Section 1:1 Tensions Flashcards

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1
Q

Nonharmonic (non-chord tones) that include the intervals of the 9th, 11th, and 13th above the root of a chord.

A

Tensions

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2
Q

The 7th is considered a tension when

A

not already identified by the chord symbol.

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3
Q

Label tensions using

A

T9, T11, T13, TM7

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4
Q

describe the 3 kinds of MELODIC tensions.

A
  1. Any note longer than a beat in duration
  2. A note of any duration followed by a leap
  3. Notes located on a strong beat which resolve, by step, to a chord tone located on a weak beat.
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5
Q

Harmonic tensions

A

Non-chord tones used in conjunction with the vertical structure of the chord. Harmonic tensions must be included in the chord symbols

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6
Q

How are the 7th and the 6th used in triads?

A

Usually not considered tensions; can be used as melodic passing tones when they are used in an independent melody line that moves against a sustained triad

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7
Q

Any note that is a whole step above a chord tone ——

Any note that is a half-step above a chord tone ——

A

can be used as an available tension; cannot.

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8
Q

Available Tensions

Major triads

A

T9, T#11 - when diatonic

T6, TM7 - independent melodic tension

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9
Q

Available Tensions

minor triads

A

T9, T11;

T6, TM7, T7 - independent melodic tension

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10
Q

Available Tensions

Major 6th

A

T9
T#11 - when diatonic
TM7 - independent melodic tension

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11
Q

Available Tensions

Minor 6th

A

T9, T11

TM7 - independent melodic tension

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12
Q

Available Tensions

Major 7th

A

T9, T13

T#11 - when diatonic

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13
Q

Available Tensions

Augmented-Major 7th

A

T9, T#11

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14
Q

Available Tensions

Minor-Major 7th

A

T9, T11, T13

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15
Q

Available Tensions

Minor 7th

A

T11
T9 - when diatonic
T13 - only in Dorian

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16
Q
Available Tensions
Minor 7th(b5)
A

T11, Tb13

T9 - when diatonic

17
Q

Available Tensions

Dominant 7th

A

Tb9, T9, T#9, T#11, Tb13, T13

Tb5 - when not identified by the chord symbol

18
Q

Available Tensions

Augmented 7th

A

T9, T#11

19
Q
Available Tensions
Dominant 7th(sus4)
A

T9, T13

20
Q

Any duration followed by a leap to a tension or a chord tone

A

melodic tensions

21
Q

Tensions on a strong beat which resolve by step to a chord tone on a weak beat

A

melodic tensions

22
Q

Avoid these 4 combinations

A

T9 and T#9 / Tb9
T13 and Tb13
5 and Tb13
5 and Tb5