Intervals, Chords And Cadences Flashcards

1
Q

2,3,6,7 intervals

A

Major, augmented

Minor, diminished

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2
Q

4,5,8 intervals

A

Perfect, augmented, minor

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3
Q

Rule of 9

A

The interval will always add up to 9
2 - 7
3 - 6
4 - 5

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4
Q

Rule of opposites

A

Major - minor
Aug - diminished
Perf - Perf

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5
Q

‘full stops’

A

Perfect (V-I)

Plagal (IV-I)

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6
Q

‘commas’

A

Imperfect (anything - V but usually I or IV)

Interrupted (V-VI)

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7
Q

Rules

A

1) no consecutive 5ths or octaves
2) avoid overlapping parts
3) vocal ranges
4) no augmented, diminished or large leaps
5) leading notes rise to the tonic (sharpen in minor keys)
6) no doubling thirds

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8
Q

Hints

A

Double the root or 5th
Contrary motion
Double the 3rd in chord VI in inturrupted minors
High tenor

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9
Q

What to check for bc you’re thick

A

3rds!!
No doubling
Must have one
Duhh!

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10
Q

Perfect

A

V-I

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11
Q

Plagal

A

IV-I

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12
Q

Imperfect

A

Anything - V

Usually I-V or IV-V

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13
Q

Interrupted

A
  • VI

Usually V-VI

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14
Q

What to look for in minor cadences

A

Augmented 2nds!

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15
Q

Minor chords in major scale

A

ii, iii, vi vii°

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16
Q

Minor chords in minor scales

A

i, ii°, iv, vii°

17
Q

Augmented chord ininor scale

A

III

18
Q

Diminished chord in major and mjnkr6

A

vii°

Minor also ii°

19
Q

What to check for in cadences

A

Dim and Aug. Leaps

20
Q

What do you double

A

Root

Failing that the fifth

21
Q

Avoid

A

Mudy thirds

22
Q

When do you double the third

A

Minor V-VI

Minor interrupted

23
Q

When should you use contrary motion

A

When chords run in parallel

E.g IV-V or V-VI

24
Q

What tk be wary of in minor interrupted

A

Augmented seconds

25
Q

Minor imperfect

A

Contrary motion

Soprano and tenor vs tenor bass contrary

26
Q

Interrupted motion

A

Contrary

27
Q

What direction will you be moving in interruoted minors to get an augmented second

A

Down

28
Q

Vocal ranges

A
Sop= middle C - G
Alto = G bellow middle C - C
Bass = F - Middle C
Tenor = C - G above middle C
29
Q

How to work out minor scale key signature when using relative major

A

Raise 7th of the major scale

30
Q

Only octave leap on

A

3 or 8

31
Q

Harmony checklist

A

1) cadences
2) write in relatives
3) write out chords
4) identify changes of key
5) analysis

32
Q

Cambiata

A

Gmajor bwlow

Dim above

33
Q

Counterpoint checklist

A

Where can do cambiata

Cambiata line crotchets, other 3rd species