Semester 2

Question 1

How to find out the chords in a minor

Answer 1

Relative major raise the leading note

Question 2

Best inversion chords in harmony

Answer 2

I, iib, IVb, Vb and viib

Question 3

What inversion should you avoid in harmony?

Answer 3

vib

Question 4

Can leading notes be doubled in harmony?

Answer 4

No

Question 5

How are dissonances and suspensions approached and quitted in harmony

Answer 5

By step

Question 6

What do you double in harmony?

Answer 6

Root or fifth

Question 7

What do you do with 2nd inversion chords in harmony?

Answer 7

Double the fifth

Question 8

What cadence do you double the third in harmony?

Answer 8

Double the third in chord VI in V-VI progressions

Question 9

What chord do you double the third in?

Answer 9

Double the third in viib

Never use vii in root

Question 10

What chord can you never use in root position on harmony?

Answer 10

vii

Question 11

When do you use contrary motion in harmony?

Answer 11

When chords run in parallel E.g IV-V

Question 12

When in harmony do you omit a fifth?

Answer 12

In V7-1 progression

Question 13

Rules of harmony

Answer 13

1) no consecutive fifths or octaves
2) no overlapping
3) ranges
4) leading notes rise to the tonic and can’t be doubled

Question 14

How do you approach and resolve sevenths

Answer 14

By step

Question 15

What do you leave out in a V7-I cadence

Answer 15

Fifth

Question 16

How do you resolve semitones

Answer 16

By step

Question 17

How do avoid parallel 5ths in V7-I

Answer 17

Either the traditional method of leaving out a fifth

Or in a chorale, Bachs method of allowing a leading note to fall

Question 18

Fave mid phrase progression

Answer 18

IV - V7d - Ib

Question 19

Progressions

Answer 19

IC-V7-I
I-V7-I
IVb-V7b-I
I-V7c-Ib
IV-V7d-Ib

Question 20

When do you double the third

Answer 20

IVb

In IVb-V7b-I

Question 21

6

Answer 21

1st inversion

Question 22

6

4

Answer 22

Second inversion

Question 23

7

Answer 23

Root 7th

Question 24

6

5

Answer 24

1st inversion 7th

Question 25

4 | 3

Answer 25

2nd inversion 7th

Question 26

4 | 2

Answer 26

3rd inversion 7th

Question 27

#6

Answer 27

Minor chord

Question 28

b7

Answer 28

Dim. 7th

Question 29

What does a sharp on its mean?

Answer 29

Sharpen 3rd

Question 30

Formulae for 64-53

Answer 30

One note stays the same 6 to 5 4 to 3

Question 31

Sharp on its own

Answer 31

Sharpen 3rd

Question 32

Leasing notes

Answer 32

Don't double | Must rise

Question 33

2nd inversion chords

Answer 33

Double the fifth!

Question 34

When do you double the bass?

Answer 34

6 | 4

Question 35

NEVER DOUBLE!

Answer 35

Leading note

Question 36

What should you never do with the leading note

Answer 36

Never double it

Question 37

Don't put the resolution in the chord! It shouldn't appear until the resolutokb

Answer 37

E.g a 7 resolving to a 6 shouldn't have a 6 in the 7th chord

Question 38

Leading notes go where?

Answer 38

RISE TO THE TONIC

Question 39

what do chromatic chords resolve to?

Answer 39

Dominant | Or sometimes Ic

Question 40

how do you resolve the chromatic notes of the chord?

Answer 40

By semitone

Question 41

Hint about augmented 6th in minor keys

Answer 41

vi is already flat so don't flatten it again

Question 42

what are the chromatic chords?

Answer 42

dom. of the dom. | substitute for ii

Question 43

what is bii?

Answer 43

a major triad

Question 44

What chromatic chord causes parallel 5ths?

Answer 44

German 6th | Resolve to Ic

Question 45

Diminished 7th

Answer 45

#IV add 3rd and 5th add dim 7th above the bass

Question 46

Neapolitan 6th

Answer 46

find bii add a perfect 5th put in first inversion

Question 47

Italian Augmented 6th

Answer 47

bVI add aug. 6th add major third

Question 48

German Augmented 6th

Answer 48

bVI add aug. 6th add major third add perf 5th

Question 49

French Augmented 6th

Answer 49

bVI add aug. 6th add major third add augmented 4th

Question 50

chromatic chord hints

Answer 50

1) look for stepwise resolutions where possible, especially semitones 2) always stepwise contrary motion in the bass and one other part leading to dom. 3) avoid aug. or dim. leaps 4) don't forget accidentals (even if after a bar line put in a bracket to show Clive you know)

Question 51

Neapolitan 6th in figured bass

Answer 51

b6

Question 52

figured bass German aug. 6th

Answer 52

``` #6 5 ```

Question 53

figured bass Italian aug. 6th

Answer 53

#6

Question 54

figured bass French aug. 6th

Answer 54

``` #6 4 ```

Question 55

What shouldn't you double in an Italian Aug. 6th

Answer 55

The augmented 6th! Bc it will create octaves

Question 56

What should you remember about spacing

Answer 56

Not over an octave!