Scene 2 Flashcards
SLASH MURPHY
So I leave that Didi girl to lock the front door, and I head to the kitchen. And I
come around the corner and — AAAAHHHHHHH!
DIDI DRAGO
AAAHHHHHHHHH!
ERIC SWERDLOFF
Way to go Greta. Your first psychic flash that ever came true, and you miss it by one day. Buy that woman a calendar.
DIDI DRAGO
So we’re running, Slash and me, and I’m like, “Why did I have to wear four-inch
heels to a graveyard?” Because I’m falling down every ten yards. And I’m like, “Go on without me.” And Slash is like, “Just get up. He doesn’t run very fast. He’s dead.” And I’m like, “Oh, right.”
(DIDI and SLASH pass through the door or curtain to enter the “house.”)
And we make it to this creepy old house. And we burst in. Because it’s unlocked, for some reason. And I’m like, “Weird. You’d think it’d be abandoned. But it’s totally furnished.” And Slash is like, “Furnished in 1954.” And I’m like, “Should we really be critiquing the interior design?” And Slash is like, “Right. Let’s make sure all the windows and doors are locked.”
SLASH MURPHY
Prove it.
DIDI DRAGO
What the hell is going on?
ERIC SWERDLOFF
Of all the abandoned houses in all the graveyards in all the world, she ends up in mine.
DIDI DRAGO
Me and Slash run over and look out the window. And now it’s not just one dead
guy. Now there’s like four. The dude that killed Hannah, plus a couple of old ladies. One’s in a tattered wedding dress. I mean, I assume it’s a wedding dress. On the one hand, it has a veil; on the other hand, it’s not white. It’s more kind of brownish and dirt-covered and peeling. But then, so is her skin, so.
JOHNNY O’DELL
Hey, hey, it’s Johnny O’Dell, spilling out the madness and mayhem in the
Morning Zoo on M-102.7, Harwood’s Home of Hard Rock.
ANNIE DALTON
Radio announcer Johnny O’Dell.
