seciton 7.2 Flashcards

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1
Q

sounds

A

vibrations of air molecules that stimulate the auditory system; humans only molecular vibrations between about 20 and 20,000 hertz (cycles per second).

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2
Q

amplitude

A

loudness

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3
Q

frequency

A

pitch

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4
Q

complexity

A

timbre

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5
Q

Pure tones (sine wave vibrations)

A

exist only in laboratories and sound recording studios; in real life, sound is always associated with complex patterns of vibrations.

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6
Q

fourier analysis

A

the mathematical procedure for breaking down complex waves into their component sine waves.

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7
Q

One theory of audition is that

A

the auditory system performs a Fourier-like analysis of complex sounds in terms of their component sine waves.

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8
Q

For any pure tone, there is a close relationship between

A

the frequency of the tone and its perceived pitch.

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9
Q

The pitch of natural sounds is related to their

A

È fundamental frequency (the highest frequency of which the various component frequencies of a sound are multiples). A sounds with a mixture of 100, 200, and 300 frequencies normally has a pitch related to 100 Hz because 100 Hz is the highest frequency of which the three components are multiples.

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10
Q

An important characteristic of pitch perception is the fact that the

A

pitch of a complex sound may not be directly related to the frequency of any of the sound’s components. A mixture of pure tones with frequencies of 200, 300, and 400 Hz would be perceived as having the same pitch as a pure tone of 100 Hz – because 100 Hz is the fundamental frequency of 200, 300, and 400 Hz. This important aspect of pitch perception is referred to as the missing fundamental.

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11
Q

Sound waves travel from the

A

È outer ear down the auditory canal and cause the tympanic membrane (the eardrum) to vibrate. These vibrations are then transferred to the three ossicles – the small bones of the middle ear: the malleus (the hammer), the incus (the anvil) and the stapes (the stirrup). The vibrations of the stapes trigger vibrations of the membrane called the oval window, which in turn transfers the vibrations to the fluid of the cochlea.

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12
Q

cochlea

A

long, coiled tube with an internal membrane (organ of Corti) running almost to its tip.

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13
Q

organ of corti

A

the internal membrane of the cochlea; auditory receptor organ. Each pressure change at the oval window travels along the organ of Corti as a wave. Composed of two membranes: the basilar membrane and the tectorial membrane.

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14
Q

hair cells

A

the auditory receptors; mounted in the basilar membrane.

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15
Q

tectorial membrane

A

rests on the hair cells

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16
Q

A deflecton of the organ of Corti at any point along its length

A

produces a shearing force on the hair cells at the same point. This force stimulates the hair cells, which in turn increase firing in axons of the auditory nerve.

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17
Q

auditory nerve

A

a branch of cranial nerve VIII (the auditory-vestibular nerve).

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18
Q

The vibrations of the cochlear fluid are

A

ultimately dissipated by the round window, an elastic membrane in the cochlea wall.

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19
Q

The cochlea is sensitive

A

humans can hear differences in pure tones that differ in frequency by only 0.2%.

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20
Q

The major principle of cochlear coding is that

A

different frequencies produce maximal stimulation of hair cells at different points along the basilar membrane – with higher frequencies producing greater activation closer to the windows and lower frequencies producing greater activation at the tip of the basilar membrane.

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21
Q

The many component frequencies that compose each complex sound activate

A

hair cells at many different points along the basilar membrane, and the many signals created by a single complex sound are carried out of the ear by many different auditory neurons.

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22
Q

tonotopic

A

structures are arrayed according to frequency.

23
Q

semicircular canals

A

the receptive organs of the vestibular system.

24
Q

vestibular system

A

carries information about the direction and intensity of head movements, which helps maintain our balance.

25
Q

The axons of each auditory nerve synapse in the

A

ipsilateral cochlear nuclei, from which many projections lead to the superior olives on both sides of the brain stem at the same level.

26
Q

The axons of the olivary neurons project via

A

the lateral lemniscus to the inferior colliculi, where they synapse on neurons that project to the medial geniculate nuclei of the thalamus, which in turn project to the primary auditory cortex.

27
Q

Signals from each ear are combined

A

at a very low level (in the superior olives) and are transmitted to both ipsilateral and contralateral auditory cortex.

28
Q

Localization of sounds in space is mediated by

A

the lateral and medial superior olives.

29
Q

medial superior olives

A

some neurons respond to slight differences in the time of arrival of signals from the two ears.

