius / Gir

Voyage d’Hermes, 2011

-2 of 9 images created for the luxury fashion brand, Hermès, but never used, possibly because they contain zero reference to the brand

27
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R. Crumb

A

(1943 - present)

  • Founder and most prominent figure of the underground comix movement in the 60s and 70s
  • Best known for founding Zap Comix and for his series Keep on Truckin’, Devil Girl, Fritz the Cat and Mr. Natural
  • Work often features sexual themes, Amazonian women and viewpoint from the “white male attitude”
  • Enormous influence on zines, indie comics and indie graphic novels
  • born Robert Crumb, in Philadelphia, to a dysfunctional family which has gone on to inspire his work and point of view of the world.
  • Crumb moved to Cleveland in the 1960s and created cards for American Greetings
  • He moved to San Francisco and was heavily influenced by the counter-culture movement taking place there at the time.

Jan 18, 1968 – Crumb published the 1st issue of Zap Comix - ran for 16 issues. He continued to contribute to many other underground publications, introduced many characters and became very popular. Crumb was inspired by cartoons from the ‘20s and ‘30s and psychedelics (has admitted to extensive LSD use)

1975-76 – R. Crumb frequently contributed to Arcade, the comix anthology co-founded by art spiegelman (who we’ll learn about next)

1981-93 - Created, co-edited and contributed to Weirdo. Weirdo is considered the low-art counterpoint to art spiegelman’s “high-art” magazine RAW, produced at the same time.

1993 – R. Crumb exchanged some of his extensive sketchbook collection for a house in the South of France where he, his wife, and daughter still live.

1994 - Crumb, a documentary film directed by Terry Zwigoff, debuted and brought him even more attention. Zwigoff spent nearly a decade working on the documentary.

2009 – Crumb Published an illustrated graphic novel version of the Book of Genesis, with his own annotations about the bible.

  • As he got older, R. Crumb’s work has become more and more autobiographical.
  • Frequently draws comics about musical interests in blues, country, bluegrass, cajun, French bat-musette, jazz, big band and swing musical interests from ‘20s and ‘30s. He has sung and played instruments himself in several string bands, and has created album covers for his own bands as well as many others, both obscure and famous
  • Crumb is often criticized for his depiction of overly sexualized women and stereotyped minorities
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R. Crumb

Zap Comix (1968 &1970)

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R. Crumb

Zap Comix (1968 &1970)

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R. Crumb

1969 - R. Crumb’s Fritz the Cat

-published. In 1972, this was turned into the first animated feature film to receive an X rating. The most successful independent animated feature to date. R. Crumb had little to do with the film other that provide the source material.

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R. Crumb

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R. Crumb

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R. Crumb

The Book of Genesis Illustrated by R. Crumb (2009)

34
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art spiegelman

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(1948 - Present)

  • Intentionally lowercase
  • Best known for his Pulitzer Prize winning comic book Maus, which depicted his parents’ story of surviving the Holocaust
  • Created the innovative underground magazine RAW in 1980 with wife, Françoise Mouly

Born in Stockholm, Sweden to a Polish Jewish family, but grew up in Queens, NY. Spiegelman was inspired by Harvey Kurtzman, the creator of Mad Magazine.

1968 – He had brief, intense nervous breakdown. Soon after he was released from the mental hospital, his mom committed suicide.

-Major figure in the underground comics movement of the ‘60s and ‘70s. He co-founded the significant comics anthology, Arcade, in San Francisco in the early 1970s.

RAW included a serialized version of Maus.

1986 - Released the first volume of Maus (Maus I: A Survivor’s Tale or Maus I: My Father Bleeds History).

1991- Maus II: And Here My Trouble Begins -Maus took 13 years to complete. It received a HUGE unprecedented amount of critical attention for a comic. It was exhibition in MOMA and awarded a special Pulitzer Prize in 1992. The graphic novel depicts Jews as mice and non-jewish Germans as cats due to the Nazi description of Jewish people as “vermin”. Other nationalities are depicted as different animals. It’s a very complex, intelligent and difficult to classify work.

1992 – Spiegelman worked for The New Yorker for 10 years. His wife, Francois Mouly is still the cover art director of the magazine. He and his wife created the cover for the Sept. 24th issue that received wide acclaim. He resigned shortly after 9-11 to protest the “widespread conformism” of the U.S. media.

2004: He created In the Shadow of No Towers about the 9-11 attacks and the country’s reaction
- Time called him one of their “Top 100 Most Influential People” in 2005
- He worked for 20 years With Topps candy after an internship at age 18. While there, he invented Garbage Candy, Wacky Packages card series, Garbage Pail Kids and countless successful novelties.
- Spiegelman once voiced himself once on an episode of The Simpsons

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art spiegelman

Day at the Circuits - Arcade #2 (1975)

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art spiegelman

Breakdowns (1978)

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art spiegelman

1976

-Spiegelman moved to New York City. He married Françoise Mouly and the two created RAW, an innovative magazine of underground art on her printing press.

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art spiegelman

Doodle comic for RAW #1

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art spiegelman

MAUS I (1986)

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art spiegelman

MAUS II (1991)

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art spiegelman

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art spiegelman