30
Q

lateral superior olives

A

some neurons respond to slight differences in the amplitude of sounds from the two ears.

31
Q

medial and lateral superior olives

A

project to the superior colliculus, as well as to the inferior colliculus.

32
Q

In contrast to the general tonotopic organization of the auditory system, the deep layers of the superior colliculi

A

which receive auditory input, are laid out according to a map of auditory space. The superficial layers receive visual input and are organized retinotopically. Appears that the general function is locating sources of sensory input in space.

33
Q

Primary auditory cortex in primates

A

receives the majority of its input from the medial geniculate nucleus; located in the temporal lobe, hidden from view within the lateral fissure. Comprises three adjacent areas, which together are referred to as the core region.

34
Q

belt

A

surrounding the core region; a band of secondary cortex.

35
Q

parabelt areas

A

areas of secondary auditory cortex outside of the belt.

36
Q

There seems to be about __ separate areas of auditory cortex in primates.

A

20

37
Q

The primary auditory cortex is organized in functional columns:

A

all of the neurons encountered during a vertical microelectrode penetration of the primary auditory cortex (at right angles to the cortical layers) tend to respond optimally to sounds in the same frequency range.

38
Q

The auditory cortex, like the cochlea, is organized tonotopically:

A

each area of primary and secondary auditory cortex appears to be organized on the basis of frequency.

39
Q

Many neurons in the auditory cortex respond only weakly to

A

simple stimuli, such as pure tones.

40
Q

Auditory signals are ultimately conducted to two large areas of associated cortex:

A

prefrontal cortex and posterior parietal cortex.

41
Q

It has been hypothesized that the anterior auditory pathway is more involved in

A

identifying sounds (what), whereas the posterior auditory pathway is more involved in located sounds (where).

42
Q

Suggested that the primary function of the auditory dorsal pathway is

A

in the preparation for action.

43
Q

association cortex

A

usually defined as areas of cortex where interactions, or associations, take place. Confirmed by functional brain imaging studies, but they have also found evidence of sensory interactions at the lowest level of the sensory cortex hierarchy, in areas of primary sensory cortex.

44
Q

Most auditory neurons respond to changes in

A

frequency rather than pitch.

45
Q

Bendor and Wang

A

discovered one small area, in monkeys, just anterior to primary auditory cortex that contained many neurons that responded to pitch rather than frequency, regardless of the quality of sound. This area also contained neurons that responded frequency. They suggested that this area was likely the place where frequencies of sound were converted to the perception of pitch. Similar location in human brain with fMRI studies.

46
Q

bilateral lesions

A

often a complete loss of hearing, which presumably results from the shock of the lesion because hearing recovers in the ensuing weeks. The major permanent effects are loss of the ability to localize sounds and impairment of the ability to discriminate frequencies.

47
Q

unilateral lesions

A

suggest that the system is partially contralateral. Disrupts the ability to localize sounds in space contralateral, but not ipsilateral, to the lesion. Other auditory deficits produced by unilateral auditory cortex lesions tend to be only slightly greater for contralateral sounds.

48
Q

Total deafness is rare

A

only occurring in 1% of hearing impaired individuals.

49
Q

Severe hearing problems typically result from damage to the

A

inner ear or the middle ear or to the nerves leading from them, rather than from more central damage.

50
Q

conductive deafness

A

hearing impairments associated with damage to the ossicles.

51
Q

nerve deafness

A

hearing impairments associated with damage to the cochlea or auditory nerve. Major causes is a loss of hair cell receptors. If only part of the cochlea is damage, individual may have nerve deafness for some frequencies, but not others.

52
Q

age-related hearing loss

A

features a specific deficit in hearing high frequencies.

53
Q

tinnitus

A

ringing of the ears; hearing loss is sometimes associated with this. When only one ear is damaged, the ringing is perceived as coming from that ear; however, cutting the nerve from the ringing ear has no effect on the ringing. This suggests that changes to the central auditory system that were caused by the deafness are the cause of tinnitus.

54
Q

cochlear implants

A

helps some people with nerve deafness; bypass damage to the auditory hair cells by converting sounds picked up by a microphone on the patient’s ear to electrical signals, which are then carried into the cochlea by a bundle of electrodes. These signals excite the auditory nerve. They provide benefits, but cannot restore normal hearing. Disuse leads to degeneration of the auditory neural pathways.